Gypsy 83

When the lead character, 18-year-old goth boy Clive, comments that he doesn't identify with gay people because he could care less about Judy Garland and Stonewall--ouch!

I'm of the gay generation that reveres Stonewall and the gay liberation movement. We were the guys who took the lumps so that kids like Clive could say exactly that--that Stonewall is irrelevant to THEIR gay lives.

Nevertheless, I liked this movie; it's a companion piece to the director's excellent Edge of Seventeen. It's a combination road picture and coming of age story. Sure, it's flawed, but if you're like me you'd rather watched a flawed movie with gay content than a flawed movie without any. For someone my age, there were a lot of years where we didn't have access to ANY gay content.

I agree with another reviewer here that if some of the deleted material had been left in it would have helped the story line. Also, I was a little uncertain about the era until the internet crept into one scene.

The lead actors are quite good. Yaoi! Kett Turton is a cute anime boy come to life--a delectable goth/emo boy who's totally provocative and totally clueless about it. I couldn't help thinking about the straight reviewers here who commented about fast forwarding through the sex scene. I can well understand it. Turton is prettier than most girls and he makes effeminacy innocent AND sexy, something that surely could disturb some straight guys. My advice to them: have a cocktail and run that scene again.

AND--this movie's got Karen Black, that legendary train wreck you can't take your eyes off of.

Gypsy (Sara Rue) is a 20-something girl working a dead-end job in an Ohio suburb, where she lives with her clueless but loving father (John Doe, of seminal punk band X). Her best friend, Clive (Kett Turton), is a creative gothy teen in the process of coming-out. They share the bond of having lost their mothers as young children, having replaced them in their minds with everyone's favorite fabulous surrogate godmother: Stevie Nicks! When they find out about NYC's "Night of 1,000 Stevies" they decide to put their lives on hold, skip town, and road-trip it so Gypsy can compete in the karaoke contest and maybe meet her musician mother.

The trailer for this movie was lame, and I'll admit I only rented it because I'm a Stevie fan and I always wanted to check out Night of 1000 Stevies. As I watched the opening scene (which was used in the trailer), I was expecting a silly popcorn flick. It quickly became evident that this was not a typical "coming of age" movie. In fact, "Gypsy 83" ended up being the most original, heartfelt, and well-scripted coming-of-age movies since 1997's "All Over Me."

The characterization is nothing short of brilliant. This is one of those rare films that makes you really fall in love with the characters, despite their shortcomings. Gypsy and Clive are complex characters and far from being the archetypes usually found in this genre. The story revolves partly around their relationship, and it is an honest portrayal of a "straight-girl/gay-boy" relationship that goes beyond the sexist and homophobic notion of the "faghag." On their trip, they bump into a handful of colorful characters that are catalysts for the personal growth of the leads. These include a sexy Amish runaway (Anson Scoville), a former wannabe-pop-singer turned small-town karaoke chanteuse (the fabulously strange Karen Black), and an RV full of obnoxious hazing frat boys.

The writing is clever and original. Gypsy's tough-as-nails comebacks ("try being a freak in the real world, you catty c*nts!" to a bunch of gay goth boys in NYC) make her an admirable character that is easy to root for. While the "gothness" of the movie seems off-putting at first, it is actually used in a clever and unique way. Instead of using it to be scary or to stand-out (a la The "Craft"), this movie uses it to illustrate the personal changes the characters undergo. There are a couple scenes that are a bit absurd, such as when they camp out at a rest stop, light a bunch of candles, and drink absinthe. But this is forgiven as it is a set-up for two very sensitive and well-written scenes.

Music is also a key element used to illustrate Gypsy's coming-of-age. In the beginning of the movie, we see her singing a song from her parents' old band. We later learn that Gypsy's mother, Velvet, taught her to play and sing Stevie Nicks songs when she was a little girl. The soundtrack is killer. There is little Stevie music. Likely due to copyright issues, all we get are remixes and karaoke renditions of "Talk to Me." There are classic songs by The Cure, a sexy siren song sung by Karen Black, and an achingly gorgeous original by Sara Rue (who rather sounds like a young Stevie but has a voice all her own).

