Un patriarche longtemps absent de son clan perd sa maison et découvre que son ex-femme prévoit de se remarier.Un patriarche longtemps absent de son clan perd sa maison et découvre que son ex-femme prévoit de se remarier.Un patriarche longtemps absent de son clan perd sa maison et découvre que son ex-femme prévoit de se remarier.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 11 victoires et 46 nominations au total
Alec Baldwin
- Narrator
- (voix)
Irina Gorovaia
- Young Margot Tenenbaum
- (as Irene Gorovaia)
Arianna Turturro
- Young Richie Tenenbaum
- (as Amedeo Turturro)
Avis à la une
Wes Anderson has been the face of a new brand of comedy ever since he burst onto the scene in 1996 with Bottle Rocket. He further established himself with the 1998 hit Rushmore. The Royal Tenenbaums is considered by many to be his finest work and it is kind of hard to dispute that. This is a rich, complex movie dealing with multiple characters that all suffer from serious trouble in one way or another. Gene Hackman plays the father of a family that was once quite prominent in the world of geniuses. The oldest son Chas was a successful real estate dealer, daughter Margot became a famous playwright in the ninth grade, and youngest son Richie went on to become a great tennis player. Still, all their talent couldn't keep their father from leaving them, and now he returns to see them because he tells them he is dying.
This movie works, but not as easily as some other comedies. Being a Wes Anderson movie, the humor here is very dry and there are multiple scenes when you will ask yourself if you should be sad, angry, or laugh at the characters. The look of the movie is remarkable and it perfectly matches the feeling of each character. The acting is tremendous, especially by Hackman, as well as Ben Stiller, Gwyneth Paltrow, Luke Wilson, and Angelica Huston. The whole movie is filled with weird and quirk situations, yet it all makes sense somehow. The story gives us these people and their problems and we watch as they try to piece their life back together after being apart for so long. If you are a fan of Wes Anderson, you owe it to yourself to see this. If you aren't, it still is worth seeing, but give it some time. Watching it a second time really helped me understand the characters and the story better. It may do the same for you.
This movie works, but not as easily as some other comedies. Being a Wes Anderson movie, the humor here is very dry and there are multiple scenes when you will ask yourself if you should be sad, angry, or laugh at the characters. The look of the movie is remarkable and it perfectly matches the feeling of each character. The acting is tremendous, especially by Hackman, as well as Ben Stiller, Gwyneth Paltrow, Luke Wilson, and Angelica Huston. The whole movie is filled with weird and quirk situations, yet it all makes sense somehow. The story gives us these people and their problems and we watch as they try to piece their life back together after being apart for so long. If you are a fan of Wes Anderson, you owe it to yourself to see this. If you aren't, it still is worth seeing, but give it some time. Watching it a second time really helped me understand the characters and the story better. It may do the same for you.
Movies like this don't get made anymore. A full cast of expert actors, a director with complete artistic license. Usually the artistic nature of a film is controlled when the cast is this packed full of talent.
Anderson usually has problems meshing the pacing and rhythms of his stories with his specific style, but not in this one. This one works like a charm. One of my top 10 favorite movies.
Anderson usually has problems meshing the pacing and rhythms of his stories with his specific style, but not in this one. This one works like a charm. One of my top 10 favorite movies.
Royal Tenenbaum (Gene Hackman) left his family. Etheline (Anjelica Huston) raised their three children as oddball geniuses. Twenty two years later, their early successes are now old memories. Chas (Ben Stiller) is a death-obsessed widowed father to Ari and Uzi. Richie (Luke Wilson) is a former tennis champ in love with his adopted sister Margot (Gwyneth Paltrow). Their neighbor childhood friend Eli Cash (Owen Wilson) is now a successful writer and professor. Margot is married to neurologist Raleigh St. Clair (Bill Murray). Etheline is asked by her friend Henry Sherman (Danny Glover) to get marry. Royal is broke. After finding out about the proposal, he tries to inject himself into the family by telling them that he's dying.
Director Wes Anderson starts his journey to discover his unique style. I love the visual concept of what he's doing. I don't particularly like the characters or their story. I don't find it funny but I do like the unique style. This is a wacky dysfunctional family that doesn't make me laugh.
