Evelyn
- 2002
- Tous publics
- 1h 34min
NOTE IMDb
7,0/10
7,4 k
MA NOTE
Desmond Doyle tombe dans le désespoir lorsque sa femme quitte la famille: l'homme est en effet au chômage et se retrouve contraint de confier ses enfants à une structure gérée par l'église.Desmond Doyle tombe dans le désespoir lorsque sa femme quitte la famille: l'homme est en effet au chômage et se retrouve contraint de confier ses enfants à une structure gérée par l'église.Desmond Doyle tombe dans le désespoir lorsque sa femme quitte la famille: l'homme est en effet au chômage et se retrouve contraint de confier ses enfants à une structure gérée par l'église.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 7 nominations au total
Hugh McDonagh
- Maurice Doyle
- (as Hugh Macdonagh)
Clare Mullen
- Mrs. Daisley
- (as Claire Mullan)
Daithi O'Suilleabhain
- Brother Eustace
- (as Daithi O'Suillebhain)
Avis à la une
Something totally different for actor Pierce Brosnan, and he makes the best of it in a terrific performance.
Desmond Doyle (Brosnan) is a poor Irish father, married with 3 children. His wife deserts him and as he has no finances, the state takes his loving children away and places the boys in one school and his daughter, Evelyn, in a convent.
His lovely daughter meets up with one kind nun but one so vicious played by a lady whose last name is Irvine. I haven't seen such cruelty displayed by a nun since Gladys Cooper in "The Song of Bernadette."
Brosnan, a house painter and part-time singer, shows tremendous depth in this role of a hard-drinking, heavy smoking individual whose love for his children transcends all.
He engages two attorneys played by Stephen Rea and Aidan Quinn to help him. In turn, they pursue another retired attorney, the late Alan Bates, who provides comic relief with his performance.
The picture focuses on the attempts of the attorneys to change Irish law that would allow one parent in such a situation to decide what's right for his child.
Irish eyes are certainly smiling on Doyle, he immediately touches the hearts of the people in his plain, sympathetic style. Heart-wrenching and a joy to view. Don't miss it.
Desmond Doyle (Brosnan) is a poor Irish father, married with 3 children. His wife deserts him and as he has no finances, the state takes his loving children away and places the boys in one school and his daughter, Evelyn, in a convent.
His lovely daughter meets up with one kind nun but one so vicious played by a lady whose last name is Irvine. I haven't seen such cruelty displayed by a nun since Gladys Cooper in "The Song of Bernadette."
Brosnan, a house painter and part-time singer, shows tremendous depth in this role of a hard-drinking, heavy smoking individual whose love for his children transcends all.
He engages two attorneys played by Stephen Rea and Aidan Quinn to help him. In turn, they pursue another retired attorney, the late Alan Bates, who provides comic relief with his performance.
The picture focuses on the attempts of the attorneys to change Irish law that would allow one parent in such a situation to decide what's right for his child.
Irish eyes are certainly smiling on Doyle, he immediately touches the hearts of the people in his plain, sympathetic style. Heart-wrenching and a joy to view. Don't miss it.
10DiAyn
I just watched this movie on pay per view, and I thought it was delightful. Pierce Brosnan does a fine job. So nice to see him really get a chance to act. And the supporting cast, including Alan Bates and Stephen Rea, is exceptional. The story is very believable and touching, probably because it is based on a true story. I just wonder why this film, directed by the talented Bruce Beresford, did not make any significant splash when it was released. It may have played in Austin, but I don't remember it. Just shows how marketing, or lack of it, can make a movie disappear. It's a shame it didn't get more attention. I heartily recommend it.
I loved this movie from the first time I saw it. It has all a good story needs. It's funny, moving and warm.
The story of Evelyn Doyle is told without too much bias, which is a nice thing to see. It paints a picture of 1950s Ireland that seems more optimistic. The movie is not all about misery. It's about life with all its ups and downs.
The cast is excellent, you just have to love all the characters. I'm especially fond of Pierce Brosnan's performance. You see a side of him that he doesn't get to show much on film. He even sings, what impressed me a lot. He makes you forget about James Bond; he actually becomes Desmond Doyle. I'd love to see him in more films of that kind!
The story of Evelyn Doyle is told without too much bias, which is a nice thing to see. It paints a picture of 1950s Ireland that seems more optimistic. The movie is not all about misery. It's about life with all its ups and downs.
The cast is excellent, you just have to love all the characters. I'm especially fond of Pierce Brosnan's performance. You see a side of him that he doesn't get to show much on film. He even sings, what impressed me a lot. He makes you forget about James Bond; he actually becomes Desmond Doyle. I'd love to see him in more films of that kind!
This is a wonderful movie.
I admit this movie is manipulative, and probably exaggerated for purposes of drama, but what based-on-a-true story movies aren't? At least it goes after the right things: a father having custody of his kids, rather than them being forced to live in an "institution."
The story is based a true situation in the mid 1950s Ireland in which, in the end, the Irish Constitution was amended because of this case. "Desmond Doyle" (Pierce Brosnan) is the loving father whose wife runs off one day with another man, leaving him with three little kids and little visible means of support. Since he didn't have enough finances, the government makes the kids wards of the state and places them in Catholic schools-homes (institutions?).
