NOTE IMDb
5,2/10
523
MA NOTE
Ajouter une intrigue dans votre langueAn American insurance investigator goes to Hong Kong to retrieve a famous diamond stolen by a local criminal organization.An American insurance investigator goes to Hong Kong to retrieve a famous diamond stolen by a local criminal organization.An American insurance investigator goes to Hong Kong to retrieve a famous diamond stolen by a local criminal organization.
- Réalisation
- Scénario
- Casting principal
Nami Misaki
- Nana
- (as Name Misaki)
Bobby Canavarro
- Inspector Lu
- (as Bobby Ming)
Fu-Hsiung Cheng
- Fat Dog
- (as Tsang Fu-Hung)
Bolo Yeung
- Ta Niu
- (as Bolo Yung)
- …
Shu-Ying Cheng
- Louisa
- (as Shuk Ying Tsang)
Avis à la une
Jim Kelly is awesome Kung Fu martial artist, he is fast and can move like the wind, and is cut like a ninja to boot. He is one Badassmofo!! In this film he is hired by an insurance company to find a stolen diamond. One of the persons he has to go up against is Bolo Yeung, who worked with Jim in Enter the Dragon. The movie is dubbed and cheesy but I loved anyway cause the first time I saw it I was a kid. There is jumpsuit/tracksuits with the flared bell bottoms galore in this one too, just so you won't be disappointed!! All of it was filmed in Hong Kong, with tons of familiar Hong Kong actors.
Having had the rare opportunity to see it in the Mandarin/Chinese language , I can give a review that is more fair than some others. "Tattoo Connection," or "Hong Kong Connection" in certain regions, is a wildly entertaining, colorful and stylish Chinese import, that happens to star a martial arts legend who belongs to the West. Sometimes billed as "Black Belt Jones 2," this film has no connection to that earlier movie, which had a very different, and much lighter tone. Jim Kelly, who is basically the embodiment of everything that was considered cool in the 1970's, stars as Lucas, a CIA agent on a mission to recover a stolen priceless diamond. Lucas is sent to Hong Kong to find the missing jewel, and encounters a criminal organization, and an underworld of violence, espionage and death.
The Hong Kong setting is brilliant, as the city is one of the most mysterious and fascinating places in the world, and like Hong Kong, "Tattoo Connection" is filled with color and decadence, as well as eroticism, something rarely found in this genre. Sadly, this film was poorly marketed in the West; this is a patently "Eastern" production,with Eastern sensibilities. So when distributors got their hands on it they apparently tried to Westernize it, by dubbing everyone with totally silly English dubbing with British accented actors. The result of that is a kind of "death blow," stripping the movie of it's intense mood and turning it into silly comedy. It's very apparent that it's a much better movie when you watch it in Mandarin with English subtitles. Unfortunately that version is very rare. A personal favorite of mine, I put it up there with more respected Martial Arts titles such as "Master of the Flying Guillotine" and "Boxer From Shantung," and even "Enter the Dragon." It is a film I can watch repeatedly and never be bored with. The kung fu action is fast and furious, with well choreographed fights that look quite authentic. There is also quite a bit of sex and nudity on screen, but it's all done very well, and doesn't look cheap. A remastered dvd in it's original 2;35 aspect ratio, (and original language) would be most welcome.
If you are a fan of the 70's martial art movie genre? The final fight scene as well as others are worth the time. The irritating drawback, shocked that I am writing the following: to much T and A. You could do a lot worse. No where close to being Black Belt Jones 2.
After a diamond worth an estimated three million dollars American is stolen, the insurance company sends their top agent former CIA operative Lucas (Jim Kelly) to Hong Kong to find it. Meanwhile the gang that stole it, lead by one Mr. Lu (Sing Chen), is aware of Lucas and is determined to prevent anyone from interfering with their plans eliminating threats by any means necessary. Can Lucas survive long enough in such an hostile environment to locate the stolen diamond or will he become yet another victim?
The basic plot to this one is pretty straightforward but it hardly makes Jim Kelly's Lucas look all that bright especially given the fact the gang have to actually send Lucas an invite for a showdown before he even discovers their hideout. I did enjoy the subplot involving Nana as it gave way to some unexpected surprises. Overlooking its weak plot, where TATTOO CONNECTION delivers is in terms of its Martial Arts fighting action. Jim Kelly kicks some major butt and its fun to see him tangling once again with Bolo Yeung and with the likes of Sing Chen and Tao-liang Tan. Just good straight-forward action, no need for wire tricks and the like.
The basic plot to this one is pretty straightforward but it hardly makes Jim Kelly's Lucas look all that bright especially given the fact the gang have to actually send Lucas an invite for a showdown before he even discovers their hideout. I did enjoy the subplot involving Nana as it gave way to some unexpected surprises. Overlooking its weak plot, where TATTOO CONNECTION delivers is in terms of its Martial Arts fighting action. Jim Kelly kicks some major butt and its fun to see him tangling once again with Bolo Yeung and with the likes of Sing Chen and Tao-liang Tan. Just good straight-forward action, no need for wire tricks and the like.
Jim Kelly stars in this action packed kung fu extravaganza of a movie. In a time when kung fu cinema was more abundant in Hong Kong than rice, The Tattoo Connection was just another export of the time. The cinema in Hong Kong at the time did not even touch Hollywood, in terms of actual film quality, with a ten foot pole. However, the kung fu movies from Hong Kong had a big leg up over the States in terms of fight choreography. Under the fight choreography of Bruce Liang, The Tattoo Connection shone out like a bright beacon of Hong Kong cinema. Punch for kick, the fight sequences in this movie were absolutely awesome.
