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Wild About Harry

  • 2000
  • 1h 31min
NOTE IMDb
6,0/10
567
MA NOTE
Wild About Harry (2000)
ComédieDrameRomance

Ajouter une intrigue dans votre langueA sleazy chef is forced to face the truth about the man he has become and realizes that he has the chance to begin again.A sleazy chef is forced to face the truth about the man he has become and realizes that he has the chance to begin again.A sleazy chef is forced to face the truth about the man he has become and realizes that he has the chance to begin again.

  • Réalisation
    • Declan Lowney
  • Scénario
    • Colin Bateman
  • Casting principal
    • Brendan Gleeson
    • Amanda Donohoe
    • James Nesbitt
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,0/10
    567
    MA NOTE
    • Réalisation
      • Declan Lowney
    • Scénario
      • Colin Bateman
    • Casting principal
      • Brendan Gleeson
      • Amanda Donohoe
      • James Nesbitt
    • 11avis d'utilisateurs
    • 5avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Photos4

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux40

    Modifier
    Brendan Gleeson
    Brendan Gleeson
    • Harry McKee
    Amanda Donohoe
    Amanda Donohoe
    • Ruth McKee
    James Nesbitt
    James Nesbitt
    • Walter Adair
    Adrian Dunbar
    Adrian Dunbar
    • J.J. MacMahon
    Bronagh Gallagher
    Bronagh Gallagher
    • Miss Boyle
    Ruth McCabe
    Ruth McCabe
    • Lily
    Doon Mackichan
    Doon Mackichan
    • Tara Adair
    • (as Doon MacKichan)
    Paul Barber
    Paul Barber
    • Prof. Simmington
    George Wendt
    George Wendt
    • Frankie
    Henry Deazley
    • Billy McKee
    Billy Donnelly
    • Brendan
    Irene Maxwell
    • Old woman
    Margaret D'Arcy
    • Old woman
    Magael MacLaughlin
    • Young woman
    • (as Magael MacLoughlin)
    Terence Corrigan
    • Shop assistant
    Philip Young
    • Robbie
    Callum Lawless
    • Thug
    Pat Shortt
    Pat Shortt
    • Ronnie
    • Réalisation
      • Declan Lowney
    • Scénario
      • Colin Bateman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs11

    6,0567
    1
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    10

    Avis à la une

    5hiproductions

    Gleeson is brilliant and overall a good plot

    This was a very good film. The humor is British which takes a bit of adjusting to but Gleeson's performance was perfect. He demonstrates that he can hold down a lead part while not necessarily fitting a Hollywood mold. The overall plot was good. The Gleeson character was a total jerk and as a result, he was surrounded by people that hated him thoroughly. Through a tragic injury, he has to start all over and has a very hard time figuring out why everyone around him is such a jerk to HIM, not realizing that he was living in a world of relationships that he built (or destroyed). From there, Harry has to start all over and work through the many difficulties/consequences of his previous life. Gleeson is brilliant, I really had to root for him the whole time. If this were available on DVD I would probably buy it.
    6smithers-5

    Amusing, light entertainment

    Black comedy about a hard-drinking/smoking/womanising Irish TV chef who loses his memory when on the brink of divorce. Harry is a mix of male TV chefs from Graham Kerr to Keith Floyd and looks a hell of a lot like Patrick, the Irish Anglia TV chef.

    This is a well-constructed film, funny without being hilarious, moving without being too syrupy.

    Brendan Gleeson play this part so well that it's hard to imagine anyone else doing it.

    Amanda Donahoe is excellent in a different role for her.

    George Wendt as a TV producer is George Wendt - a delight to watch (please can we see more of him).

    Nothing groundbreaking, just good entertainment.
    bob the moo

    Had potential but too many bits that don't work well and a stupid subplot

    Northern Irish TV chef Harry has a history of playing around, being drunk and fighting with his wife. On the eve of his divorce hearing, Harry is beaten up at a garage but goes to work the next day. Acting increasingly disorientated and unusual he finally slips into a coma. Coming out of the coma later, Harry thinks he is 18 and can't remember anything past that. His wife doesn't tell him what a total s*** he has been and tries to form him into a better person. But when Harry discovers his recent past he is shaken and tries to carry on as normal.

