Beasts

The only reason I don't give "Beasts" a top 10 is that there aren't many episodes. There should have been a second series - I reckon they would have been just as good.

Each episode from this series has a self- contained plot and they range from witchcraft to possession.

The production values are a bit modest but the beauty lays in the acting and the writing. For sheer storytelling, this kind of television is sorely missed.

There have been many moments on television considered the scariest but i remember vividly an episode from this series entitled BABY. Like many other reviewers here it scared me half to death as a boy, so it was with much trepidation that and interest i began watching a copy of the series ....believe me that episode has lost non of its power. Obvious;y some of the effects have dated but its such a frightening story and so well told that it still sends a shiver down the spine. I never watched any other episodes so cannot comment on how they came across at the time but having watched them now they stand up very well indeed.

They are a little on the 'wordy' side and are very studio bound, the lack of budget allows the stories to breath (sometimes a bit too much on BUDDY BOY), relying more on actors than flashy MTV editing styles. Stand outs be During Barty's Party (relying on 2 actors and a sound effect) and Baby (that thing!!!).

I saw this at the age of 12 when it was broadcast for the first (and only) time. Two stories stick in my mind, Buddyboy, about a haunted Pool/Ghost Dolphin (memorable to me for a very well-endowed young lady removing her Bra!! ) But the story i remember most, the title of which i cant remember but concerned a plague of Rats, stealthily attacking people trapped in a country cottage.In the entire episode you never actually See a Rat! But it was done superbly. Always looked forward to seeing this show repeated, but never has been. It was a gem from Nigel Kneale, an Ace writer.

I saw During Barty's Party when it was first shown on British TV in 1976; I was twelve and it was a special treat from my grandparents, whose house I was staying at. I had nightmares for weeks! This is a wonderfully crafted story: two actors and the suggestion of a terrible, unseen threat worked together in scaring the undergarments off this viewer! Some of the images, notably the last one, have stayed with me for 30 years. Do NOT watch this alone.

Without giving too much away: as the story unfolds, everything works by suggestion. Washed-out, bleak 70's British TV production values help in establishing the normality that horror needs as a baseline for all the nastiness to happen against. And the ending is truly haunting.

I agree with zoothorn's review to the extent that 'Baby' is, by some distance, the scariest and most disturbing of the six and 'Murrain'– kind of a Straw Dogs/Wicker Man hybrid with Jarvis Cocker as a grumpy James Herriott – is the most satisfying dramatically. Probably not uncoincidentally, these episodes also have the most location filming.

However, I don't believe this is grounds to entirely dismiss the other episodes in the series. 'The Dummy' is, I think, a successful blend of satire and horror (although with Hammer and the rest of the British film industry on its last legs in 1976 it must have seemed a bit belated). Special Offer has the great premise of Carrie transferred to a tacky British supermarket. Also a fine central performance from an unfeasibly young Pauline Quirke and, despite ATV's limited budgets, very effective FX – no shoestring in evidence anywhere in fact.

On the other hand, 'What Big Eyes' ends up rather short changing the viewer and, despite its skillful escalation of tension,'Barty's Party' has been, I agree, somewhat overrated. The concept is too derivative of Hitchcock and James Herbert and doesn't really evoke any wider significance for the unfolding horrors.

Finally, I can see why 'Buddyboy' is so well-remembered as it must be one of the weirdest pieces of drama I've ever seen on British TV. I can only assume Kneale's remit to make each episode as distinct as possible eventually propelled him down this bizarre blind alley, but trying to extract chills out of a storyline involving a telepathic dolphin (which we never actually see) was always going to be tricky. The most disturbing thing here is the close-up of Martin Shaw's sleazy porn cinema manager 'on the job' – you may never see Judge John Deed in the same light again.

So, yes, by modern standards, these episodes are slowly paced, wordy and cheap. They were made at a time when TV drama was still largely derived from theatrical models and, at their worst, they are marred by OTT acting, lengthy expository dialogue and the constrictions of the set-bound productions. At their best, however, the acting is tremendous, character's and plot lines are given room to breathe, suspense is built gradually and the sheer ordinariness of the videotaped, studio-lit environments (and almost complete lack of a musical soundtrack) actually increases their creepy power.

I think it is salutary to remind ourselves that there was a time when TV producers had faith in audiences to sit down and engage with an hour's worth of challenging, original drama broken by only one ad break. In these hyper-stimulated, mayfly attention span times, that makes this series a strange and oddly compelling beast indeed and, IMHO, this DVD release should not be dismissed as a mere footnote to Kneale's better known work.