Un playboy très riche et couronné de succès s'amuse à voler des oeuvres d'art. Il rencontre sa moitié en la personne d'une séduisante détective.Un playboy très riche et couronné de succès s'amuse à voler des oeuvres d'art. Il rencontre sa moitié en la personne d'une séduisante détective.Un playboy très riche et couronné de succès s'amuse à voler des oeuvres d'art. Il rencontre sa moitié en la personne d'une séduisante détective.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 2 nominations au total
Michael Bahr
- Proctor
- (as Michael S. Bahr)
Robert D. Novak
- Proctor
- (as Robert Novak)
Joe H. Lamb
- Proctor
- (as Joe Lamb)
Avis à la une
I don't think you should compare the two versions, they're so very different. .
I think this is great heist movie
The thing that makes this movie stand out is the look the rich colours in the way it's filmed and it just oozes excess.
The leads have a great time working together.
Everything for me just worked and made even better with the fantastic score that adds pace when needed
Forget all the explosions, car chases, crazy villains, special effects... The Thomas Crown Affair is not an action movie. It´s not even a thriller. Instead, it´s a well-done cat-and-mouse movie that´s smart, entertaining and very sexy. If you had to use one word to describe the film it would have to be sophisticated. The movie might appeal more to mature audiences as both the leading man and the leading lady are over 40 years old. Pierce Brosnan can obviously do other roles beside James Bond, but the role of Thomas Crown is at least somewhat similar to 007. Both guys "enjoy women" and are very suave. Overall, Brosnan gives a solid performance and is overshadowed only by Rene Russo who simply oozes sexuality and class. She is simply perfect in her role and though she´s twice as old as I am I find her a real knockout. Not only is she extremely hot, but also a very talented and charismatic actress. A perfect combination! The classy dance scene between Brosnan and Russo belongs to the most sexually-charged scenes in history and the following love-making scene manages to be both sexy and stylish. Usually nude scenes in Hollywood movies seem somehow "uneasy", but in this movie the scene is done in real style and with sensual music the atmosphere is sizzling. Who would want a disposable bimbo like Britney Spears when you could have a real class-act woman like Rene Russo? I would also like to mention Bill Conti whose simple yet refined music is simply outstanding. Just listen to the music during the scene in which Crown and Banning go glider flying... You can just close your eyes and listen to this wonderful music. Now I have to find the soundtrack for this film! I guess I should mention that I´ve never seen the original Thomas Crown, but now I don´t even have to bother as its updated version is a true pleasure to watch. I have nothing negative to say about it so just go get this film on DVD and enjoy!
Obligatory comparison to the first film: The first Thomas Crown Affair really wasn't that great with its split screens that would make even Brian De Palma sick. Like other films from that era of history, it's lost some of its shock with time but unlike true classics, Thomas Crown Affair has lost a lot of its charm. Worth a viewing, but not worth worshipping.
Only vague concepts carry over from film to film, really. The same basic plot curve, same basic events, same basic characters, except everything is retold and reinterpreted from a different point of view. And I much prefer John McTiernan's interpretation despite the more glaring plot holes such as 'Why didn't the security tape reveal who set the briefcase in the gallery to begin with?' Theoretically the culprit could've been caught then and there, but then there'd be no movie.
The caper's execution is rather spectacular, far more entertaining than the original's, though much less likely to happen. But who cares, really? McTiernan directed this as a film you can't take 100% seriously anyway. This is a fun cat and mouse movie, not a documentary.
The premise-an art theft-strikes me as more interesting than the original's robbery; besides, how many films have bank robberies? How many films steal art? It's something different.
The characters and their portrayals are colorful and interesting, walking a thin line of camp but never pushing it too far. This movie isn't about 'Everyman' nor is it meant to. It's about a billionaire who gets his kicks out of high stake gambles and wages-how do you do that without a larger than life portrayal?
I particularly liked the ending sequence, as goofy, perhaps corny as it is, it's still fun. Especially the music selection, Nina Simone's Sinnerman, a well chosen track. Bill Conti provides the underlying score, which proves quite unique having a slightly bouncy 'piano recital' quality to its first few themes. Very fitting for the museum setting. It's a CD worth purchasing for the sake of variety alone.
In the end, Thomas Crown Affair works not because of the film's subjects or its characters . . . it works because of -how- it portrays everything. Its tone is fun and relaxing, and it never tries to take itself too seriously. After all, we are at the movies and not a training seminar . ..
