Dimension de la mort

I think anyone studying film making should be required to watch this film, and learn how NOT to make a film! This is just plain stupid!! I can see why the "Goldfinger" director had OddJob mute. Because Sakata's line readings are so bad, they might as well have dubbed in his voice. Why was poor George Lazenby cast to play in such trashy films? Was he really that bad in "On Her Majesty's Secret Service"? Did the director of this film think that by casting two Bondian actors in this film that he would be raising the production value of such a horrible script? The action scenes are so tame and unexciting, that you can't believe why Jim Kelly would allow this to be vehicle in his career after the success of "Enter The Dragon". The only one aspect of this film worth viewing (with the exception of the Bondian actors) is the soundtrack. Not that it's completely brilliant, but it definately has a Rare Groove edge to it (if that's your bag), but I doubt a Soundtrack album ever accompanied this "drive-in" "B-" movie. Oh, and Jim Kelly has a cool red jump suit to wear. But that's about it. If the opening scene (with a woman getting stitched up in a nauseating slow pace) doesn't get you to turn the video off, the action will slowly put you to sleep. Only interesting if you were ever curious to see what George Lazenby got up to after his turn at James Bond.

Pure comedy. I hired this film from a video store as a kid in the late 80's. Along with brothers and friends we were looking for dodgy 70's films with afro's, car chases, gun fights and most importantly a 'twangy' 70s soundtrack. We were not disappointed. We still talk about this film today. There is one scene where a character called 'The Pig' holds a turtle above a woman's breast and declares 'one bight of your tit and you have to cut head off before he let go'!!! (Said in dodgy Chinese accent - same guy who played Odd Job in Bond movie). If you are looking for laughs, get this film. Terrible plot, awful acting, hilarious fights and an amazing script!! I just want to get my hands on this again!!!

Death Dimension aka The Black Eliminator is one of two films that Jim Kelly made with infamous schockmeister Al Adamson. Both of these movies are really bad, this is the worst of the two. Black Samurai was the better of the two, it was just as poorly made as this. However, it was more over the top and entertaining. This has a lame plot that has Jim Kelly go after a villain named "The Pig" and has to save a woman from getting killed by a freeze bomb. The only reason to watch this movie is Jim Kelly, who really deserved better. There are a few decent karate fights and Jim Kelly still is a cool hero. I would have rather Jim Kelly fired his agent to get him better projects, but doing crap like this you can't really blame the guy for his exit from the film industry to pursue a career in tennis.

A routine action vehicle for Jim Kelly (ENTER THE DRAGON), directed without any flair whatsoever by Al Adamson, one of the kings of the "exploitation quickies" along with Andy Milligan and Larry Buchanan. This is deeply clichéd stuff which manages to get by through the interesting and funny characters, the upbeat groovy '70s music and the martial arts sequences, which make up for in quantity what they lack in finesse.

Enter Jim Kelly, fresh from his success and short-lived career as a martial artist, as a "mean and moody" cop who likes to wear red shell suits on occasion. Kelly spends most of the film fighting and little time acting, as he repeatedly finds himself attacked by lots of bad guys. These fight scenes are hardly what you would term "well-photographed" but they are very entertainingly done, complete with over-emphasised sound effects.

Now, you would think that a film containing plentiful action (plus a couple of topless women for exploitation purposes) would have to be pretty exciting, right? Wrong. Adamson's tacky and cheap direction is evident at all moments, sucking vitality from the movie; loads of scenes consist of people arguing whilst sitting around in darkened rooms, which is hardly what I would call fun.

Kelly is pretty athletic in the lead role, but gets no chance to act or develop a character. George Lazenby (ON HER MAJESTY'S SECRET SERVICE) co-stars as Kelly's chief; Harold Sakata plays the chief villain, the Pig, and his line readings are a hoot; it's a shame that it's impossible to take him seriously! Also around for good measure are a hulking black bodyguard with a nasty scar across his face who likes to break people's arms and necks, a couple of prostitutes who take their clothes off a lot, an incredibly evil-looking tortoise (the scariest tortoise I've ever seen in a film, actually) and lots of dumb criminal henchmen who appear from nowhere.

DEATH DIMENSIONis a bad film, to be sure, but quite an entertaining one, mainly for the interesting cast alone. I forgot to mention the Bruce Lee clone who actually ends up being called "Bruce Lee". Guess they had to throw in as many personalities as they could here. Lots of boredom is countered by lots of action, making a pretty fair movie in the end, which isn't that bad.

Despite the ratings I found this to be the second best "Jim Kelly" movie I have watched. (And by that I mean one where he is top of the bill, so not the likes of "Enter The Dragon" or "Three The Hard Way"). In other words better than "Black Belt Jones", "Hot Potato" or "Black Samurai".

Why? Mainly because the action is for the most part competently choreographed and shot when compared with the others. The cutting and camera angles make for better movie action viewing.

The second thing which makes this more fun is the novelty cast, which include, George "James Bond" Lazenby, Harold "Odd Job" Sakata, Aldo Ray, the ever reliable Bob Minor and Myron "Bruce" Lee" (Myron? Really?). Lazenby, contrary to his reputation, can act quite adequately, but he can't fight convincingly in this company, which is where the competent use of cutting and camera angles come in. Sakata can't act, but he is the most iconic Bond villain of the Connery era, "Odd Job", so it doesn't really matter. Turns out he can't fight convincingly either and on this occasion the action Director doesn't come to his rescue for some reason, which is disappointing. Aldo Ray's career peaked early, around 1955 when he was in "We're No Angels" with Bogart and Ustinov, and his acting channels all the grumpy frustration that he must have been feeling by this time;- finding himself down among the B movie bottom feeders. Meanwhile Jim himself is in as good form as I've ever seen him.

The plot premise is ridiculous but barely explored, used merely as a "McGuffen" to set the ball rolling, the plot structure is routine but serviceable and the dialogue banal, but in the World of Jim Kelly movies that is all par for the course.

More than one dimension, possibly two dimensions, but not three.