Human Nature
- 2001
- Tous publics
- 1h 36min
NOTE IMDb
6,4/10
19 k
MA NOTE
Une femme est éprise d'un homme amoureux d'une autre femme, et tous trois ont des vues sur un jeune homme qui a grandi dans une famille de singes.Une femme est éprise d'un homme amoureux d'une autre femme, et tous trois ont des vues sur un jeune homme qui a grandi dans une famille de singes.Une femme est éprise d'un homme amoureux d'une autre femme, et tous trois ont des vues sur un jeune homme qui a grandi dans une famille de singes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
Stanley DeSantis
- Doctor
- (as Stanley Desantis)
Chase MacKenzie Bebak
- Young Nathan
- (as Chase Bebak)
Avis à la une
"Human Nature" is a comedy written by "Being John Malkovich's" Charlie Kaufman and it doesn't fail to carry the distinct aroma of his previous film. The film explores our so-called "primal urges" and our need to live naturally with deep consideration of those urges.
Patricia Arquette plays Lila Jute, a human naturist who has a little problem. She is suffering from a hormonal balance that causes her to be abnormally covered with body hair. While this does not pose much of a concern for her personally, it does for everyone else and more specifically, men. After getting fed up with the world, she decided to live in the forest amongst the animals and write best-selling nature books. However the animal in her begins to miss the precious company of men and so she returns to civilization. Lila shaves her body hair and begins a somewhat odd relationship with Nathan Bronfman (Tim Robbins). Nathan happens to be an etiquette scientist who tries to teach mice and Lila table manners. One day, Lila and Nathan come across an untamed man (Rhys Ifans) who was raise by a father who believed himself to be a monkey. That man is later nicknamed Puff. The Puff creature happens to be the perfect subject for Dr. Nathan Bronfman as he changes Puff's wild ways to more more cultivated conduct. Lila is left torn between lying about her "human nature" or embracing her urges and running wild.
Perhaps I'm as prude as Tim Robbins's character, however there is no appreciation of the refined gross-out humor in my sight. It appears as though the crude humor found its way into the movie for no reason other than the fact it could. Luckily the film makes up for that in very unique cinematography. The interesting camera angles and settings take away a bit from the numerous unnecessary masturbation jokes and bodily fluid gags. There were many other ways that such a creative team of filmmakers could have coped with them in a more substantial manner and prevented their detraction of the finer aspects of the movie.
The finer aspects of the film include the brilliant acting from some of the somewhat less familiar faces in Hollywood. Actress Patricia Arquette creates a character that is believable, originative and daring. She inhibits Lila with great ease and manages to push all the right buttons to make her tick just the right way. Rhys Ifans fills Puff's shoes with more content than expected. While he is able to add much to the film due to his comedic nature, there are a few points in the film where Rhys is able to show even greater depth. Both actors make great counterparts.
At times obscene and at others strange, the comedy manages to tackle some more thought-provoking issues, outside of humping. "Human Nature" discusses issues of evolution, the human desire to blend in and what it really is that makes us human. It walks through a somewhat slow and unstructured journey that imprints the difference between civilization, monkeys and mankind.
Despite its charms, "Human Nature" is not what it could have been. It does not live up to its potential because the filmmakers decided to make too many hollow & irrelevant stops and too few truly important ones. In the end, "Nature" is daring, well acted, unique, intelligent in spirit and very very crude.
Grade: C
Patricia Arquette plays Lila Jute, a human naturist who has a little problem. She is suffering from a hormonal balance that causes her to be abnormally covered with body hair. While this does not pose much of a concern for her personally, it does for everyone else and more specifically, men. After getting fed up with the world, she decided to live in the forest amongst the animals and write best-selling nature books. However the animal in her begins to miss the precious company of men and so she returns to civilization. Lila shaves her body hair and begins a somewhat odd relationship with Nathan Bronfman (Tim Robbins). Nathan happens to be an etiquette scientist who tries to teach mice and Lila table manners. One day, Lila and Nathan come across an untamed man (Rhys Ifans) who was raise by a father who believed himself to be a monkey. That man is later nicknamed Puff. The Puff creature happens to be the perfect subject for Dr. Nathan Bronfman as he changes Puff's wild ways to more more cultivated conduct. Lila is left torn between lying about her "human nature" or embracing her urges and running wild.