On that Catholic, or "religious," angle, you get a lot of positive and negative scenes here. You have a bad, nasty almost sadistic nun "Sister Brigid," but the others are fine caring ladies, as they should be. Overall, however, you see a lot of faith portrayed in this film and it's mostly good. Of course, that faith was more out in the open in the '50s than today, but it was inspiring to see in many parts.
Brosnan is excellent in the lead role, a man everyone can identify with: a loving but flawed man. He drinks too much, he swears, he doesn't have a steady job but he has great heart and has great determination to the right thing. One has no trouble rooting for him in this story. I think it's the best role he has ever played, far better than his superficial James Bond or thieves roles he normally plays.But nobody hits you as emotionally as little Evelyn (Sophie Vavasseur), one of Doyle's three kids and the one that is focused upon here. (The two little brothers are not given much screen time, for some reason.) Brosnan's allies in here - the two lawyers (played by Stephen Rea and Aiden Quinn) are likable as is Alan Bates who plays a rugged ex-barrister who winds up helping the team. Bates might have had the best role for the supporting actors.
This is such an involving story, one that you really care about the people, it can bring a tear or two in the end, but what's wrong with that? When you are finished watching this film, you feel good.
I admit this movie is manipulative, and probably exaggerated for purposes of drama, but what based-on-a-true story movies aren't? At least it goes after the right things: a father having custody of his kids, rather than them being forced to live in an "institution."
The story is based a true situation in the mid 1950s Ireland in which, in the end, the Irish Constitution was amended because of this case. "Desmond Doyle" (Pierce Brosnan) is the loving father whose wife runs off one day with another man, leaving him with three little kids and little visible means of support. Since he didn't have enough finances, the government makes the kids wards of the state and places them in Catholic schools-homes (institutions?).
On that Catholic, or "religious," angle, you get a lot of positive and negative scenes here. You have a bad, nasty almost sadistic nun "Sister Brigid," but the others are fine caring ladies, as they should be. Overall, however, you see a lot of faith portrayed in this film and it's mostly good. Of course, that faith was more out in the open in the '50s than today, but it was inspiring to see in many parts.
Brosnan is excellent in the lead role, a man everyone can identify with: a loving but flawed man. He drinks too much, he swears, he doesn't have a steady job but he has great heart and has great determination to the right thing. One has no trouble rooting for him in this story. I think it's the best role he has ever played, far better than his superficial James Bond or thieves roles he normally plays.But nobody hits you as emotionally as little Evelyn (Sophie Vavasseur), one of Doyle's three kids and the one that is focused upon here. (The two little brothers are not given much screen time, for some reason.) Brosnan's allies in here - the two lawyers (played by Stephen Rea and Aiden Quinn) are likable as is Alan Bates who plays a rugged ex-barrister who winds up helping the team. Bates might have had the best role for the supporting actors.
This is such an involving story, one that you really care about the people, it can bring a tear or two in the end, but what's wrong with that? When you are finished watching this film, you feel good.
After years of seeing Pierce Brosnan play roles depicting him as the suave ladies man, I was skeptical when we picked this up in the video store and read the premise. I am not a Bond fan and I always considered Brosnan a lightweight actor.
Much to my surprise, Brosnan was dead on in his portrayal of an uncultured, heavy-drinking but loving father, who has his children taken away. It was obvious that he was very passionate about the role, and seemed to be on a mission to prove his mettle as a serious actor.
This is a very atypical movie, not really fitting into any of the usual, predictable genres. It has its funny moments, but it is mostly sobering and heart-wrenching. Aidan Quinn, Julianna Margulies (formerly of ER) and the little girl who plays Evelyn head an impressive supporting cast.
Those who require explosions and car chases need not bother with this one, but if you enjoy an intelligent, touching human drama, you will be in for an unexpected treat.
Much to my surprise, Brosnan was dead on in his portrayal of an uncultured, heavy-drinking but loving father, who has his children taken away. It was obvious that he was very passionate about the role, and seemed to be on a mission to prove his mettle as a serious actor.
This is a very atypical movie, not really fitting into any of the usual, predictable genres. It has its funny moments, but it is mostly sobering and heart-wrenching. Aidan Quinn, Julianna Margulies (formerly of ER) and the little girl who plays Evelyn head an impressive supporting cast.
Those who require explosions and car chases need not bother with this one, but if you enjoy an intelligent, touching human drama, you will be in for an unexpected treat.
Le saviez-vous
- AnecdotesEvelyn's mother is said to have gone to Australia with her lover, but in reality, she went to England and ended up raising another family there. The real Evelyn Doyle eventually saw her mother on more than one occasion, but they never reconciled.
- GaffesThe movie, set in the 1950s, features Irish television. Ireland's television station RTE was established on New Years Day 1962.
- Citations
Michael Beattie: To fight church and state is to fight Goliath.
Desmond Doyle: Yeah, well, David beat Goliath in the book I read.
- Crédits fousSlippery Sam is the greyhound who wins the race.
- ConnexionsReferenced in Evelyn: Behind the Scenes (2003)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- 艾芙琳
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 487 645 $US
- Week-end de sortie aux États-Unis et au Canada
- 65 344 $US
- 15 déc. 2002
- Montant brut mondial
- 4 186 916 $US
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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