La Maison des damnés

The wealthy Mr. Rudolph Deutsch (Roland Culver) promises a small fortune to the physicist Dr. Lionel Barrett (Clive Revill); to the mental medium Florence Tanner (Pamela Franklin); and to the physical parapsychologist Benjamin Franklin Fischer (Roddy McDowall) to investigate survival after death in the notorious Belasco House, a.k.a. Hell House. The house belonged to "Roaring Giant" Emeric Belasco that promoted orgies in the house and had mysteriously disappeared after a massacre. Fischer is the only survival of a previous investigation and the Dr. Barrett goes with his wife Ann Barrett (Gayle Hunnicutt). Along the days, Florence believes that there are entities in the house, including Belasco's son Daniel; Fischer keeps his mind closed expecting only to earn the promised money, and the skeptical Dr. Barrett brings a machine to drain the energy in the house. Will they be successful in their intent?

"The Legend of Hell House" is a creepy and atmospheric horror movie with a good story of haunted house. The ghost story is supported in lighting, make-up and camera work and only few special effects and is effective. My vote is six.

Title (Brazil): "A Casa da Noite Eterna" ("The House of the Eternal Night")

A very creepy tale of a haunted house. Not only was the film creepy and scary it was also a mystery. You sit there and try to pay attention so you don't miss any clues, but then something creepy comes up and you get side tracked. This made the film a really good horror flick. The cast was pretty good. I am not too sure if I liked Gayle Hunnicutt in the film though. My favorite character was played by Roddy McDowall. He really brought out the feeling in his character. There were some interesting camera shots in this film which I think brought it more to life. The film was not that gory at all. It focuses on scaring the viewer mentally and I believe it does a pretty decent job. So see if you can figure out the mystery of Hell House.

For one or two reasons, this film (despite the flaws others have pointed out) stands as a perfect example of what is scary as opposed to what ... just isn't. At least for me, of course. Here's what I mean ...

When I first saw this film, I was working as a Security Dispatcher at a small college in Northeastern Ohio, making a few dollars over the very long (6 week) winter break. Because I worked for Security, I was allowed to remain in my single room in my usual dormitory rather than be herded into another dorm along with the foreign students and others who stayed on campus over the long break. So there I was, all alone in a very big building during a long, dark and very snowy winter ...

I saw THE LEGEND OF HELL HOUSE at a friend's place in town, and enjoyed it greatly. I found the brief scene where Florence sees the awful shadow of, well, something _dead_ sort of ... dancing in the shower stall particularly creepy. But then I went back uphill to the silent dorm ...

Since it was winter and there was no one (but me!) in the building, the Security guards would sort of wander through on autopilot and make sure all the lights were out. So I was returning, night after night, to a _dark_, deserted dormitory.

In a nutshell, let's just say that after seeing this film, I found committing to showering very, VERY difficult ... and I tried to do it very QUICKLY, all winter long! I was 20 years old, by the way. You may argue that this is all due to my peculiar living situation -- but it is THIS, for me, that is the essence of effective horror. This is what good horror DOES to you: it comes back into your head, makes you look over your shoulder and causes the hairs on the back of your neck to stand up when you remember it ... whether you remember it because of where you are, because it comes up in conversation, or what have you. No amount of liquid plastics, animated goo or CGI can replace -- or increase -- the shudder-power of one blasting, ghostly image. And THE LEGEND OF HELL HOUSE has at least one of those.

In spite of some questionable motivations and a fairly silly ending,

this horror drama has become a real favorite.

The excellent cast has a field day with the talky script; and

director John Hough (best known for "The Avengers) does an imaginative

job using fresh, distorted set ups that keep you off center. And The

movie looks great. High praise must also go to the score and use of sound effects. If

the ending was a little better, this would be a real classic. But for

horror fans, it's a nine out of ten. Roddy, you were enjoyed.

Under-rated, unduly over-shadowed, and quite rightly the most notoriously scary and deadly place (billed by American author, Richard Matheson, as "The Mt. Everest of all Haunted Houses" in his novel on which this British interpretation is based). The Author, in his attempt to write the be-all and get-all of all Gothic adventures, threw everything conceivable into the mix; cannibalism, sexual deviance, drug induced homicidal and suicidal tendencies, and a walloping ending which explains the mystery of this heretofore unsolved monster of a puzzle. Even in Hough's film, with a serviceable Matheson script, the basic formula remains intact; the smug para-psychologist, the traumatised evangelist, the cautionary medium and 'smug's' sexually frustrated wife, all come to the doorstep of Belasco House, and enter at their own risk. If you read the novel first, then the film will come to mean much more, and is better appreciated.