Psycho Beach Party

This film really grew on me. It's got great actors (namely Nicholas Brendan and Lauren Ambrose), a great throwback sense of style, and very clever dialogue. I can't tell if this film is intentionally hysterical (I think it is, but some parts...it's hard to tell.) I also really liked some of the characters, including police"woman" Monica Stark. All in all, a light-hearted summer movie, perfect for a few good laughs.

I have to say the first time I watched this movie I couldn't even sit through the whole show. Fortunately for me that particular summer HBO played it in excess. Eventually I found myself looking to see when it was on again and watching it every time. This movie is a definite "send-up" to all those campy movies we either loved or hated, and this movie is definitely in the "love-it or hate it" category. Give yourself enough heads up to be up for anything and you too will add this to your "must see's" of cult classics. Most of the actors are unknown, some you may recognize from various TV shows. the story line is quirky at times but the cast works well together to pull this off.

Absurdity never seemed so straight and the straight and narrow never took so many turns. Psycho Beach Party is the most outrageous fun since Rocky Horror Picture Show hit the screen. Of all the films that poke fun at male-female, male-male, and female-female sexuality this summer, Psycho Beach Party takes the cake. The comparison is apt. Both films were adapted from successful small theatrical hits. Both films take innocence and sexuality to their extremes. What Rocky Horror did for monster movies, musicals and science fiction, Psycho Beach Party does to psychological thrillers, surfer/Gidget movies and slasher films. Charles Busch, the writer of the film and the play, has been New York's dirty little secret for over a decade. When Busch's "Vampire Lesbians of Sodom" was a hit downtown, I remember seeing people read the marquee, laugh, wince, then laugh again self consciously. Charles Busch brings this same combination of joy and guilt together wonderfully in Psycho Beach Party. He acts in it as well, he's the female detective that looks so damned good in that blue uniform. Its a shame theater doesn't inspire film as often as it once did. Theatrical dialogue, laced as it is the references and innuendo, requires a bit more suspension of disbelief from the audience. I'm not sure the "American Pie" generation is sophisticated enough to sit through something both silly and clever. Everyone shines in this cast, but no one outshines Chiclet. Let's leave it at that, in the wake of the "What Lies Beneath" fiasco, I'll leave the plot for people to discover. Unlike everyone at Universal Studios, I don't think people really want to know what happens before they go to the movies. Director Robert Lee King mocks the cinematic conceit of putting a film within a film not once but four times in less than a minute of screen time. It's a left, a right, a right, and a left knockout punch. And when you finish laughing about it -- King's little stunt will come back to haunt you later that night. Like Rocky Horror Picture Show, Psycho Beach Party is not the campy little trifle you thought you were being served...........

Yes, a few of these viewers dont even seem to know the work of Charles Busch - the creator/writer and performer of Psycho Beach Party. Busch has a huge following in theatre (Psycho beach Party started a s a play)and all of his work is tongue-in-cheek and some of the complaints on these posts sound like people who wouldn't "get" Rocky Horror Picture Show or Plan 9 From Outer Space either. But that's okay - Busch's work is not for everyone - just like John Waters/Divine's work isnt for everyone. And this film adapatation certainly has it's weaknesses - but much of it is DEAD on - including the opening and closing credits with a young Ann-Margaret look-a-like doing her best go-go boot dancing. Busch is hysterical as the hard-as-nails "female" police chief and Lauen Ambrose has a field day playing the perky like Gidget with multiple personalities. The film is fun and if you like it, check on Busch in Die, Mommie, Die.

A fun spoof of the Gidget type of movies. In addition to the surf spoof, it also adds camp, noir and suspense, all in B-movie style. The style itself is very '50s, with no details missed. With the movie's shifting of suspicion to different characters all the time, it will keep you guessing all the way toward the end as to who killer is.