Perhaps I'm as prude as Tim Robbins's character, however there is no appreciation of the refined gross-out humor in my sight. It appears as though the crude humor found its way into the movie for no reason other than the fact it could. Luckily the film makes up for that in very unique cinematography. The interesting camera angles and settings take away a bit from the numerous unnecessary masturbation jokes and bodily fluid gags. There were many other ways that such a creative team of filmmakers could have coped with them in a more substantial manner and prevented their detraction of the finer aspects of the movie.
The finer aspects of the film include the brilliant acting from some of the somewhat less familiar faces in Hollywood. Actress Patricia Arquette creates a character that is believable, originative and daring. She inhibits Lila with great ease and manages to push all the right buttons to make her tick just the right way. Rhys Ifans fills Puff's shoes with more content than expected. While he is able to add much to the film due to his comedic nature, there are a few points in the film where Rhys is able to show even greater depth. Both actors make great counterparts.
At times obscene and at others strange, the comedy manages to tackle some more thought-provoking issues, outside of humping. "Human Nature" discusses issues of evolution, the human desire to blend in and what it really is that makes us human. It walks through a somewhat slow and unstructured journey that imprints the difference between civilization, monkeys and mankind.
Despite its charms, "Human Nature" is not what it could have been. It does not live up to its potential because the filmmakers decided to make too many hollow & irrelevant stops and too few truly important ones. In the end, "Nature" is daring, well acted, unique, intelligent in spirit and very very crude.
Grade: C
10Eli-18
'Human Nature' will inevitably be reviewed in comparison to 'Being John Malkovich', and the comments will be along the lines of 'less coherent', 'not likely to be as commercially successful', etc. But should these be reasons to NOT see this movie? Only if you want to miss the most intelligent movie to come out since BJM. Forget 'A Beautiful Mind', which gives the appearance of intelligence by flaunting pseudo-guru math, but was just another sappy tale of 'the triumph of the human spirit'.
What makes 'Human Nature' and BJM a cut above the usual cinema drivel, is that they actually attempt to get into some serious philosophical issues. BJM delves into personal identity, while 'Human Nature' digs even deeper into the realm of our underlying... human nature. What makes human nature any better than animal nature? civilization? language? manners? And do these distinctly human features actually make us better, or just different, or different in a bad way... i.e. by making us lead dual lives, tearing our originally united being into inharmonious halves (subjective/objective)? And can we simply unite our duplicitousness by forgetting language, civilization, and manners... by returning to nature? Or, with a philosopher who gets an intensional nod in 'Human Nature', Wittgenstein, are we stuck in language, forever banished from the garden of eden?
This movie raised all of these questions, and more, for me... which is what I expect out of a good movie: not only does it entertain us, but it invites us to join in the entertaining. By posing these questions, it challenges us to answer them, and to ask our own questions of it... which means that we have to see it again in order for it to continue the dialogue. Now that's what I call interactive movie-going. Philosophy has started some great stuff in history: religion, government, science. So I think that's its not asking too much for movies to engage in philosophical debates and trying to include the audience, rather than thinking of the audience as fodder for the box office.
What makes 'Human Nature' and BJM a cut above the usual cinema drivel, is that they actually attempt to get into some serious philosophical issues. BJM delves into personal identity, while 'Human Nature' digs even deeper into the realm of our underlying... human nature. What makes human nature any better than animal nature? civilization? language? manners? And do these distinctly human features actually make us better, or just different, or different in a bad way... i.e. by making us lead dual lives, tearing our originally united being into inharmonious halves (subjective/objective)? And can we simply unite our duplicitousness by forgetting language, civilization, and manners... by returning to nature? Or, with a philosopher who gets an intensional nod in 'Human Nature', Wittgenstein, are we stuck in language, forever banished from the garden of eden?
This movie raised all of these questions, and more, for me... which is what I expect out of a good movie: not only does it entertain us, but it invites us to join in the entertaining. By posing these questions, it challenges us to answer them, and to ask our own questions of it... which means that we have to see it again in order for it to continue the dialogue. Now that's what I call interactive movie-going. Philosophy has started some great stuff in history: religion, government, science. So I think that's its not asking too much for movies to engage in philosophical debates and trying to include the audience, rather than thinking of the audience as fodder for the box office.
Finally, a definitive answer to the question, "What is human nature?" Actually, "Human Nature" is not the answer to that question, but it does address other issues, one of which is the nature of comedy. Many, if not most, people who see "Human Nature" will not care for it. I was going to say "not get it", but that is condescending. I think "Human Nature" is a hilarious comedy. It's extreme adsurdity makes it so. It combines elements of Pygmalion, Frankenstein and Tarzan into a wonderful, modern day farce. The story is about a love rectangle formed by Nathan Bronfman (Robbins), Lila Jute (Arquettte), Puff (Ifans), and Gabrielle (Otto). Nathan and Gabrielle are somewhat normal (as normal as two scientists can be), but Lila and Puff are a bit off center. She has a problem with body hair which covers her whole body, and Puff, was raised in the wild by his father, who thought he was a gorilla. The story is told through flashback by the dead Nathan, the testifying Puff, and the arrested Lila. Wonderfully done. The one question I had throughout was how Puff came to be testifying in front of congress. The answer was so pat and contrived it was funny. My advice is, go see this movie with 4 or 5 friends, and try and predict which one of you will like it. The rest will hate it.
I loved this film. Everyone in it was sharp. It may be slow to build up in laughs, but I didn't mind one bit. The always great Arquette held it all in for me. Robbins was excellent, too. (as always- hey Tim, I want to see another directed feature from you!) Highly recommeded for fans of "intellectual" comedy. Some classic moments....
10bcigor
I don't know what's happening with the votes on this movie. It IS really great. May be people just get offended by lots of nudity in this picture? Why to bother? It's VERY thought-provoking, extremely smart, funny and in a same way sad. I prefer it over Eternal Sunshine sometimes. Really great story about how hopeless we all are. A bit farce, a bit comedy, and great philosophical meaning. Why don't we live in forests? Why don't we try to be free? Why do we live in this world of steel and plastic? Just think about what questions do Kaufman movie rise.
Being John Malkovich .. is pretty shallow, not strong work. I still adore it, but it's worst Kaufmans work for me, though it's extremely original.
Adaptation brings out greatest thoughts about movie-making, about human relations, about creativity and Hollywood, about mainstream and real art. And the funny thing Adaptation even mocks about itself. Great script.
Eternal Sunshine is mainly about love, destiny and memories. Nothing else there. Though i have to admit it's a perfect script.
Human Nature is an anti-human, Greenpeace-pro movie... till the very end. It mocks humanity sometimes, but mostly talks about how self-important we are, how ungracious to the nature around us. But the end ... Well, wont write spoilers here.
This movie is a skeptical answer for all those hopeless romantics out there. And i think it's a great symbiotic relationship. Romance and skepticism.
Being John Malkovich .. is pretty shallow, not strong work. I still adore it, but it's worst Kaufmans work for me, though it's extremely original.
Adaptation brings out greatest thoughts about movie-making, about human relations, about creativity and Hollywood, about mainstream and real art. And the funny thing Adaptation even mocks about itself. Great script.
Eternal Sunshine is mainly about love, destiny and memories. Nothing else there. Though i have to admit it's a perfect script.
Human Nature is an anti-human, Greenpeace-pro movie... till the very end. It mocks humanity sometimes, but mostly talks about how self-important we are, how ungracious to the nature around us. But the end ... Well, wont write spoilers here.
This movie is a skeptical answer for all those hopeless romantics out there. And i think it's a great symbiotic relationship. Romance and skepticism.
Le saviez-vous
- AnecdotesMany of the scenes in the forest are allusions to or recreations of scenes in the Björk music video "Human Behavior", also directed by Michel Gondry.
- GaffesPuff was raised by a madman who never taught him basic language skills or anything about human life. So how does he know the story of being stolen from his mother's apartment?
- Citations
Nathan Bronfman: What is love anyway? From my new vantage point, I realize that love is nothing more than a messy conglomeration of need, desperation, fear of death and insecurity about penis size.
- ConnexionsFeatured in Una Especie de Cine-Teatro Novelesco (2006)
- Bandes originalesHair Everywhere
(2001)
Music and Orchestrations by Jean-Michel Bernard
Lyrics by Charlie Kaufman
Performed by Patricia Arquette
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 705 308 $US
- Week-end de sortie aux États-Unis et au Canada
- 297 340 $US
- 14 avr. 2002
- Montant brut mondial
- 1 574 660 $US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Human Nature (2001) officially released in India in English?
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