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IMDbPro

Presque rien

  • 2000
  • Tous publics avec avertissement
  • 1h 40min
NOTE IMDb
6,7/10
5,5 k
MA NOTE
Jérémie Elkaïm and Stéphane Rideau in Presque rien (2000)
Trailer 1
Lire trailer1:58
1 Video
18 photos
DramaRomance

Mathieu, 18 ans, passe l'été dans la maison d'été de sa mère, en Bretagne. Sur la plage, il rencontre Cédric, un garçon de son âge. Une histoire d'amour commence entre les deux garçons.Mathieu, 18 ans, passe l'été dans la maison d'été de sa mère, en Bretagne. Sur la plage, il rencontre Cédric, un garçon de son âge. Une histoire d'amour commence entre les deux garçons.Mathieu, 18 ans, passe l'été dans la maison d'été de sa mère, en Bretagne. Sur la plage, il rencontre Cédric, un garçon de son âge. Une histoire d'amour commence entre les deux garçons.

  • Réalisation
    • Sébastien Lifshitz
  • Scénario
    • Sébastien Lifshitz
    • Stéphane Bouquet
  • Casting principal
    • Jérémie Elkaïm
    • Stéphane Rideau
    • Marie Matheron
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    5,5 k
    MA NOTE
    • Réalisation
      • Sébastien Lifshitz
    • Scénario
      • Sébastien Lifshitz
      • Stéphane Bouquet
    • Casting principal
      • Jérémie Elkaïm
      • Stéphane Rideau
      • Marie Matheron
    • 58avis d'utilisateurs
    • 26avis des critiques
    • 68Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos1

    Come Undone
    Trailer 1:58
    Come Undone

    Photos18

    Voir l'affiche
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    Rôles principaux29

    Modifier
    Jérémie Elkaïm
    Jérémie Elkaïm
    • Mathieu
    • (as Jeremie Elkaïm)
    Stéphane Rideau
    • Cédric
    • (as Stephane Rideau)
    Marie Matheron
    Marie Matheron
    • Annick
    Dominique Reymond
    Dominique Reymond
    • La mère
    Laetitia Legrix
    • Sarah
    Nils Öhlund
    • Pierre
    Réjane Kerdaffrec
    • La psychiatre
    • (as Rejane Kerdaffrec)
    Guy Houssier
    • Le père de Cédric
    Violeta Ferrer
    • La mère de Pierre
    Robert Darmel
    • Le patron du café
    Charline Levaque
    • L'aide soignante
    Sarah Reyjasse
    • La vendeuse de gaufres
    Eric Savin
    Eric Savin
    • Le copain d'Annick
    Gildas Chotard
    • Le videur
    Maxence Rabret
    • Le petit garçon de la plage
    Michel Angely
    Jean-Louis Aoustin
    Jean Arrighi
    • Réalisation
      • Sébastien Lifshitz
    • Scénario
      • Sébastien Lifshitz
      • Stéphane Bouquet
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs58

    6,75.5K
    1
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    10

    Avis à la une

    10tevanson

    Beautiful in cinema and soul

    Stephane Rideau was already a star for his tour de force in "Wild Reeds," and he is one of France's biggest indie stars. In this film, he plays Cedric, a local boy who meets vacationing Mathieu (newcomer Jamie Elkaim, in a stunning, nuanced, ethereal performance) at the beach. Mathieu has a complex relationship with his ill mother, demanding aunt and sister (with whom he has a competitive relationship). Soon, the two are falling in love.

    The film's fractured narrative -- which is comprised of lengthy flash-backs, bits and pieces of the present, and real-time forward-movement into the future -- is a little daunting. Director Sebastien Lifshitz doesn't signal which time-period we are in, and the story line can be difficult to follow. But stick it out: The film's final 45 minutes are so engrossing that you won't be able to take your eyes off the screen. By turns heart-breaking and uplifting, this film ranks with "Beautiful Thing" as must-see cinema.
    grahamclarke

    Deeply Moving

    It seems that what French cinema does best is slice of life drama. Come Undone is one such drama, yet way above the quality that we've come to expect from the genre.

    Director Sebastien Lifshitz slices the narrative, then pieces it together in a way which is at first confusing but which ultimately adds much to the emotional tone of the film. The meeting and parting of two boys in their late teens is related without offering much in the way of a clear explanation as to how or why. The emphasis being on the troubled emotional journey one of them undergoes as a result of the unexpected love relationship that develops.

    Besides his keen cinematic eye, Lifshitz's major success is eliciting from both Jeremie Elkaim and Stephane Rideau totally convincing performances. There's not one false note sounded. The smaller parts too are handled well.

