NOTE IMDb
6,5/10
3,2 k
MA NOTE
Mémoire de la vie d'une famille qui a grandi dans un domaine britannique après la Première Guerre mondiale, dirigée par un solide disciplinaire, sa fille, son mari inventeur, leur fils de di... Tout lireMémoire de la vie d'une famille qui a grandi dans un domaine britannique après la Première Guerre mondiale, dirigée par un solide disciplinaire, sa fille, son mari inventeur, leur fils de dix ans et sa sœur aînée.Mémoire de la vie d'une famille qui a grandi dans un domaine britannique après la Première Guerre mondiale, dirigée par un solide disciplinaire, sa fille, son mari inventeur, leur fils de dix ans et sa sœur aînée.
- Réalisation
- Scénario
- Casting principal
Irène Jacob
- Aunt Heloise
- (as Irene Jacob)
Tchéky Karyo
- Gabriel Chenoux
- (as Tcheky Karyo)
Kirstin Smith
- Meg
- (as Kirsten Smith)
Avis à la une
My husband and I just watched this beautifully performed movie. It is an old fashioned movie with wonderful scenery of the Highlands of Scotland. Of a life that is no more. Robert Norman as Fraser the little boy is perfect for the part. He is very curious and causes no end of trouble. This movie takes place after World War I and is based on the novel "Son of Adam" by Sir Denis Forman. It is a gentle movie and I highly recommend it to those people who want spend an hour and a half in a time that will not come back. Rosemary Harris as Gamma, as always, is perfect. ColinFirth as Edward the dreamer, inventor and father plays the part to perfection. Both Irene Jacob and May Elizabeth Mastrantonio are beautiful and a pleasure to watch. Do see it.
I loved this period piece set in Scotland during the 40's. It is a coming of age story of Fraser Pettigrew.
Most of the story was told through Fraser's precocious eyes. Both he, and his father Edward, develop an infatuation with Malcolm McDowell's "exotic child bride"(Irene Jacobs). Fraser and his aunt share a sweet friendship;she turns him onto jazz, Louie Armstrong and the like.
His father Edward's (Colin Firth) love is unrequited and misplaced. He is a sympathetic character in the story until he develops this wandering eye. He is a hypocrite in that he wants to be pious and he wants & takes his sister-in-law and becomes the devil he warns Fraser of.
Edward Pettigrew's foolish fantasy is revealed at Gamma's funeral for all to see. His only redemption is the true love of Moira played by Mary Elizabeth Mastrianni, who forgives him for all his foibles.
Most of the story was told through Fraser's precocious eyes. Both he, and his father Edward, develop an infatuation with Malcolm McDowell's "exotic child bride"(Irene Jacobs). Fraser and his aunt share a sweet friendship;she turns him onto jazz, Louie Armstrong and the like.
His father Edward's (Colin Firth) love is unrequited and misplaced. He is a sympathetic character in the story until he develops this wandering eye. He is a hypocrite in that he wants to be pious and he wants & takes his sister-in-law and becomes the devil he warns Fraser of.
Edward Pettigrew's foolish fantasy is revealed at Gamma's funeral for all to see. His only redemption is the true love of Moira played by Mary Elizabeth Mastrianni, who forgives him for all his foibles.
This film had great potential, but it was too ambitious and tried to be too inclusive in telling the story. There are really two main story lines here: (1)Young Fraser's (Robbie Norman) coming of age and (2) His father Edward's (Colin Firth) misadventures.
Fraser's story (which the title implies is the point of the film) is fabulous. It is a whimsical and witty look at the coming of age of a ten year old boy in 1920's Scotland. He learns about sex by furtively studying his grandfather's books and pictures of unclad women. Put in the context of a completely naive ten year old mind, he develops some funny interpretations of the subject that are routinely and innocently blurted out in the presence of adults, usually to the mortification of his parents. This was a wonderful story and his journey to manhood should have been the subject of the entire movie.
The second story line was dull, and encumbered the film. This is the story of Fraser's father Edward. It centers around two key subplots. The first is his kooky childlike lifestyle, including crazy inventions and ineffective businesses. The second is his obsession with his Uncle Morris's (Malcolm McDowell) fiancée. Other subplots in this story line include a rivalry between Edward and Morris for the inheritance of the castle. This overly dramatic subplot bogs down the film ruins the comedic and mirthful elements provided in Fraser's story.
The cinematography was splendid, helped greatly by the beauty of the Scottish countryside and the magnificence of the Castle the family called home. Fortunately, there was a character with an airplane that gave director Hugh Hudson a convenient excuse to show aerial views of the castle and the countryside which were simply breathtaking. The photography in this film is reason enough to see it.
The acting was excellent. Though I wish the character had less emphasis, Colin Firth was excellent as Edward, the quirky father figure. Mary Elizabeth Mastrantonio gave a fine performance in a minor role as Moira, Edward's wife and the mother of his ten children. Once again, she had an opportunity to showcase her beautiful singing voice (see "Limbo" if you want to really hear her sing). Malcolm McDowell and Irene Jacob were also excellent as the uncle and aunt.
The best performance by far was that of Robbie Norman as young Fraser. He was full of innocent mischief and gave a convincing portrayal of the curiosity and nescience of youth.
I gave this film a 7/10. If you enjoy interesting character studies, slice of life films, beautiful scenery and comedy spawned of innocence, you will love this film. Had they stayed with the main story line, I probably would have given it a 10.
Fraser's story (which the title implies is the point of the film) is fabulous. It is a whimsical and witty look at the coming of age of a ten year old boy in 1920's Scotland. He learns about sex by furtively studying his grandfather's books and pictures of unclad women. Put in the context of a completely naive ten year old mind, he develops some funny interpretations of the subject that are routinely and innocently blurted out in the presence of adults, usually to the mortification of his parents. This was a wonderful story and his journey to manhood should have been the subject of the entire movie.
The second story line was dull, and encumbered the film. This is the story of Fraser's father Edward. It centers around two key subplots. The first is his kooky childlike lifestyle, including crazy inventions and ineffective businesses. The second is his obsession with his Uncle Morris's (Malcolm McDowell) fiancée. Other subplots in this story line include a rivalry between Edward and Morris for the inheritance of the castle. This overly dramatic subplot bogs down the film ruins the comedic and mirthful elements provided in Fraser's story.
The cinematography was splendid, helped greatly by the beauty of the Scottish countryside and the magnificence of the Castle the family called home. Fortunately, there was a character with an airplane that gave director Hugh Hudson a convenient excuse to show aerial views of the castle and the countryside which were simply breathtaking. The photography in this film is reason enough to see it.
The acting was excellent. Though I wish the character had less emphasis, Colin Firth was excellent as Edward, the quirky father figure. Mary Elizabeth Mastrantonio gave a fine performance in a minor role as Moira, Edward's wife and the mother of his ten children. Once again, she had an opportunity to showcase her beautiful singing voice (see "Limbo" if you want to really hear her sing). Malcolm McDowell and Irene Jacob were also excellent as the uncle and aunt.
The best performance by far was that of Robbie Norman as young Fraser. He was full of innocent mischief and gave a convincing portrayal of the curiosity and nescience of youth.
I gave this film a 7/10. If you enjoy interesting character studies, slice of life films, beautiful scenery and comedy spawned of innocence, you will love this film. Had they stayed with the main story line, I probably would have given it a 10.
This is one of the least know, but most charming films I have ever scene.seen.
Every child deserves to have a father like Edward Pettigrew (Firth). As Frazier describes his father, " Father is an inventer and a genius!!!"
The film begins with a toddler Frazier, disliking his rest time, decides to have an adventure by crawling around the roof of the family castle in Argyll, Scotland. Father climbs down the steep roof with a rope attached to his waist and rescues wee Frazier, all the while barking like a dog. Frazier, (who makes comments throughout the film), observes that at that time in his life, he and his father ONLY communicated in DOG, the language they both spoke best.
Naturally the film has a romantic and potentially explosively moment between Father and his brother-in-law's fiance- a 24 year old French muscian who is quite beautiful and charming. She is also very wise for her years and managed to defuse the situation before it blows up. Never-the-less, the wife, played beautifully by Mary Elizabeth Mastreontonio, finds out at a crucial moment in the film and those rock-solid marriage nearly ends at a most tragic time in young Frazier's life.
But father, being a genius, finds a way to heal the wounds caused by his split-second decision to give in to his baser instincts. The WAY he gets his wife to forgive him and laugh again is pure magic.
Colin Firth never looked so handsome. Not even his glorious Mr. Darcy is so appealing. This role gives him the opportunity to show all his sides. His glorious, looney sense of humor as well as his gift for drama without words. Here he is active, leaping into a freezing cold Locke, running up and down stairs, inventing things, saving his son, dancing with his wife. He gets to laugh and cry and be HUMAN.
For those who discovered Colin Firth as Mr. Darcy, My Life So Far is the glorious update!
My Life So Far in DVD has a place on honor in my collection of over 500 DVD's and VHS' One of my favorites, and, I hope soon to be yours.
