Ajouter une intrigue dans votre langueMusical version of the Robert Louis Stevenson story about a doctor who conducts an experiment on himself that results in his bringing out the dark, murderous side of his inner self, "Mr. Hyd... Tout lireMusical version of the Robert Louis Stevenson story about a doctor who conducts an experiment on himself that results in his bringing out the dark, murderous side of his inner self, "Mr. Hyde".Musical version of the Robert Louis Stevenson story about a doctor who conducts an experiment on himself that results in his bringing out the dark, murderous side of his inner self, "Mr. Hyde".
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With the coming Extraordinary League of Gentlemen, how could i not be hypnotized by this musical? I came accidentally on it and thought: lets learn more about this dr. Jekyll. I thought at first it was not a musical but a play: the actors were good and the atmosphere was breathtaking.. And that doctor, so convincing! To be honest, i was sure it was David Hasselhoff only at the end when it was actually written!! Even with his imposant body, his sharp face, i couldn't say he was D.H. What a wonderfull surprise! So to answer to a previous post, you'll be impressed even if you're not a D.H. fan! He is really playing it with his guts as well as Jekyll's passion for science as Hyde's lust for destruction! Utterson is also played very skillfully and one of the most funny character in the play. This one conclusion i took from this experience is of course not be rely myself only on the facade of people: Hasselhoff on baywatch on one hand can be more than convincing as Jekyll and Hyde! Go see it for yourself!
First let me say that I absolutely love the musical. The one I saw on B'way, starring Robert Evans (he was actually the understudy to Cuccioli at the time), Linda Eder, and Christiane Noll. I've seen many a B'way show, but was unprepared for this one. Absolutely blew me away........
I own the Hasselhoff version only because I'm a sucker for anything connected with the show. But Hasselhoff is, well, just dreadful. And I like the guy. Hey, he tries, but he just can't pull it off. Like I said, no wonder the show closed while he was, for lack of a better word, 'starring' in it. Coleen Sexton and Andrea Rivette do a nice job, but they are no Eder/Noll. But again, they are fine.
This version deserves MAYBE 4 stars. One for the concept, two for Sexton and Rivette, and one because I'm in a good mood having just listened to the The Complete Work for the gazzillionth time - Carolee Carmello does a great Lisa, Eder is, well, what can I say about someone who has one of the greatest voices ever recorded, and Anthony Warlow is just astonishing - would love to see him do it live........
David should have stayed on the beach..............
I own the Hasselhoff version only because I'm a sucker for anything connected with the show. But Hasselhoff is, well, just dreadful. And I like the guy. Hey, he tries, but he just can't pull it off. Like I said, no wonder the show closed while he was, for lack of a better word, 'starring' in it. Coleen Sexton and Andrea Rivette do a nice job, but they are no Eder/Noll. But again, they are fine.
This version deserves MAYBE 4 stars. One for the concept, two for Sexton and Rivette, and one because I'm in a good mood having just listened to the The Complete Work for the gazzillionth time - Carolee Carmello does a great Lisa, Eder is, well, what can I say about someone who has one of the greatest voices ever recorded, and Anthony Warlow is just astonishing - would love to see him do it live........
David should have stayed on the beach..............
When I saw this on the schedule I howled with laughter and my wife prepared to barf on the floor -- Hasselhoff has always been a joke as far as we were concerned. We were absolutely floored to find that he can actually act if given a chance, and has a great voice with tremendous range and power. Who could have guessed?
I read the other comments, often negative, and noticed that most of the slams were from stage & musical afficionados, most of whom had first seen other Broadway leads in the title role. I have no doubt there are some spectacular male leads who have sung this role earlier, and perhaps one day I'll see them also; however, Hasselhoff's performance is excellent, period, and I have gone from thinking of him as a boring, no-talent dork to having a great respect for his acting and his heretofore unsuspected singing ability. His "Hyde" is very reminiscent of Jack Palance's portrayal, and on occasion the facial resemblance is rather eery. One wonders whether it was a deliberate affectation or mere chance..
His Baywatch and Knight Rider shows were pure, gag-me-with-a-spoon drivel, completely unwatchable by normal human earthlings. But this .... the man was hiding some serious talent -- probably there was little one could do with those awful TV roles.
This experience reminds me very much of the first time I saw Andy Griffith in A FACE IN THE CROWD -- and realized that behind those stupid "Andy of Mayberry" grins lay one of the finest dramatic actors in the business. Frankly, I felt cheated. I'm glad Griffith enjoyed the success and money, but I feel genuine sorrow for all the other dramatic roles he COULD have given us. Now, ditto for Hasselhoff.