Director Wes Anderson starts his journey to discover his unique style. I love the visual concept of what he's doing. I don't particularly like the characters or their story. I don't find it funny but I do like the unique style. This is a wacky dysfunctional family that doesn't make me laugh.
With 'The Royal Tenenbaums', Wes Anderson turns his lens to the American family, warts and all. The Tenenbaums are a dysfunctional family the parents have been separated for decades, and Royal (Gene Hackman) is a disbarred attorney who has long since moved out of the family's enormous house (in an unnamed city of course). The children, all geniuses and overachievers in their own way, are then raised by Etheline (Angelica Houston), an archeologist. Chas (Ben Stiller) is a financial wizard, Margot (Gwyneth Paltrow), is adopted and was a published playwright at 11, and Richie (Luke Wilson) is a tennis prodigy. We are provided the family history at the start of the film, then are introduced to the family 22 years later. Chas is still a financial wizard, but, having lost his wife in a plane accident is now the paranoid father of two small sons. Margot is married to Raleigh St. Clair (Bill Murray, who is basically Anderson's muse), is depressed and hasn't written in years, and Richie, after having a nervous breakdown on the tennis court a couple of years earlier is traveling the world by boat. Still hanging around is Eli (Owen Wilson) a long-time family friend from across the street who is now a literature professor and successful novelist. Etheline is being wooed by her accountant, Henry (Danny Glover) and when Royal gets wind of this, he embarks on a bid to win his family back after not speaking with them for years.
Wes Anderson has an unusual style of film-making that has been static throughout his career. Highly theatrical, almost in the style of a play, he presents the story of the Tenenbaums to us as if it were taken directly from a book, so much so that if you were to read the few sentences that are visible in the book that accompanies the beginning of each 'chapter', you would see that the written narrative follows the action to the letter. Anderson favors primary colors, and characters that are identifiable by very distinct appearances. Chas and his sons have their red track suits they always wear, Margot wears the clip in her hair, Izod dresses from the 80's and dark eyeliner surrounding her eyes, Richie wears the sweatband around his head, Eli is in cowboy gear and Raleigh looks like a Freud knockoff. One of the results is that there are varying degrees of recognition for the actor in 'real life'. When seeing Raleigh, it's easy to forget that it is Bill Murray, and Margot for that matter is so different from how we are used to seeing Paltrow. Certainly, this is Anderson's intent. Anderson also favors point of view shots, characters looking directly at or addressing the camera, and is also one of the few modern masters in the use of music. The soundtrack to 'The Royal Tenenbaums' features some classic songs (Ruby Tuesday, Hey Jude) but also has some obscure tracks that are bizarre and fit into the scene beautifully.
'The Royal Tenenbaums' has a phenomenal cast, and all of the actors are excellent in the film. I get the strong impression that, since Anderson isn't a mainstream film director, A-list actors sign up to work for him because of his alternative vision and his obvious talent. When I watched this film recently, I asked the two friends I saw it with what they thought, and they both said 'It was quirky'. Since they are both film lovers, I was a little disappointed in this narrow (and obvious) assessment of the film at first. Upon further reflection, however, I realized that they both come from households that have parents who are still together. Coming from a 'broken home' I can relate to the high dysfunction of the Tenenbaums as an adult and embrace the story beyond the presentation, despite its highly stylized format. 'The Royal Tenenbaums' is a brilliant film that is both emotional and eye-catching, and truly cements Wes Anderson as an exciting and talented filmmaker. 9/10
--Shelly
Wes Anderson has an unusual style of film-making that has been static throughout his career. Highly theatrical, almost in the style of a play, he presents the story of the Tenenbaums to us as if it were taken directly from a book, so much so that if you were to read the few sentences that are visible in the book that accompanies the beginning of each 'chapter', you would see that the written narrative follows the action to the letter. Anderson favors primary colors, and characters that are identifiable by very distinct appearances. Chas and his sons have their red track suits they always wear, Margot wears the clip in her hair, Izod dresses from the 80's and dark eyeliner surrounding her eyes, Richie wears the sweatband around his head, Eli is in cowboy gear and Raleigh looks like a Freud knockoff. One of the results is that there are varying degrees of recognition for the actor in 'real life'. When seeing Raleigh, it's easy to forget that it is Bill Murray, and Margot for that matter is so different from how we are used to seeing Paltrow. Certainly, this is Anderson's intent. Anderson also favors point of view shots, characters looking directly at or addressing the camera, and is also one of the few modern masters in the use of music. The soundtrack to 'The Royal Tenenbaums' features some classic songs (Ruby Tuesday, Hey Jude) but also has some obscure tracks that are bizarre and fit into the scene beautifully.
