Krámpack

Krámpack supposedly means mutual masturbation, so it goes without saying that the U.S. theatrical release would be retitled with the names of the two best friends who shamelessly do so. That said, the film is SO far removed from the typical American teen fare, like American Pie, that the unusual degree of friendship between the two boys is but a small part of the overall European-ness of the film.

The boys have known each other since grade school but are now just past puberty, and their minds are filled with sex, Nico obsessing about his Adam's Apple and his need to lose his virginity, and Dani entranced by his best friend. Dani is just plain sexy, and he knows it. At first it seems like a collision course, but as might be true for the adolescents they are, they start and end as friends. Both learn that they can be the objects of sexual desire -- and the comfort that this brings to a teenager -- but that their sexual paths are diverging.

The movie is well written and achingly sincere, more so than Trick or Get Real, both of which had a Fairy Tale (pardon the pun) quality about them. This film lies closer to the French films Wild Reeds and Full Speed than these. In Nico and Dani the passion seems real, and there is sour with the sweet.

The Spanish seacoast location is gorgeous, as are the characters, who are hardly stereotypes for the most part. The two guys are believable as 16-year-olds (even though about 20). For this reason my rating is a 9, well above the 7+ average rating that is current.

I selected this as Blockbuster was closing -- just a title in the Foreign Films section. I had no idea what the movie was about so it was a constant surprise from beginning to end. What a good movie! If you have read the other reviews, you know what the story is about. The best part, to me, was their last day together. They both realized that they were on different tracks in life, but they also realized that they were good friends and that they would remain good friends. When Nico told Dani "have your dad sell me this motorcycle," you knew that Nico wanted to continue the friendship -- there was never any question that Dani wanted to continue. So, for me, that was the best part. Sex comes and goes, but friendship can last a lifetime. This was a very gentle movie with a good ending. -- from Bob in Oklahoma

Teen age sexual awakening is at the center of "Krampack". This tremendously frank account of a summer in the lives of two friends who are spending their summer vacation in the home of one of them in Spain. The film proves to be a winner because it presents a situation from the point of view of the young men, instead of from judgmental adults.

Gay Cesc, the Catalan film director, made a good movie about how sex plays a key part in the lives of the two young school mates. The film is made even better by the no-nonsense approach Mr. Cesc gives the film.

Fernando Ramallo is Dani and Jordi Vilches is Nico. While Nico wants it to be the summer where he loses his virginity, Dani has problems of his own as he discovers that he is attracted to men and has to struggle with his new discovery. Both these young actors are totally believable, giving excellent performances, wisely shaped by Mr. Cesc's direction.

This is a refreshing look at a thorny issue, which the director handles with total frankness.

I loved this movie - saw it at the Toronto Film Festival - very sweet story about two teenage boys who frequently engage in "Krampack" which is apparently Spanish slang for masturbation. Everything is tastefully done, and the direction, acting and script are first-rate - I really appreciated this film's frankness in depicting its subject matter and not shying away from teenage sex, or use of drugs, drinking, etc. This is how teenagers behave - not some sanitized and artificial version as typically portrayed in most mainstream American c**p. God forbid, some teenage boys actually engage in homosexual experimentation. The main character Dani, very cute by the way, develops a much deeper affection for his friend, Nico, on a summer visit when the parents are away - every night they engage in masturbating each other, growing in intimacy every night. But Nico's affections are directed toward a girl living nearby, and Dani becomes understandably jealous and much conflict and tension ensue. I can't say enough about the quality of the young performances and the writing. Hats off to Cesc Gay, the director, for sticking to his guns and producing this wonderful film about the real sexual tensions that can frequently occur between teenage boys (and girls) when they're being honest with each other. Loved it!

The film is just a story, but it's very, very good storytelling, and I'd be hard-pressed to explain why it's so good. It has to do partly with the fact that at first we think we know right where it's going, and that the worth will be in how it gets there -- we're amused by Nico's interest in girls, he's obviously gay (right?). What makes the Dani and Nico characters so believable is in the handling of the material, and the very smart decision to not really define anything. It's very realistic about the first sex between boys, and how it so often has to do with sex games (here, masturbation tips).

Before we have a clearer handle on the (differing) sexuality of the two characters, their sex seems to play like this: they see girls, they get aroused, and they take out their sexual frustration on each other. And that works because of the two characters' subtle manner -- Dani's creepy preening, Nico's goofy charm, and how at first it's Nico who seems to be the most "gay" of the two boys, simply because he has precise features and is abnormally skinny. (Like "Edge of Seventeen" or "Beautiful Thing," two of the best gay self-discovery films, the boys here look real.) The emotions, and the past histories of the characters -- like the man whose house Dani goes to, or the woman who, too, had a special girl friend when she was young -- are kept appropriately inexact.

Aside from the talent at passing along this story, there is also a nice feel the film has -- something like a cross between the accessibility of a Western and the human interest of Ingmar Bergman... It's like a funky road trip, with that harmonica music and the very apt photography, as well as the suggestive intertitles of dialogue that will occur later in the film. A comparison between this and "Y tu Mama Tambien," of the following year, would not be in vain. 8/10