Back when the genre of kung fu movies was an accepted category, there were two basic kinds: those taking place in the 70's and 80's, and those taking place in feudal Japan and China. Every movie, regardless of when it took place has the same basic stereotypes and formulas. The bad guy boss, and his henchmen, the bad guy turned good, the hero, and the two faced 'good guy'. This movie was no exception, it filled all of these categories, however the main bad guy does not have any odd deformities like so many of them did (but he did wear sunglasses). However, unlike every other kung fu movie, this was not a revenge story. Most kung fu movies the protagonist is seeking revenge on the bad guy boss for something that happened during his childhood. This story stands alone in a very unique way, the protagonist (Jim Kelly, Enter The Dragon, The Black Samurai) is a hired man, seeking the return of some stolen diamonds for an American insurance company.
From a technical aspect, the movie does not offer much. There are bright colours, usually lacking in Kung Fu movies, and the uses of extreme close ups are way overdone. The sound in the movie was, well, less than par is a nice way of putting it. It was poorly dubbed, and Jim Kelly's character's voice is dubbed by another man, not the same, compared to the cool and calm voice of Enter The Dragon ('When it comes I wouldn't have to worry about it I'll be busy lookin' good'). They did, however, manage to get the timing of the dubbing relatively well but, the fact that the people selected to dub the movie, save Kelly's dubber, all had British accents did not help the believability of the movie, although the story was not too believable either. On the box it says something along the lines of, watch Jim Kelly get sucked into a world of hookers and prostitutes because of a stolen diamond. Although, during the movie, Kelly is seeking it out, going to strip clubs and inviting the dancers back to his hotel room. Well, what can you expect from a 70s action, kung fu, drama, blaxploytation movie? The music, however, was totally cool, the wet funky theme music brought the movie to a level of cool unequaled by any other Hong Kong cinema production.
It is still no Shaft theme, but cool none the less. Sound effects in kung fu movies are usually limited to the whacks and thunks of punching and kicking. This movie, along with every other kung fu flick, could not get the timing down. There would be a foonk with no punch thrown, and a whap with no kick, and the same the other way, a kick and punch with no sound. Overall though, much like another huge Chinese export, the sound quality was grainy, and I found myself straining to hear what was being said in some instances.
The true great quality of this movie is the level of 'coolness' emanating from the movie. It really achieved a 'wow, I want to be as cool as him' feel, which few other movies can broadcast. Aside from the cheesy antics, and less than perfect acting, this is one gem of Hong Kong cinema that should be on everybody's too watch list. 'That's why they call me the six million dollar man.'
Back when the genre of kung fu movies was an accepted category, there were two basic kinds: those taking place in the 70's and 80's, and those taking place in feudal Japan and China. Every movie, regardless of when it took place has the same basic stereotypes and formulas. The bad guy boss, and his henchmen, the bad guy turned good, the hero, and the two faced 'good guy'. This movie was no exception, it filled all of these categories, however the main bad guy does not have any odd deformities like so many of them did (but he did wear sunglasses). However, unlike every other kung fu movie, this was not a revenge story. Most kung fu movies the protagonist is seeking revenge on the bad guy boss for something that happened during his childhood. This story stands alone in a very unique way, the protagonist (Jim Kelly, Enter The Dragon, The Black Samurai) is a hired man, seeking the return of some stolen diamonds for an American insurance company.
From a technical aspect, the movie does not offer much. There are bright colours, usually lacking in Kung Fu movies, and the uses of extreme close ups are way overdone. The sound in the movie was, well, less than par is a nice way of putting it. It was poorly dubbed, and Jim Kelly's character's voice is dubbed by another man, not the same, compared to the cool and calm voice of Enter The Dragon ('When it comes I wouldn't have to worry about it I'll be busy lookin' good'). They did, however, manage to get the timing of the dubbing relatively well but, the fact that the people selected to dub the movie, save Kelly's dubber, all had British accents did not help the believability of the movie, although the story was not too believable either. On the box it says something along the lines of, watch Jim Kelly get sucked into a world of hookers and prostitutes because of a stolen diamond. Although, during the movie, Kelly is seeking it out, going to strip clubs and inviting the dancers back to his hotel room. Well, what can you expect from a 70s action, kung fu, drama, blaxploytation movie? The music, however, was totally cool, the wet funky theme music brought the movie to a level of cool unequaled by any other Hong Kong cinema production.
It is still no Shaft theme, but cool none the less. Sound effects in kung fu movies are usually limited to the whacks and thunks of punching and kicking. This movie, along with every other kung fu flick, could not get the timing down. There would be a foonk with no punch thrown, and a whap with no kick, and the same the other way, a kick and punch with no sound. Overall though, much like another huge Chinese export, the sound quality was grainy, and I found myself straining to hear what was being said in some instances.
The true great quality of this movie is the level of 'coolness' emanating from the movie. It really achieved a 'wow, I want to be as cool as him' feel, which few other movies can broadcast. Aside from the cheesy antics, and less than perfect acting, this is one gem of Hong Kong cinema that should be on everybody's too watch list. 'That's why they call me the six million dollar man.'
Le saviez-vous
- AnecdotesJim Kelly's voice is dubbed.
- ConnexionsFeatured in Mad Cowgirl (2006)
- Bandes originalesDiamond
(theme song)
Composed by Anders Nelsson as Anders Nelson
Sung by Anders Nelsson as Anders Nelson
By arrangement with The Melody Bank
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is The Tattoo Connection?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Hong Kong Connection
- Lieux de tournage
- Sai Kung, Hong Kong, Chine(Fat Dog's house)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant