Masques

Intriguing, somewhat old-fashioned thriller where no one is quite who he seems to be (though the revelations in themselves are hardly astounding); for what it is worth, I had to make do here with a TV-sourced version sporting French subtitles! In any case, the film virtually hinges on Philippe Noiret's excellent central performance as a larger-than-life TV presenter with a weakness for luxury. Evoking Walter Matthau to a striking degree, he manages all of the protagonist's various facets (transmitting in this way his talent for manipulation) – going from the charm he exercises on audiences and collaborators alike, to the tenderness he demonstrates towards his young female charge (whom he ostensibly took on out of compassion after both her parents perished in a car crash), the ruthlessness he eventually adopts in order to achieve his goals, and ultimately the breakdown he suffers 'on air' exposing him for the contemptuous bully he really is.

The plot sees a young reporter apparently approach Noiret for the purposes of writing his biography (he is actually investigating the disappearance of a woman who had been the old man's guest). At the latter's country-house, he meets and is attracted to the girl (leading a sheltered life due to her 'delicate' health), who even reciprocates his feelings – to Noiret's obvious chagrin (incidentally, Chabrol resists making him a lecher since he is only after the heroine's money). Bland Robin Renucci is only adequate as the amateur detective, but Anne Brochet's classical beauty (looking quite a bit like Emmanuelle Beart!) is ideally suited for the rather melancholy girl he determines to save from the evil clutches of her guardian. Also involved is Bernadette Lafont (middle-aged but still looking good and with hair dyed blonde) as a hanger-on at Noiret's estate who professes to tell fortunes.

MASQUES basically resolves itself in a battle-of-wills between Noiret and Renucci (and eventually the former and Brochet, when it finally dawns on her that what the young man – and the lady who went missing – had been telling her all along was true). In its expose' of bourgeois double standards and numerous scenes of carefully-built suspense, then, the film emerges to be extremely typical of its director (as well as being reasonably representative of his vast body of work).

precise option for cast. not original policier. but the unique art of characters definition. and a nice story. the vulnerability of Anne Brochet, new version of Audrey Hepburn, the charm of Philippe Niret, the flavor of mysteries old tales are pieces of a very interesting mechanism. nothing surprising, nothing complicated, only visual crime novel created in the limits of classic rules. image of each character - little jewel in Chabrol style, delicate intrigue and the precious details are elements of fine clock. and inspired ingredient for atmosphere. an old fashion movie and little more. maybe, a delight or just provocation for public.that is all.

The eighties were not that much a great time for Claude Chabrol.Most of the works of this era ,either have not worn very well (les fantômes du chapelier,poulet au vinaigre) or were not themes for him anyway (le cheval d'orgueil,Patricia Highsmith's "le cri du hibou")

"Masques " is probably his best since "Violette Nozières" (1978) and nearly matches the brilliance of the late sixties/early seventies heyday.

Completely unpretentious,it's full of humor,suspense and of course gastronomy (is there a Chabrol movie where they do not eat?).A marvelous spoof on these numerous TV shows which take dumbness to new limits, a detective story,this movie is much fun to watch.

Philippe Noiret,overplaying as hell -and he's thoroughly enjoyable-,plays the emcee of a broadcast for old people who sing songs of long ago,("les roses blanches" ,the most maudlin song of the whole French repertoire,crooned by an old man, can be heard on the cast and credits).By no means a caricature, because, we've seen worse on French TV.

And to crown it all,the host uses "HItchcock presents " music to enhance his horrible show.And that's not all!Philippe Noiret's character is Mister LEGAGNEUR (GO-GETTER)

The emcee is so full of himself he asks a young novelist (Renucci) to write his biography.They are to work in the country in Legagneur's desirable property,complete with court and chef .A delightful gallery of weirdoes hangs around:A couple,Roger Dumas ,a wine connaisseur, and Bernadette Laffont,who enjoys reading someone's cards and less commendable things -to think that Laffont was featured in Chabrol's very first ,"le beau Serge" ,in 1958!-;a deaf and dumb chauffeur;two strange servants, one of them relishes with Charlotte Armstrong's detective stories-like Chabrol ,who adapted this writer twice :"la rupture" (1970)and "merci pour le chocolat" (2000)-;and,last but not least,a strange girl (Brochet), Legagneur's goddaughter(sic).She seems very sick,or maybe someone helps her to be sick?

Actually nothing is what it seems .Everybody hides himself behind his mask,including the director ,who puts on his Chabrol mask this time.

In Paris, the host of a TV show for elderly people, Christian Legagneur (Philippe Noiret), is famous for being a generous man. He hires the journalist Roland Wolf (Robin Renucci) to write his biography and invites him to spend three days with him at his countryside house. Legagneur travels with Wolf by car with his mute driver Max (Pierre-François Dumeniaud). While having lunch in the house, Wolf is introduced to Legagneur's masseuse Patricia (Bernadette Lafont); to the wine expert Manu (Roger Dumas); and to the housekeeper Colette (Monique Chaumette). Then his young granddaughter, Catherine (Anne Brochet), who is ill, arrives wearing sunglasses. Wolf seems to be interested in a woman, Madeleine Chevalier, fishing with the residents. Soon Wolf snoops around and finds dark secrets about Legagneur. Further, he falls in love with Catherine and advises her that she is in danger.

"Masques", a.k.a. "Masks" (1987), is a great thriller by Claude Chabrol with an original story of a brother looking for the whereabouts of his missing sister. Philippe Noiret steals the show in the role of a scum that likes money and poses as a charitable man. The delicate Anne Brochet is perfect in her debut in the role of a vulnerable and needy young woman. The other names on the cast have also magnificent performances. My vote is eight.

Title (Brazil): "Máscaras" ("Masks")

A writer comes to a TV personality's country estate ostensibly to write his biography, but seems to take a special interest in the man's goddaughter, as well as another young woman who had lived there before disappearing. He's brought a gun and snoops around from the beginning, setting up a cat and mouse game between the two men played behind the politest of French manners. Chabrol is a bit by the numbers in the sense that this plays out as expected and could have done with a twist or two, but the tension with some of the scenes involving the goddaughter is pretty good. I wasn't as convinced about the love story which develops, which didn't seem realistic or even necessary to tell the story. It was fun watching the mask fall during the TV show though, with Philippe Noiret really leaning in to the performance.