Tanguy

Etienne Chatiliez chose to broach a (rather dramatic) social phenomenon on a comedy tone: young adults who stay more and more longer with their parents. But his movie is far from the reality: these adults stay with their parents because they've got either financial problems, either psychological problems. But Tanguy doesn't suffer from both of these inconvenients, he comes from a quite wealthy family (his father is an architect and his mother a set designer. So, the movie articulates around a convenient but unlikely situation.

This doesn't stop Chatiliez from having made a lively movie, often funny, filled with numerous details that kick the bull's eye and powerful cues. In a way, his fourth movie (in thirteen years!) ranks in the tradition of his first film. You find a caustic and often cutting humor, some disagreeable situations for certain characters (and particularly his parents) and the destruction of a peaceful universe. All in all, Tanguy's parents wanted to make Tanguy's life impossible but they'll fall into their own trap.

The movie also enjoys a performance globally equal to the situation. Eric Berger, both nice and naive behind his student's glasses but also unaware of the problems he makes his parents endure. André Dussollier, entertaining in his role of exasperated and shattered father. However, Sabine Azéma hams it up a bit too often and his bombastic role fits badly to the screen.

At the end, Chatiliez showed talent, intuition and perspicacity to make an honorable success. You can just also regret that Tanguy's description lacks of vivacity and temperament. Maybe the fact of being (too much) keen on Chinese philosophy destroys anger or rebellion.

This film is hilarious--I saw it just today in Germany (in French with German subtitles). The first part goes into broad comedy, with the parents scheming to find ways to get their son to leave the nest. This film is just as much about the parents--even more--than the son.

i noticed that someone else commented about the Asian aspects of the film. At first, it really doesn't make sense, except to show Tanguy's fascination with the country, and almost as a goal (for the parents)--have him go to Peking as soon as possible. By the end, it's wonderful because there is a subtle comparison (that the audience must make) about the family situation. That is--the Chinese filial responsibility, love, and respect--and yes, there were three generations living under one roof. And in the Guetz household--all three generations have, at one point or another, lived under the same roof. That's just one way of looking at it. If you see it and go in with that idea of comparing cultural aspects of families, then maybe that would make better sense.

Enjoyable French comedy with funny scenario and inspiring cast. In a way, it reminds me Danny De Vito's "The war of the roses": how a simple idea (there, a case of divorce; here, dad and mom wanting to get rid of his 28 year old son) can be handled with such a black sense of humor, mixing fun and fierce satire at the same time. Unfortunately (and without giving much away), "Tanguy" resents a little from his length and refuses to go further on his almost surreal developed premise taking a kind and conformist turn in the end. Nevertheless, it's much more than entertainment: you'll be amused and will think about its subject after leaving the cinema.

an ordinary problem of XXI century as subject of a nice French comedy. good actors, seductive situations, the fight to impose to your son to start be independent, out of the comfort of his childhood home. the only problem - Tanguy is too quite to be the bad guy and, in a society of Peter Pan syndrome, the ironic portrait of a nice boy- young man does him almost a hero. Tanguy uses same clichés of French cinema who, after decades, are the key of success. Sabine Azema and Andre Dussollier are victims of the same image of angry parents looking impose to the son the need of assume of real life.Eric Berger uses same traits of charming young man who has his person, too precise vision about existence, mixture of passion for exotic domain and sentimental affairs. so, nothing surprising.

Since I didn't enjoy "La vie est un long fleuve tranquille", I didn't expect too much from "Tanguy" when I went to the cinema. Surprisingly enough, the movie was good. I mean really good. Monsieur Chatiliez, the director of "La vie..." and "Tanguy", shows that french comedies can actually be a thousand times better than some modern American comedies. Because Tanguy has it all: this movie has a soul, charming and believable actors, a good script and well thought gags. The movie tells the story of Tanguy, a 28-year old guy who still lives with his parents. One day, his mother Edith can't take this situation any longer, and together with her husband she tries to get Tanguy out their home. It's easy to see that this storyline is a good basis for some great gags and funny situations; and the movie eventually succeeds. I left the cinema with satisfaction, because I saw one of the few intelligent - and most importantly funny - modern comedies. I recommend this gem to anyone who's tired of stupid and underwhelming American comedy-flicks like "Dumb and Dumber".