I read the other comments, often negative, and noticed that most of the slams were from stage & musical afficionados, most of whom had first seen other Broadway leads in the title role. I have no doubt there are some spectacular male leads who have sung this role earlier, and perhaps one day I'll see them also; however, Hasselhoff's performance is excellent, period, and I have gone from thinking of him as a boring, no-talent dork to having a great respect for his acting and his heretofore unsuspected singing ability. His "Hyde" is very reminiscent of Jack Palance's portrayal, and on occasion the facial resemblance is rather eery. One wonders whether it was a deliberate affectation or mere chance..
His Baywatch and Knight Rider shows were pure, gag-me-with-a-spoon drivel, completely unwatchable by normal human earthlings. But this .... the man was hiding some serious talent -- probably there was little one could do with those awful TV roles.
This experience reminds me very much of the first time I saw Andy Griffith in A FACE IN THE CROWD -- and realized that behind those stupid "Andy of Mayberry" grins lay one of the finest dramatic actors in the business. Frankly, I felt cheated. I'm glad Griffith enjoyed the success and money, but I feel genuine sorrow for all the other dramatic roles he COULD have given us. Now, ditto for Hasselhoff.
Since I was christened into the beauty of Jekyll and Hyde the Musical by Anthony Warlow's sterling performance, I sat down to watch this version with exactly the right attitude. I was drawn to watch it by the pure horror that the thought of David Hasselhoff butchering my favourite musical instilled. I had to see it, because potentially I would laugh harder than I ever had in my life. So suitably, I was there with a friend, some cheap chocolate liqueur, and a projection monitor turning the lounge room wall into the stage.
Some of the casting annoyed me. I guess I'm something of a purist when it comes to period theater, but John being black seems culturally improbable, and the inevitable deepness and timbre to George Merritt's voice made him dominate over Hassellhoff, which turns the character into more of a mentor figure than a friend and equal.
Andrea Rivette's singing in what looked like the world's second tightest corset was amazing to behold, but the depth in her acting was lacking.
Small lyrical changes to a lot of the songs seemed made in an effort to dumb the plot and themes down to make it nice and sachharin, and that reeks of censorship, which I abhor in any form.
What made it for me is exactly what drew me, like a train wreck, to watch.
David Hasselhoff is not a born singer, nor is he likely to become a seasoned veteran of Broadway musical, but I was shocked silent by the intensity of his rendition of the confrontation. It wasn't mind-blowing, but it was a guy who used to drive a talking car doing it, which made it all the more impressive. The makeup and lighting effect used for the sequence was also nicely effective.
Ultimately, I feel I got a solid (if B grade) performance all round. Hasselhoff, I imagine, has fulfilled a lifelong dream, and I raise my glass to him for doing it.
Some of the casting annoyed me. I guess I'm something of a purist when it comes to period theater, but John being black seems culturally improbable, and the inevitable deepness and timbre to George Merritt's voice made him dominate over Hassellhoff, which turns the character into more of a mentor figure than a friend and equal.
Andrea Rivette's singing in what looked like the world's second tightest corset was amazing to behold, but the depth in her acting was lacking.
Small lyrical changes to a lot of the songs seemed made in an effort to dumb the plot and themes down to make it nice and sachharin, and that reeks of censorship, which I abhor in any form.
What made it for me is exactly what drew me, like a train wreck, to watch.
David Hasselhoff is not a born singer, nor is he likely to become a seasoned veteran of Broadway musical, but I was shocked silent by the intensity of his rendition of the confrontation. It wasn't mind-blowing, but it was a guy who used to drive a talking car doing it, which made it all the more impressive. The makeup and lighting effect used for the sequence was also nicely effective.
Ultimately, I feel I got a solid (if B grade) performance all round. Hasselhoff, I imagine, has fulfilled a lifelong dream, and I raise my glass to him for doing it.
OK, so David Hasselhof was not the best choice for the role, but they have to make money right? There was someone who once played the Jekyll/Hyde role perfect his name was Anthony Warlow and he is an Australian musical theatre actor. I don't know if he actually ever played it on stage but he recorded the first double cd of jekyll & hyde and he was amazing! He makes Hasselhof look like a community theatre actor. Anyway, this show is worth listening through his goat vibrato and awkward stage presence if only to hear Coleen Sexton. She plays Lucy and she is incredible! Her voice is the best musical theatre has heard in years, she is a convincing actress and she is amazingly beautiful. So, check this show out for her not some beach bum.
Le saviez-vous
- AnecdotesJekyll is right handed; Hyde is left handed
- GaffesIn the scene where Jekyll is suppose to be dead, he is clearly seen breathing.
- ConnexionsFeatured in Musical Hell: Jekyll and Hyde (2012)
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Détails
- Date de sortie
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- Langue
- Aussi connu sous le nom de
- Jekyll and Hyde
- Lieux de tournage
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- Voir plus de crédits d'entreprise sur IMDbPro
- Durée2 heures 15 minutes
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- Rapport de forme
- 1.78 : 1
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