Shôjo kakumei Utena: Adolescence mokushiroku

Revolutionary Girl Utena: The Adolescence of Utena is a visually stunning and thematically complex anime film directed by Kunihiko Ikuhara. The film explores the themes of identity, love, and societal expectations in the groundbreaking TV series. The film's avant-garde animation and deep exploration of the characters' psyche offer a profound meditation on adolescence and self-discovery. The daring narrative choices and groundbreaking visuals make it a standout in the anime genre, inviting audiences to reflect on themes that resonate beyond the screen. The film is an unmissable cinematic experience that challenges conventions and leaves a lasting impression.

Utena is a title that goes beyond an institute within the grades that put your consideration in this particular film, which I mean, There is a part where Utena took the sword chest of Anthy in the first duel; states that Utena frees Anthy from the yoke of previous sexual Winner,Saijonji.

All the characters in the film have problems related to sexuality, own adolescence: Utena has enormous emotional vacuum, which makes it sometimes confuse your feelings; Anthy feels guilty for the death of God, his brother, Akio, the degree of left manipulate and to a certain extent abuse it; Touga was a child raped by a man, Juri is a lesbian girl, repressed by society, Saionji is an inappropriate social Miki and Kozue face incestuous a problem, stemming from a possessive love; Shiori is a girl who woke up pretty soon their sexuality, and it is quite early, not to mention being by the death of his Prince and know that it is desired by another woman ... Akio is a man incomplete from the point of view inside, and looking to fill this vacuum with sex ...

Has no filler, the animation is fine, the aesthetics is surprising: the poses shadow of girls, until the color of hair and eyes of Utena have a meaning ... the movie is a journey of opium, is full of symbolism and what you suggest for "real" is not always so. Adding insult to injury is the most confusing climax scene in the entire history of anime (!). It is described as a metaphor for one must leave the comfortable but at the same time confusing world of adolescence (Represented by the school Ohtori).

I recently re-watched this movie, having first watched the entire series + the movie 10 years ago. Revolutionary Girl Utena is truly one of a kind. The series is sweet, funny, fierce and surprisingly deep. Every character is conflicted and flawed and struggling to overcome their "demons," the things that scare each character and hold them back from becoming confident, fully-fledged adults. In the series, every character gets their turn to "shine" and then, in turn, to confront their "darkness." Revolutionary Girl Utena will probably go down in history as one of the queerest --if not *the queerest*-- anime out there... with just about every main character having some underlying relationship that's gay, just plain complicated ... or involves a problem/hang-up over the love of a sibling. Pretty daring for early 1990s. Everyone has a dark, not-so-veiled secret... and you love them all both in spite of -- and because of it -- anyway! The movie compresses what was 39 episodes in TV into 90-odd minutes... and so it necessarily takes shortcuts. Think of the movie as the more overt companion piece to the TV show. Dynamics that were more subtext in the TV show become main-text here. And at the same time, the movie revels in abstraction... with stories that were more drawn out and linear in the TV show being reduced to something more symbolic here. The show's rose-heavy Louis XIV France design, insistent, Gothic music and the shadow-puppet Greek Chorus are perhaps never so lovely (and cohesively) powerful as they are here in the movie. The Utena movie is a love letter to those who fan-girl/boy the original series, for sure. And there's plenty for someone new to the Utena world who's willing to hold its wounded and aching heart till it finds its noble reason for being.... and just go with it.

The first time I saw this movie, my eyes nearly popped out of my head. I'm a great fan of the TV series, but the movie was really another thing entirely. The new character designs were just a bit startling, especially in the case of Anthy. Everyone's hair is longer, with the exception of Akio. (I wonder why they cut his cool little ponytail off.)

The visuals in this movie were stunning, just as much or more so than in the show, especially the dance scene. Like the art, the music was really entrancing. 'Toki Ni Ai Wa' is now one of my favorite songs, both to sing and to listen to.

Although it looks fantastic, Adolescence Mokushiroku really isn't for someone who hasn't seen the series. It's very emotional in some parts, and in many places incredibly bizarre. Even to those who've seen the movie, some of it just makes no sense. Still, it's one of my favorite movies.

I'm a big fan of the series and watched the movie when I had seen most of the episodes. Basically, they tried to put in most of the meaning and ideas of the series into the movie. But they changed some major points - so much that a person who has never seen the series will see a very different move than a die hard fan. Unfortunately, there are many "shout outs" to episodes which are randomly scattered in the movie and make no sense.

The movie's style is similar to the series, but it does many things just for their aesthetic value. That and the randomness of certain things makes it a very strange movie to watch. It feels more akin to a work of art than a movie (think Titanic of the Matrix). Every time I have watched it I have enjoyed it more and come away more emotionally moved.

If this is your first exposure to Utena, just accept that some things won't make sense. If you are familiar with the television series, pretend that the movie takes place in a different universe.