Only vague concepts carry over from film to film, really. The same basic plot curve, same basic events, same basic characters, except everything is retold and reinterpreted from a different point of view. And I much prefer John McTiernan's interpretation despite the more glaring plot holes such as 'Why didn't the security tape reveal who set the briefcase in the gallery to begin with?' Theoretically the culprit could've been caught then and there, but then there'd be no movie.
The caper's execution is rather spectacular, far more entertaining than the original's, though much less likely to happen. But who cares, really? McTiernan directed this as a film you can't take 100% seriously anyway. This is a fun cat and mouse movie, not a documentary.
The premise-an art theft-strikes me as more interesting than the original's robbery; besides, how many films have bank robberies? How many films steal art? It's something different.
The characters and their portrayals are colorful and interesting, walking a thin line of camp but never pushing it too far. This movie isn't about 'Everyman' nor is it meant to. It's about a billionaire who gets his kicks out of high stake gambles and wages-how do you do that without a larger than life portrayal?
I particularly liked the ending sequence, as goofy, perhaps corny as it is, it's still fun. Especially the music selection, Nina Simone's Sinnerman, a well chosen track. Bill Conti provides the underlying score, which proves quite unique having a slightly bouncy 'piano recital' quality to its first few themes. Very fitting for the museum setting. It's a CD worth purchasing for the sake of variety alone.
In the end, Thomas Crown Affair works not because of the film's subjects or its characters . . . it works because of -how- it portrays everything. Its tone is fun and relaxing, and it never tries to take itself too seriously. After all, we are at the movies and not a training seminar . ..
If you've seen the original version and don't see the point in watching a different version of the same story don't worry; apart from the protagonist's name and general themes there are more than enough differences to make this worth watching.
Thomas Crown is one of New York's ultra-rich; he owns his own company and partakes in expensive sports. He is also bored. To alleviate that boredom he stages a heist in a museum and walks away with a painting valued at one hundred million dollars. The police start investigating and are soon joined by Catherine Banning, an insurance investigator hoping to save her employers from having to pay out. She quickly suspects Crown and soon a flirtatious game of cat and mouse begins as she tries to prove her suspicions and he leads her on without giving her the evidence she needs.
Remakes are seldom quite as good as the original, making them somewhat redundant, but thanks to the differences I'd definitely recommend this. The way the robbery takes place and later behaviour makes this Thomas Crown a slightly less amoral character. The robbery itself is enjoyable thanks to the way it is undertaken; the lack of real threat to people in the museum makes it easier to enjoy without feeling guilty. Once Catherine Banning arrives her character is at least as important as Crown and her pursuit of him is a lot of fun. The cast does a fine job most obviously Pierce Brosnan who is suitably suave as Crown and Rene Russo who brings a mature sexiness to the role of Banning. Overall I still prefer the original but still recommend this fun mix of crime and romance.
Thomas Crown is one of New York's ultra-rich; he owns his own company and partakes in expensive sports. He is also bored. To alleviate that boredom he stages a heist in a museum and walks away with a painting valued at one hundred million dollars. The police start investigating and are soon joined by Catherine Banning, an insurance investigator hoping to save her employers from having to pay out. She quickly suspects Crown and soon a flirtatious game of cat and mouse begins as she tries to prove her suspicions and he leads her on without giving her the evidence she needs.
Remakes are seldom quite as good as the original, making them somewhat redundant, but thanks to the differences I'd definitely recommend this. The way the robbery takes place and later behaviour makes this Thomas Crown a slightly less amoral character. The robbery itself is enjoyable thanks to the way it is undertaken; the lack of real threat to people in the museum makes it easier to enjoy without feeling guilty. Once Catherine Banning arrives her character is at least as important as Crown and her pursuit of him is a lot of fun. The cast does a fine job most obviously Pierce Brosnan who is suitably suave as Crown and Rene Russo who brings a mature sexiness to the role of Banning. Overall I still prefer the original but still recommend this fun mix of crime and romance.
This DVD was an impulse buy, pure and simple. My wife and I like Pierce Brosnan, and I have enjoyed Renee Russo's other works, so what did I have to lose? Only my mind! This film was positively one of the most enjoyable, nail-biting, suspenseful romantic capers ever made.
A remake of the steamy 1968 Steve McQueen flick updated to the sleek and self-referential 90s, "Thomas Crown" features Brosnan as the title character - a bored billionaire businessman in the business of "acquisitions". For a thrill, he heists an extremely valuable Monet from the New York Museum right under the noses of security guards, cops, and about a thousand unsuspecting museum-goers. Renee Russo is the very sexy, very worldly Catherine Banning, whose insurance company underwrites the painting - and she is determined to get it back at any cost... But the cost just may be her soul as she woos, and then falls under the spell of the enigmatic Crown. Will Russo discover the location of the Monet? Will she rat out Thomas Crown? Or is Crown manipulating her affections like Bobby Fisher manipulates the pieces on a chess board?