'The Royal Tenenbaums' has a phenomenal cast, and all of the actors are excellent in the film. I get the strong impression that, since Anderson isn't a mainstream film director, A-list actors sign up to work for him because of his alternative vision and his obvious talent. When I watched this film recently, I asked the two friends I saw it with what they thought, and they both said 'It was quirky'. Since they are both film lovers, I was a little disappointed in this narrow (and obvious) assessment of the film at first. Upon further reflection, however, I realized that they both come from households that have parents who are still together. Coming from a 'broken home' I can relate to the high dysfunction of the Tenenbaums as an adult and embrace the story beyond the presentation, despite its highly stylized format. 'The Royal Tenenbaums' is a brilliant film that is both emotional and eye-catching, and truly cements Wes Anderson as an exciting and talented filmmaker. 9/10
--Shelly
I think if someone tries to watch a Wes Anderson film, they have to have a certain kind mind to understand the real meaning of them. After being awed by the Royal Tenenbaums, I left with a certain kind of joy that only a great film can give me. It's like flying an electric kite, it's that hard of a buzz. As I began my travel down the stairs of the theater, I heard this couple talking about how stupid the movie was, and how they are going to ask for a refund. I suddenly smiled, because I hoped that they would get one. I think that I got something out of the film that they didn't. That inside the frames of the movie I felt like I was in good company and had a understanding for the material that they didn't. What is so good about the Royal Tenenbaums? The great detail in every frame, from the costumes (and they really are costumes)to the design of Chas, Margot, and Richie rooms and the house. This is brilliant film on every level, a delight for the senses and for the mind. This movie makes you think, and without giving too much away there is a lot of surprises that come from the characters dialogue and their past. High kudos go to Luke Wilson, I loved his performance as the suffering Richie. If you loved Rushmore, there is no doubt that you will love this film because it is at par with it, except that its a bit darker in tone. I think its funny that way that people look at film, we each love or hate a film based on our own perception(and mind there are people who just watch film for entertainment). So if you have a complicated mind and you enjoy watching a challenging film, then the Royal Tenenbaums is for you. As for me, I plan on watching it again so I find more things to love about it. Thank you Wes Anderson, so much. You made laugh, you made me smile and I cried. A thousand times, thank you!
Wes Anderson Films as Ranked by IMDb Rating
Le saviez-vous
- AnecdotesThe hand that is seen with the BB lodged between its knuckles is not Ben Stiller's, but Andrew Wilson's, brother of Owen Wilson and Luke Wilson. When they were children, Owen fired a BB gun at Andrew's hand and the BB has been there ever since.
- GaffesArtist Elliott Puckette's name is badly misspelled in the credits (her paintings appear in the film).
- Crédits fousThe film title first appears on a library book being checked out, then several of the books are seen, and finally the book cover becomes a title card.
- Versions alternativesThe version shown at the New York Film Festival and some other pre-release screenings used the original Beatles version of "Hey Jude" for the opening introduction. The final version used a new instrumental recording of the song arranged by Mark Mothersbaugh and performed by his Mutato Muzika Orchestra.
- Bandes originalesHey Jude
Written by John Lennon and Paul McCartney
Published by Sony/ATV Tunes LLC
Produced by Mark Mothersbaugh
Performed by The Mutato Muzika Orchestra
Meilleurs choix
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24 Frames From Wes Anderson Films
24 Frames From Wes Anderson Films
Explore the memorable career of Wes Anderson through 24 stills from his movies.
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Los excéntricos Tenenbaums
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 21 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 52 364 010 $US
- Week-end de sortie aux États-Unis et au Canada
- 276 981 $US
- 16 déc. 2001
- Montant brut mondial
- 71 446 091 $US
- Durée
- 1h 50min(110 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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