Like the equally brilliant "All Over Me" before it, the lead characters face brutal situations, as well as amazingly happy situations. While not as bleak as that movie, "Gypsy 83" is a beautiful film about accepting and loving yourself and coming to terms with tragic events from your past. Sometimes cheesy but never cliché, this is not a condescending coming-of-age film. And hey, any movie that uses "twirling like Stevie" as a metaphor is brilliant indeed! My Rating: 10/10.

What an excellent surprise GYPSY 83 has been, especially because the first ten minutes did not begin promisingly. This is a road movie that traces the emotional growth of two unlikely best friends: A brazen and outspoken girl in her early 20's who calls herself "Gypsy 83" and her just-about-to come-out-of-the-closet male best friend named Clive, as they travel from Sandusky, Ohio to New York City to attend the NIGHT OF A THOUSAND STEVIES competition---a showcase dedicated to obsessed fans of musical superstar Stevie Nicks. Both are into the "goth" scene, and Gypsy has dreams of becoming a famous singer. The first thirty minutes of the film are deceptively low-key, and then, just as you're ready to predict the rest of the plot, Karen Black arrives as a washed-up Karaoke lounge lizard, and---WHAM!---we're off in a different direction. By the time that Gypsy and Clive pick-up an Amish hitchhiker in Pennsylvania, who's running away from home, and who may or may not be gay, you know you're in a for quite a treat. And when Gypsy and Clive finally do arrive in NYC, the last 40 minutes or so of the film are so relevatory, so heart-warming, and so well-acted... be prepared to marvel (perhaps cry) at it's finale. GYPSY 83 is a film for goth audiences, for male and female audiences of all ages, for gay and straight audiences, and for anyone who's ever been a fan of 70's music.

Who knew that Sandusky was another Oz? Not since Sherwood Anderson made Winesburg, Ohio THE place to be FROM, has Ohio seemed such an exotic backdrop! Todd Stephens once again shows us that being different in Sandusky may be the crucible out of which our most solid character values are forged. Sara Rue and Kett Turton--with a little help from Karen Black, John Doe, and Anson Scoville ( as the sexiest Amish man since Harrison Ford)--make being different ( Goth, fat, gay, whatever)seem like redemption.

A little road picture becomes, with good writing, direction, and superb performances, a modern-day Canterbury Tales, where the "Night of a 1000 Stevies" is as important a destination as St Thomas Becket's grave.

The journey is itself the important part of the story, and each character that Gypsy ( Rue) and Clive (Turton) meet helps to change them as they, in turn, alter the lives of those they meet.

Do not expect true love and happy endings because like all journeys of self discovery, nothing is perfect and believing, opposite from the adage, is finally seeing.

Rent this DVD; see this movie. Todd Stephens gets better and better. EDGE OF SEVENTEEN was far from being just another teen movie, just another GAY teen movie; so GYPSY 83, too, is far from being another coming of age film. I think it says that we are all essential: frat boys, rednecks, broken-down karaoke singers, Stevie Nicks impersonators, fat girls, hunky Amish farmers, Mary Kay sales queens, and Foto Hut booth girls.

Sandusky, Ohio IS Oz. Todd Stephens knows it.

Oh, and don't miss Karen Black's incredible sultry jazz singing. Why the hell isn't she on Broadway?

I really enjoyed this movie. The two main characters had incredible chemistry and I especially loved the story itself. The acting is in top form, all the actors did a wonderful job bringing a realness to their character.

I feel Stevie's management made a big mistake by not allowing ANY of her songs in the film. It would've added a little bit more to this otherwise perfect tale.

I bought the DVD yesterday and watched the extra features, I especially loved the "Battle of the Stevies" (although, there is no audio), it brought back memories when I went to "The Night of 1000 Stevies" several years ago. 10/10