What we have here is a high-speed chase film whose vehicle is clever dialog, rich and exotic direction, and more than a little sexual tension! Brosnan, as Crown, is ever the cool Brit charmer whose every word and action are as calculated as the movements of a Rolex. Russo smoulders every time she appears on screen. And when the two of them get together, the chemical reaction is pure dynamite.
Dennis Leary has a nice bit as a streetwise NYPD detective on the case, who dispenses advice to Russo's Banning, and watches her begin to spiral out of control. His role here most likely resulted in the deserved attempt at a television series on ABC ("The Job").
The action in the film moves exotically from caper to cover-up and back with dizzying speed... All the while, we are kept guessing about the motivations of the two lead, and find ourselves eagerly anticipating their next move. When the final checkmate comes, we are left totally bewildered, befuddled, and baffled... which is most-likely the director's intention!
On all levels, "The Thomas Crown Affair" will steal the hearts of men and women alike... but for different reasons - Men can enjoy the action and thrill of the chase, and Crown's ability to win over the most beautiful women and his attempt to get away with the ultimate heist... Ladies can marvel at the suave Brosnan and his life of extreme wealth, and all-the-while wonder if he will betray her, or if she will betray him...
I will not betray you... I ain't saying!
A remake of the steamy 1968 Steve McQueen flick updated to the sleek and self-referential 90s, "Thomas Crown" features Brosnan as the title character - a bored billionaire businessman in the business of "acquisitions". For a thrill, he heists an extremely valuable Monet from the New York Museum right under the noses of security guards, cops, and about a thousand unsuspecting museum-goers. Renee Russo is the very sexy, very worldly Catherine Banning, whose insurance company underwrites the painting - and she is determined to get it back at any cost... But the cost just may be her soul as she woos, and then falls under the spell of the enigmatic Crown. Will Russo discover the location of the Monet? Will she rat out Thomas Crown? Or is Crown manipulating her affections like Bobby Fisher manipulates the pieces on a chess board?
What we have here is a high-speed chase film whose vehicle is clever dialog, rich and exotic direction, and more than a little sexual tension! Brosnan, as Crown, is ever the cool Brit charmer whose every word and action are as calculated as the movements of a Rolex. Russo smoulders every time she appears on screen. And when the two of them get together, the chemical reaction is pure dynamite.
Dennis Leary has a nice bit as a streetwise NYPD detective on the case, who dispenses advice to Russo's Banning, and watches her begin to spiral out of control. His role here most likely resulted in the deserved attempt at a television series on ABC ("The Job").
The action in the film moves exotically from caper to cover-up and back with dizzying speed... All the while, we are kept guessing about the motivations of the two lead, and find ourselves eagerly anticipating their next move. When the final checkmate comes, we are left totally bewildered, befuddled, and baffled... which is most-likely the director's intention!
On all levels, "The Thomas Crown Affair" will steal the hearts of men and women alike... but for different reasons - Men can enjoy the action and thrill of the chase, and Crown's ability to win over the most beautiful women and his attempt to get away with the ultimate heist... Ladies can marvel at the suave Brosnan and his life of extreme wealth, and all-the-while wonder if he will betray her, or if she will betray him...
I will not betray you... I ain't saying!
Le saviez-vous
- AnecdotesThe line "You're not boring, I'll give you that" was ad-libbed by Rene Russo.
- GaffesWhen Crown walks in front of the delivery truck, the shot from the cab clearly shows that a car is stopped 9 feet in front of the truck. So, why was the delivery truck traveling so fast to begin with? Then, in the long shot after the driver moves on, he accelerates at a high rate, as if there was no car stopped in front of him. If there is a traffic-jam, the car would not have traveled far at all during that time.
- Citations
Catherine Banning: Damn, I hate being a foregone conclusion.
- Crédits fousThis motion picture was in no way authorized, sponsored or endorsed by any museum, nor was any portion of the motion picture filmed inside a museum. The events, characters and other entities (including the museum) depicted in this motion picture are fictitious, and any similarity to actual persons, events or other entities is purely coincidental.
- Bandes originalesSinnerman
Adapted by Nina Simone
Performed by Nina Simone
Courtesy of Mercury Records
Under license from Universal Music Special Markets
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El caso Thomas Crown
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 48 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 69 305 181 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 600 719 $US
- 8 août 1999
- Montant brut mondial
- 124 305 181 $US
- Durée
- 1h 53min(113 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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