Crime and Punishment

I enjoyed this. I had just finished the novel, and i found this version to be excellent. I'm actually trying to find somewhere to buy it, and failing at it miserably (help encouraged). As far as this not being a good adaptation because John Simm isn't attractive enough? Don't know, Don't care really.

That review criticizing Dostoevsky (the one above with one star) is absolute garbage. This movie is spot on with the book and the book itself is mind-blowing. To describe it in the 1000 word limit this review imposes would be a grave injustice. The film is so long that it is split into two parts, all because the director wanted the film to stand true to the novel. You will find no substantial omissions from the book in this film. I'd like to see the ignoramus who gave that review direct me to the novel he/she wrote. Put your money where your mouth is. It seems highly arrogant to me that one should go out of his way to search the internet for this IMDb page just to rant on Dostoevsky and how much his work sucks. Get a life.

This is not an adaptation of the book, they probably filmed whatever they had memorized of it,and I see they don't have a good memory. All characters are skewed there are scenes that came out of the directors mind terrible acting total disrespect to the original work and writer vulgar "adaptation" totally disgusting i felt ashamed. BBC should be too. If Dostoyevsky was alive and watched the movie he would be frustrated by mankind once again. I once had good respect for BBC, where did all the responsible and talented people go? Don't they have a committee that supervises their productions after filming? Am I the only one that finds this offensive and totally unacceptable?

At first, you are perplexed by the rather dogma-like TV technique of making this film, but the more you get used to it, the more you get into it, the more you like it. Actually, it's a marvellous Dostoievsky interpretation and adaptation amazingly true to Dostoievsky, even though it's all TV. The direction and filming is virtuoso all the way, and all the players are outstanding, especially John Simm as Raskolnikov, Ian McDiarmid absolutely super as the police inspector, Nigel Terry as Svidrigailov and David Haig as the perfectly abominable Luzhin, but they are all good, Rasumichin, Dunia and the mother as well - all deserve ample praise. There is really not much more to say. It's more organic than any other screening of this one of the best novels ever written that I have seen, but I still have a few to go through, and it will be very interesting to compare it with the modernization of the same year and especially the Russian in black-and-white from 1970. It relies a great deal on Josef von Sternberg's interesting version of 1935 with Peter Lorre and also in some respects on the German expressionistic of the 20s. There was a Swedish film in 1945 by Hampe Faustmann with the director himself playing Raskolnikov, which was too Swedish to be convincing (in a rather Bergman style), but this version succeeds in getting under the very skin of Dostoievsky even in spite of being very English - it actually comes close to Brontëism, and this is the marvel of the film. I prophesy it will grow into a classic.

DON'T CARE IF PEOPLE DON'T AGREE WITH ME BUT I WAS MESMERISED BY JOHN SIMM IN PARTICULAR. AND WHO SAID HE'S NOT ATTRACTIVE !!! I'VE LOVED ALL HIS WORK SINCE.

QUITE A COMPLEX PSYCHOLOGICAL GRITTY & DARK STORY, BUT EVEN AS A WOMAN THAT'S WHAT I'M ATTRACTED TO. ALL THESE YEARS IT'S STILL STUCK IN MIND, AND KEEP MEANING TO TRY AND BUY IT ON DVD.