    A deeply moving, beautifully played, complex film. One that certainly warrants more than one viewing.
    8paul2001sw-1

    More than nothing

    'Presque Rien' is a beautifully observed portrait of the experiences of a young French homosexual. Eschewing both stereotypes and preaching, it's a wonderfully naturalistic film, superbly acted, shot with a feel for the seaside town where the action takes place, never melodramatic but often painfully real. If anything it's almost too realistic, as there's little in the way of conventional plot, just scenes from a life. But the absence of conventional dramatic tension counts for less than it might in a world so subtly drawn. 'Presque Rien' might not be the most exciting film ever made; but its simple humanism serves it well compared with the pre-conceived celebratory or bigoted viewpoints that often mar treatments of this theme. Worth a watch.
    Kirpianuscus

    drawings

    It gives not a story. Just sensations, emotions , drawings of states. But the atmosphere remains the lead virtue. And the performances, near cinematography are good reasons to see it. Again. A film about family and about profound loneliness. Romance, at the first sigh. But , in essence, more. A film for feel it. The nuances, the colors, the tension, the air, the flavours, the decisions, the sounds, the bitterness. And to see as familiar all. The portrait of mother by Dominique Raymond represents a real good poin. Like the performance of Jeremie Elkaim.
    7jotix100

    Almost nothing

    "Come Undone" appears to elicit a lot of opinions among the contributors to this forum. Granted, it's a film that promises a take on gay life, as most viewers expect and somehow, it gets away from that promise into an introspective view at a young man's soul. The film has a way of staying with us even when it has ended. It is a character study about how a young man gets involved into a love affair with someone so much different than him that, in the end, will leave Mathieu confused, hurt and depressed when things don't go according to what he hoped the relationship would be.

    If you haven't seen the film, perhaps you would like to stop reading.

    Sebastien Lifshitz, the director of the film, has told his story from Mathieu's viewpoint. Most viewers appear to be disoriented by the different times within the film, but there are hints that are not obvious, as one can see, in retrospect. The story is told in flashbacks that might add to the way some people will view the film. This is a story about the doomed the love Mathieu felt for Cedric and the ultimate breakdown of their life together.

    First of all, Cedric, the handsome young local, pursues Mathieu until he succeeds in convincing him he likes him. Mathieu feels the attraction for Cedric too. We realize how different both young men are by the way Cedric tells Mathieu's family how he feels school is not for him. On the other hand, Mathieu, who wants to be an architect, finds beauty in the abandoned place where Cedric has taken him. We watch as Mathieu, reading from the guide book, wants Cedric's attention.

    When Mathieu comes out to his mother, she wisely tells him about the importance of continuing his career. She also points out about what future both of them would have together, which proves to be true. Mathieu appears to have learned his lesson, the hard way. He goes on to an uncertain life with Cedric and attempts to take his own life. We watch him in the hospital speaking to a psychiatrist that has treated his wounded soul.

    The ending might be confusing for most viewers, but there is a moment in the film when Mathieu goes to work in a bar where we see him washing glasses and looking intently to Pierre, the young man who frequents the bar. That is why when Mathieu goes looking for Pierre at his house, appears to be hard to imagine. Yet, we have seen the way Mathieu is obviously interested in Pierre. The last scene at the beach, when Pierre and Mathieu are seen strolling in the sand, has a hopeful sign that things will be better between them as they watch a young boy, apparently lost, but then realizing the father is nearby.

    Jeremie Elkaim makes Mathieu one of the most complex characters in recent films. This is a young man who is hard to understand on a simple level. Mathieu has suffered a lot, first with the separation of his parents, then with his depressed mother and with losing Cedric. Stephan Rideau, who has been seen on other important French films, is equally good, as the shallow Cedric.

    While "Come Undone" will divide opinions, the film deserves a viewing because of the complexity and the care Sebastien Lifshitz gives to the story.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Citations

      Cédric: [at the beach] Hey, Mathieu.

      Mathieu: Please go away.

      Cédric: Why?

      Mathieu: So they don't see us together.

      Cédric: Are you ashamed or what?

      Mathieu: No, I just don't want any trouble.

      Cédric: What trouble?

      Mathieu: Can't you just leave?

      Cédric: You think I'm stupid?

      Mathieu: Just fuck off!

      Cédric: What, fuck off?

    • Bandes originales
      Wise Mans Blues
      Written by Perry Blake and Glenn Garrett

      Performed by Perry Blake

      From Perry Blake's album "Still Life"

      Courtesy of Sony - ATV Music Publishing France

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    FAQ18

    • How long is Come Undone?Alimenté par Alexa
    • What is Annick's relation to Mathieu?

    Détails

    Modifier
    • Date de sortie
      • 7 juin 2000 (France)
    • Pays d’origine
      • France
      • Belgique
    • Langues
      • Français
      • Anglais
    • Aussi connu sous le nom de
      • Come Undone
    • Lieux de tournage
      • Pornichet, Loire-Atlantique, France
    • Sociétés de production
      • Lancelot Films
      • Man's Films
      • Arte France Cinéma
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 326 484 $US
    • Montant brut mondial
      • 326 484 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 40 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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    Jérémie Elkaïm and Stéphane Rideau in Presque rien (2000)
    Lacune principale
    By what name was Presque rien (2000) officially released in Canada in French?
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