    When I saw this advertised I saw the great cast and wanted to see it immediately. The plot didn't sound too great – how many `kid in adult's body' things have we seen – and this one sounded like a recipe (sorry) for disaster. The opening scenes are funny, with a great joke at the expense of the sheer horror of daytime TV, but it soon turns into sentimentality that doesn't always work. The central relationship between Harry and Ruth doesn't always convince but it is OK and mostly avoids being syrupy despite being a bit sentimental.

    The sub-plot about the disgraced politician is just plain silly and is clearly a very silly idea whose sole purpose is to create some sort of climax to the main romance. It simply doesn't work and just adds to the feeling that this is a film that began with an idea but wasn't fully developed and, as a result, has too many bits that simply don't work very well.

    The great cast is mostly wasted. Gleeson is on good form and is an enjoyable character in the lead. Donohoe is also good and her accent is pretty good despite slipping occasionally. Dunbar is a good actor but has little to do here in a small role. Nesbit is a great actor from my hometown of Coleraine. Sadly here he plays the absurd disgraced politician who is ruined by Harry on live TV – it's a silly role and the only thing that it does for Nesbit's career is that it shows he'll do any old tat! `Cheer's' Wendt is funny in a small role as Harry's producer and is typical of a well known and talented cast.

    It's a shame that they are pretty much wasted in a daffy plot that mixes a good idea with some touches that simply don't work. At heart this is a romance with potential but it has too many bits that are half baked although much of the central romance is enjoyably sweet without being overly sickly sweet.
    4bbbl67

    Not too wild about this one

    I don't know about this one, I hate to be down about this film: the idea of the film was interesting, and the acting was passable. Where it fell down was in the storyline, it just felt dull. Amanda Donohoe just felt too bland as a suffering housewife, dealing with her husband's infidelities; I'm used to her playing lesbians and snakewomen and stuff like that. I can't even imagine a fat lard like Harry would be cheating on a hotwife like Ruth (Donohoe); but I suppose if we could accept Michael Douglas cheating on hotwife Anne Archer with Glenn Close in Fatal Attraction, then we can accept this. I just wasn't convinced by the characters in this movie.
    7petawebken

    Witty original and very funny

    I saw this movie at the London Film Festival and enjoyed it very much. It is a very witty and funny film,sometimes hilariously so.

    It is also a subtle film which works on more than one level. It can be viewed as a romantic comedy.or could be seen as a metaphor for peace and reconciliation in Northern Ireland after 25 years of troubles.

    The film has encouraged me to buy some of Colin Batemans books.

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    Centres d’intérêt connexes

    Will Ferrell in Présentateur vedette: La légende de Ron Burgundy (2004)
    Comédie
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The film has a pre-screen test at the Prince Charles Cinema in London
    • Citations

      Ruth McKee: [Turns on car radio]

      Harry McKee: ...sex, both inside and outside of marriage? Research has shown that men think about sex an average of once every three minutes. To which I can only respond "Is that all?"

      Harry McKee: [Turns up the volume]

      Radio commentator: What is it about middle aged modern man to turn his mind back to those halcyon days when sex was free and the living was easy, even when it wasn't? You may blame it on the permissive society, you may blame it on equality, you may even blame it on Mr. and Mrs. Braithwaite in number 24 who used to bounce naked on the trampoline in their back garden when impressionable fourteen year olds were walking home from school, but the fact is that when I was growing up sex was everywhere. If you weren't doing it you were talking about it, and if you weren't talking about it you were fantasizing about it, and if you weren't fantasizing about it you were probably a Liverpool supporter, which was total fulfillment in itself and had the added advantage that you were not having to keep your bedroom door locked.

    • Connexions
      References La famille des collines (1972)
    • Bandes originales
      Welcome Home
      Performed by Brendan Gleeson

      Written by Dupre, Beldone, Blackburn

      Licensed by kind permission of Rive Droite Music, France

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    Détails

    Modifier
    • Date de sortie
      • 26 octobre 2001 (Royaume-Uni)
    • Pays d’origine
      • Royaume-Uni
      • Irlande
      • Allemagne
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Thanks for the Memories
    • Lieux de tournage
      • County Down, Northern Ireland, Royaume-Uni (RU)
    • Sociétés de production
      • MBP (Germany)
      • BBC Film
      • Scala Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 5 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 31min(91 min)
    • Couleur
      • Color
    • Mixage
      • Dolby
    • Rapport de forme
      • 1.85 : 1

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