En évacuant une ambassade pressée par une foule en colère, des marines commettent un carnage ; leur chef a-t-il bien respecté les 'règles d'engagement' ? Une cour martiale l'absout - mais au... Tout lireEn évacuant une ambassade pressée par une foule en colère, des marines commettent un carnage ; leur chef a-t-il bien respecté les 'règles d'engagement' ? Une cour martiale l'absout - mais au fait : qu'ont fait les Américains pour mériter une telle haine ?En évacuant une ambassade pressée par une foule en colère, des marines commettent un carnage ; leur chef a-t-il bien respecté les 'règles d'engagement' ? Une cour martiale l'absout - mais au fait : qu'ont fait les Américains pour mériter une telle haine ?
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 2 nominations au total
- Jimi
- (as Ahmed Abounouom)
Avis à la une
There are some outstanding action scenes in the first 30 minutes and if you have a 5.1surround system, it gets quite a workout. After that, the story settles down into a court battle.
Its politics are typical Hollywood: the government is corrupt with the main villain the National Security Adviser who burns a video tape that would clear a U.S. Marine colonel from being framed for murder. That colonel also is a black man which makes the story even more politically correct. Samuel J. Jackson plays that role, a Col. "Terrry Childers." Jones plays his attorney, "Col. Hayes Hodges." The two veteran actors play off each other very well.
It gets even more dramatic when two other witnesses lie and make justice look almost impossible to attain in the case. But, dramatics aside, it's a good story and certainly an entertaining one. Once again, William Friedkin has directed a good movie.
THE PROBLEM IS: THE STORY ISN'T TRUE.
What was the point of having "what happened to..." this character or that character if these characters weren't real to begin with? I went to check to see if the story was true (which would have made me forgive the lead balloon ending) but surprise, it was all made up!
Good performances give it one star, and the siege on the embassy WAS a well done action sequence, giving it another star.
The performances of Tommy Lee Jones, Samuel L. Jackson and Guy Pearce were very good. Probably no Oscars here, but well worth watching.
The movie is extremely manipulative, and comes from the equally manipulative director of The French Connection, William Friedkin. The movie's bad guys, oddly enough, are a crowd of irrational arabs, together with career politicians who won't just let military men do what they have to do.
The problem with the entire scenario is that the entire massacre could have been prevented with a couple of well aimed teargass grenades. Secondly, not a lot of time is spent on the character development of the 'bad guys', namely the Yemenis (in this case), who all seem to be very eager to die killing Americans, including their (the Yemeni's) toddlers. The later images of the little girl shooting a pistol is very manipulative indeed ("oh, see, she deserved to get her leg shot off after all!").
And thirdly, the incident most like it, namely the US Army Rangers debacle in Mogadishu, caused the death of 18 Rangers but 1000 Somali Mogadishuans, most of which were non-combatants. No-one seems to have been called to task for that event, let alone be thrown to the lions to appease public opinion, like Samuel Jackson's character is over a "mere" 83 deaths. (The same thing can be said for the invasion of Panama, where there was a similar death toll among civilians - the truth of the matter is that since WWII, conventional weapons have become infinitely more efficient, with the result that if conflict breaks out in built-up areas, _lots_ of civilians are killed.)
However, the one redeeming value (other than the acting) is that it shines a light on the changed nature of the political war that is required of the modern soldier in places like Somalia, Bosnia, etc., and that started in Vietnam.
The scenes of engagement are very powerful and gruesome. Childers and Hodges have a knock down, drag out of a fist fight. The films climax kind of fizzles. The movie seems so potent up until the end. Don't underestimate a Marine's ethics or this movie. This is a winner, even if the plot seems so familiar.
William Friedkin directs and there is a decent supporting cast that includes Bruce Greenwood, Ben Kingsley and Ann Archer.
Le saviez-vous
- AnecdotesWhen Hodges (Tommy Lee Jones) returns to the bombed-out embassy, there is a picture of then Vice President Al Gore on the charred wall. Gore and Jones were roommates at Harvard.
- GaffesNational Security Adviser Bill Sokal is worried about political pressure from other countries about the internationally publicized "slaughter of innocent civilians in Yemen", so he hides the one piece of evidence that would exonerate Col. Childers: a video tape of the crowd initiating contact with the Marines. Sokal does this as a means of "throwing Childers under the bus". The problem with that is that not only would that tape reveal that Col. Childers was innocent and performed his duty admirably, but it would remove all political pressure from the US - thus removing the reason why Sokal hid the tape in the first place. Couple that with the evidence presented in the courts-martial that proved Col. Childers innocent, and it would have been painfully obvious that Col. Childers performed his duties honorably and, therefore, would have been returned to active duty. In short, Sokal helped propagate the very problem he was trying to solve: political pressure against the US, that would cause embassies to be removed around the world.
- Citations
Colonel Hayes Hodges: You ever had a pissed-off Marine on your ass?
National Security Advisor William Sokal: Is that a threat?
Colonel Hayes Hodges: Oh, yes, sir.
- Versions alternativesSome international prints, made for DVD/TV broadcast, have removed the Paramount logo and fade straight into the Seven Arts Pictures logo. The opening titles also now read "Seven Arts Pictures Present in association with Paramount Pictures". This is due to the fact that Seven Arts owned the international rights and wanted prime credit.
- Bandes originalesOn the Threshold of Liberty
by Mark Isham
Contains a sample performed by Mark Isham
Courtesy of The Windham Hill Group
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Bajo Fuego
- Lieux de tournage
- Maroc(Embassy)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 61 335 230 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 011 181 $US
- 9 avr. 2000
- Montant brut mondial
- 71 732 303 $US
- Durée2 heures 8 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1