Une femme de ménage

Please, it's "aspirateur" not "respirateur". Having lived in France for many years I've seen similar situations develop countless times. I've also seen many Claude Berri films and he has got it down pat. It was pleasant to recognize the familiar Paris neighborhood scenes and to wax nostalgic over such familiar goings on. The two leads are most realistic and the supporting actors lend a tone of verité. All in all, a most realistic slice of life à la française. For anyone who has lived in Europe this film will be a pleasant reminder of the sophisticated approach and attitudes that the Europeans (especially the French)bring to situations such as the one depicted in this movie.

Yet another small gem from that great year of French pics 2002. The talent is out of the right bottle too if anybody asks you, writer director Claude Berri and male lead Jean-Pierre Bacri, no slouch as a writer himself. To a certain extent is IS a male fantasy with Emillie Duquenne all but throwing herself at Bacri who has to be twice her age at least. But, as others have pointed out in these boards Bacri is basically decent and certainly wasn't looking for a May-December affair only for someone to police his apartment. For reasons of her own Duquenne developed what seemed to be genuine hots for him and naturally he's not going to turn down an attractive young girl. There's no special insight nor is any attempted, it's just a record of a brief fling in which nobody really gets hurt and we get to see some pleasant Parisian locations and listen to some pleasing music. Lemon soufflé anyone.

A tender, surprising little film with superb performances, fine writing, good filmic qualities, and a superb music script, Une Femme... touches the veiwer, provides laughs, allows self-recognition, and shows the relative maturity of the experienced against the unintended heartlessnes of the young in a sophisitcated society. Very French. The man is intellectually prepared but still has to deal with the emotions of loss, despite the utterly ill-suitedness of his new love. The girl's neediness for approval and "love" demands his response, to which his kind and needy heart does what we expect.

A perfect slice of life as has defined French film for so long. Happily. And well. Chapeaux

This film is both comedy and a melodrama about a Parisian classical music producer who lives alone in his Paris flat. He hires a housekeeper without references or much experience. Jacques was brilliantly played by French actor, Jean-Pierre Bacri. The housekeeper, Laura, is perfectly played by Emilie Dequenne. Laura ends up moving into his flat where their musical tastes reflect their ages. They also have an intimate relationship which leads to a trip to Normandy Beach where they see his old friend. Most of the film is about Jacques and Laura's relationship. Jacques is overcoming from a painful breakup with his ex-wife. Laura needs a place to crash and he offers assistance. In the end, they become friends and lovers but I think they both needed each other's companionship for the loneliness felt at the time.

This movie has a light plot and lightly written characters: a middle-class neurotic-grumpy-artist falling in love with his young-trashy-placid housemaid. There is a very fine line between lightness and shallowness and that movie can't avoid falling into clichés, especially regarding the world outside the two main characters (like: the ex wife sleeping with the best friend). But the actors Emilie Dequenne and Jean-Pierre Bacri are just so generous towards their characters that they make them real, and utterly lovable. They are captivating and make that little unpretentious movie an enchanting delight.