Une unité secrète de lutte contre le terrorisme appelée Black Cell et dirigée par Gabriel Shear espère pouvoir financer sa guerre contre le terrorisme international, mais tous les fonds sont... Tout lireUne unité secrète de lutte contre le terrorisme appelée Black Cell et dirigée par Gabriel Shear espère pouvoir financer sa guerre contre le terrorisme international, mais tous les fonds sont bloqués. Gabriel fait appel à Stanley Jobson, un pirate informatique déjà condamné, qui l... Tout lireUne unité secrète de lutte contre le terrorisme appelée Black Cell et dirigée par Gabriel Shear espère pouvoir financer sa guerre contre le terrorisme international, mais tous les fonds sont bloqués. Gabriel fait appel à Stanley Jobson, un pirate informatique déjà condamné, qui lui apporte son aide.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 10 nominations au total
Avis à la une
Well, Stanley Jobson (Hugh Jackman) a convicted Hacker, fresh out of prison and desperate to see his daughter again, can beat you, i'll bet on it. He has to hack into the FBI Computers in a fairly public place, with a gun to his head and a beautiful woman performing an act of Felacio on him, and he has just one minute to do it. (A Great Scene, Not Explict, just cool)
Anyway, he is recruited by John Travolta to hack into a dormant DEA Fund worth 9.5 Billion Dollars to finance his terrorist activities.
Full of Slick Dialogue, cool Direction and the simply gorgeous Halle Berry, this turns out to be a very enjoyable Thriller, with some clever twists (some of which don't quite work) but are forgivable anyway.
Not a classic, but a good film none the less. 8/10
Mylo On The Movies gives it 3.5 out of 5 stars.
Travolta plays this incredibly ruthless man, someone committed to keeping the country safe from terrorists, who offers a hacker with child custody issues (Jackman) a chance to make a fortune, enabling him to hire a top attorney and get custody of his daughter. He needs the code cracked to a bank and account holding $9 billion in government money, and the money disseminated to various accounts.
The beginning of the film is fascinating - it's Travolta discussing the film Dog Day Afternoon - but alas, it's downhill from there. I'm normally not the most technically observant person when I'm watching a movie, but even I could tell that computerized images and miniatures did a lot of the work.
Hallie Berry gets to show off most of her beautiful body and there's plenty of action. Young men, I'm sure, love this film. Unfortunately I'm not a young man. And after seeing "Swordfish," I was 1 hour and 39 minutes older.
Plot In A Paragraph: Gabriel Shear (John Travolta) is trying to access information that is locked inside a complicated computer system that contains mountains of government secrets - and money. With the help of his companion Ginger (Halle Berry) he hires Stanley Jobson (Hugh Jackman), a desperate computer expert, who is trying to stay clean to help him hack into the system.
I'll get what I dislike out of the way first. Halle Berry's much hyped first topless scene looks very forced, and looks to only be in the movie for publicity purposes. John Travolta gives an awful performance and following "The Punisher" the last movie I watched him in, this is another hint that "Pulp Fiction" was a fluke. Tate Donovan is an awful actor, but thank funny his role is small. I'm not sure why Vinnie Jones is here, as I don't recall him having any dialogue, except an awful bit at the end. Despite a short running time, the plot is drawn out, and seems to have too much going on at the same time.
Where the movie works is Hugh Jackman and Halle Berry. Jackman is a likable hero, both handsome and charismatic while also having the ability to actually act! Berry looks great and does as well as the material allows.
Could have been worse, but also it could have been a hell of a lot better.
Some of this script is a takeoff on Dog Day Afternoon, which Travolta's character re-enacts a role from that famous '70s film. "Shear" talks about that movie during the film.
I almost got discouraged watching this in the first half hour because there is so much computer terminology that I was lost. However, if you find yourself in a similar spot, take heart because that that ends after that first 30 minutes and is no longer a problem.
Credibility and bias aside, it's still a fun movie for at least one viewing, with that early bomb scene most memorable.
Le saviez-vous
- AnecdotesThe dramatic explosion at the start of the film was captured using 135 synchronized still cameras.
- GaffesThe $400 million in DEA money is said to have grown, "with interest", to $9.5 billion in 15 years. That would represent a compound interest rate of over 21% per year, which is unrealistic. At 12%, the money would have grown to a little less than $2.4 billion. At a more realistic 6%, it would be about $981 million, or a little over one-tenth of the value claimed in the movie.
- Citations
[first lines]
Gabriel: You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic vision. Take Dog Day Afternoon, for example. Arguably Pacino's best work, short of Scarface and Godfather Part 1, of course. Masterpiece of directing, easily Lumet's best. The cinematography, the acting, the screenplay, all top-notch. But... they didn't push the envelope. Now what if in Dog Day, Sonny wanted to get away with it, REALLY wanted to get away with it? What if - now here's the tricky part - what if he started killing hostages right away? No mercy, no quarter. "Meet our demands or the pretty blonde in the bellbottoms gets it the back of the head." Bam, splat! What, still no bus? Come on! How many innocent victims splattered across a window would it take to have the city reverse its policy on hostage situations? And this is 1976; there's no CNN, there's no CNBC, there's no internet! Now fast forward to today, present time, same situation. How quickly would the modern media make a frenzy over this? In a matter of hours, it'd be biggest story from Boston to Budapest! Ten hostages die, twenty, thirty; bam bam, right after another, all caught in high-def, computer-enhanced, color corrected. You can practically taste the brain matter. All for what? A bus, a plane? A couple of million dollars that's federally insured? I don't think so. Just a thought. I mean, it's not within the realm of conventional cinema... but what if?
- Crédits fousThe last credit reads "Final Password: Vernam", which is part of the website game. (See Trivia). A Vernam cypher is a method of encrypting a message.
- Versions alternativesAlternate television takes were shot for the scene with Ginger at the pool (she wears a bikini) and where Stanley hacks into the main frame of the Departement of Defense (Helga is not there).
- ConnexionsFeatured in Conversations with Jerry Bruckheimer (2000)
- Bandes originalesDark Machine
Written by Paul Oakenfold and Andy Gray
Performed by Paul Oakenfold and Christopher Young
Courtesy of London-Sire Records
Meilleurs choix
- How long is Swordfish?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Swordfish: Acceso autorizado
- Lieux de tournage
- Ventura, Californie, États-Unis(Location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 102 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 69 772 969 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 145 632 $US
- 10 juin 2001
- Montant brut mondial
- 147 080 413 $US
- Durée
- 1h 39min(99 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1