Every child deserves to have a father like Edward Pettigrew (Firth). As Frazier describes his father, " Father is an inventer and a genius!!!"
The film begins with a toddler Frazier, disliking his rest time, decides to have an adventure by crawling around the roof of the family castle in Argyll, Scotland. Father climbs down the steep roof with a rope attached to his waist and rescues wee Frazier, all the while barking like a dog. Frazier, (who makes comments throughout the film), observes that at that time in his life, he and his father ONLY communicated in DOG, the language they both spoke best.
Naturally the film has a romantic and potentially explosively moment between Father and his brother-in-law's fiance- a 24 year old French muscian who is quite beautiful and charming. She is also very wise for her years and managed to defuse the situation before it blows up. Never-the-less, the wife, played beautifully by Mary Elizabeth Mastreontonio, finds out at a crucial moment in the film and those rock-solid marriage nearly ends at a most tragic time in young Frazier's life.
But father, being a genius, finds a way to heal the wounds caused by his split-second decision to give in to his baser instincts. The WAY he gets his wife to forgive him and laugh again is pure magic.
Colin Firth never looked so handsome. Not even his glorious Mr. Darcy is so appealing. This role gives him the opportunity to show all his sides. His glorious, looney sense of humor as well as his gift for drama without words. Here he is active, leaping into a freezing cold Locke, running up and down stairs, inventing things, saving his son, dancing with his wife. He gets to laugh and cry and be HUMAN.
For those who discovered Colin Firth as Mr. Darcy, My Life So Far is the glorious update!
My Life So Far in DVD has a place on honor in my collection of over 500 DVD's and VHS' One of my favorites, and, I hope soon to be yours.
Beautiful music fills the theater, and a view of a lovely castle, the light all brown and gold, then a children's room, curtains drawn for nap time, or "rest time, " a Gamma calls it. Fraser hates rest time. He pulls his bed over to the window, parts the curtains, climbs out the window and starts out on his housetop journey - the journey that brings his father, resplendent in tennis white and cream bounding up the stairs, long legs moving fast. And ends with Dad barking like a dog, and little son barking back until he is safely swept up into Edward's arms and hoisted high on the roof for all to see.
It is a wonderful beginning to a family saga. It manages to tell us almost everything about the kind of child Fraser is, and the kind of father he has -- Almost everything, but not all.
In the course of the film we see that Edward Pettigrew is many things, an inventor of hair brained gadgets, an exuberant dad to his children, a lover to his wife, a trial to his mother-in-law, a fool to his brother-in-law, a kind employer to the house staff. But most of all, he is a man with the heart of a child. There are times when the child Fraser is more mature than Edward the dad.
I never felt the film was fragmented, because the central theme, Edward's lust for Heloise, held the movie together, and gave it shape. And he DID lust for her, did something to her in the sphagnum moss storage room, something unwanted, and aggressive enough to take her choker from her neck, leave them both with moss clinging to their hair -- something to cause us to hear one wild scream from Heliose.
Edward's jealousy of Fraser's friendship with the beautiful Frenchwoman is a child's jealousy. Edward tries to push Fraser to the side; he vies with his son for Heloise's attention, and by his boorish, childlike actions, he opens himself to her public ridicule of him at table.
Colin Firth has one of his best roles here. He allows us to see a man with so many warring degrees of character - kindness and cruelty, foolishness and intelligence. And the man is funny too. There is a scene where he attempts to tell the facts of life to Fraser that is priceless. A perfect place for the stammer.
For the Firth fans of us, he is rugged of face and the liquid brown eyes have never been more expressive. There is one particular scene where you could drown in them! He is trim of body, walks the walk all over the heather, wears clothes to die for. There is one suit that he wore for hunting that I loved - dark brown with knickers, and with the most fetching brown slouch hat. And that Scottish accent! Divine!
Best of all, is a scene in pajamas, alone by the fire, the light playing on his face, his head back, a bit of suprasternal notch showing. Sighs were heard all up and down our row.
Yes, I liked it. Everyone was excellent in it. I particularly loved Mary Elizabeth Mastrantonio's sweet expressive face, and her singing voice is lovely. Robert Burns never sounded more haunting or romantic. McDowell was hard edged, not a likeable man, but one that loved his mother very much -- and his young wife. You could especially see that when Edward taunts him in the climatic scene. Young Fraser is a natural, and I thought his discoveries in his grandfather's attic, and his obsession with "sins of the flesh," very real for a bright ten year old in 1920 who was never told any of the things he really wanted to know. The Louie Armstrong/jazz/cigar/brandy snifter scene shown in the trailer becomes much sweeter and sadder when you see the film. There is an extra ingredient that makes it so.
I wanted to be a guest in that house where smokes billows from the lawn, the master rides around in tiny inflatable boats, or tank like vehicles, where lovers waltz in their nightclothes in the rain. Where eccentricity is treated with forbearance -- until Eve enters the scene and changes the family forever.
*************
It is a wonderful beginning to a family saga. It manages to tell us almost everything about the kind of child Fraser is, and the kind of father he has -- Almost everything, but not all.
In the course of the film we see that Edward Pettigrew is many things, an inventor of hair brained gadgets, an exuberant dad to his children, a lover to his wife, a trial to his mother-in-law, a fool to his brother-in-law, a kind employer to the house staff. But most of all, he is a man with the heart of a child. There are times when the child Fraser is more mature than Edward the dad.
I never felt the film was fragmented, because the central theme, Edward's lust for Heloise, held the movie together, and gave it shape. And he DID lust for her, did something to her in the sphagnum moss storage room, something unwanted, and aggressive enough to take her choker from her neck, leave them both with moss clinging to their hair -- something to cause us to hear one wild scream from Heliose.
Edward's jealousy of Fraser's friendship with the beautiful Frenchwoman is a child's jealousy. Edward tries to push Fraser to the side; he vies with his son for Heloise's attention, and by his boorish, childlike actions, he opens himself to her public ridicule of him at table.
Colin Firth has one of his best roles here. He allows us to see a man with so many warring degrees of character - kindness and cruelty, foolishness and intelligence. And the man is funny too. There is a scene where he attempts to tell the facts of life to Fraser that is priceless. A perfect place for the stammer.
For the Firth fans of us, he is rugged of face and the liquid brown eyes have never been more expressive. There is one particular scene where you could drown in them! He is trim of body, walks the walk all over the heather, wears clothes to die for. There is one suit that he wore for hunting that I loved - dark brown with knickers, and with the most fetching brown slouch hat. And that Scottish accent! Divine!
Best of all, is a scene in pajamas, alone by the fire, the light playing on his face, his head back, a bit of suprasternal notch showing. Sighs were heard all up and down our row.
Yes, I liked it. Everyone was excellent in it. I particularly loved Mary Elizabeth Mastrantonio's sweet expressive face, and her singing voice is lovely. Robert Burns never sounded more haunting or romantic. McDowell was hard edged, not a likeable man, but one that loved his mother very much -- and his young wife. You could especially see that when Edward taunts him in the climatic scene. Young Fraser is a natural, and I thought his discoveries in his grandfather's attic, and his obsession with "sins of the flesh," very real for a bright ten year old in 1920 who was never told any of the things he really wanted to know. The Louie Armstrong/jazz/cigar/brandy snifter scene shown in the trailer becomes much sweeter and sadder when you see the film. There is an extra ingredient that makes it so.
I wanted to be a guest in that house where smokes billows from the lawn, the master rides around in tiny inflatable boats, or tank like vehicles, where lovers waltz in their nightclothes in the rain. Where eccentricity is treated with forbearance -- until Eve enters the scene and changes the family forever.
*************
Le saviez-vous
- AnecdotesThe film is based on the memoirs of Denis Forman, a British television mogul born 10/13/1917, and is presumed to be set in 1927 when Denis Forman turned 10 years old (the age of Fraser Pettigrew in the film).
- GaffesWhile Fraser at age 3 crawls out of his bedroom onto the roof, his older brother, young Rollo in short pants with suspenders (in a shot from behind at 02:27), is on the lawn holding a tennis racket, but (at around 28 mins) the scene cuts to a frontal shot where young Rollo's hands are empty. Later (at around 33 mins), he holds the tennis racket again.
- Citations
Fraser Pettigrew: Our house is probably too big, which is why my mum kept having babies so we can keep it filled up.
- Crédits fousGrateful special thanks to the entire Miramax London operation and the people of Stracchur & Cairndow.
- Bandes originalesSymphony No.5 in C Minor, Op.67
Written by Ludwig van Beethoven (as Beethoven)
Performed by The City of Birmingham Symphony Orchestra
Conducted by Simon Rattle (as Sir Simon Rattle)
Sir Simon Rattle performs by courtesy of EMI Classics
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is My Life So Far?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- World of Moss
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 635 620 $US
- Week-end de sortie aux États-Unis et au Canada
- 53 937 $US
- 25 juil. 1999
- Montant brut mondial
- 635 620 $US
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant