Death Promise

A group of Fat Cats has their eye on a couple of buildings that they'd like to level and redevelop. The problem is that the buildings are home to several dozen people. The Fat Cats decide to do what they can to force the tenants to leave - turn off the water, attack residents, release a box of rats, etc. When everything else fails, the Fat Cats approve the murder of the tenants' leader. But Charley Roman isn't going to sit by and let his father's murderers go unpunished. He takes the law into his own hands and uses his martial arts skills to exact revenge.

How can one movie be so bad, yet so watchable at the same time? Death Promise really tests my notion that I rate films primarily on entertainment value, because everything else you can name about Death Promise is bottom-of-the-barrel. Pathetic acting, horrible lighting, lazy one-take direction, ridiculous plot, bad make-up, silly dialogue, "stagey" fight choreography, a "twist" ending that should surprise no one, incomprehensible lapses in logic (more on that later) - Death Promise has it all. One of the more annoying facets of the film is how the title - Death Promise - actually relates to the film. After his father's death, Charley Roman engages in an ongoing conversation with his dead father where he "promises" to avenge his "death". This monologue happens at regular intervals for at least half the film. Silly doesn't begin to describe this plot device.

However, despite all the flaws, Death Promise still manages to be surprisingly watchable - if not entertaining at times. What's Death Promise got going for it? First, they may not be real actors, but Charles Bonet and Speedy Leacock seem to know their martial arts. Their kicks, jumps, and punches look authentic. Second, I know it's unintentional, but the bad guys are so clichéd, they end up being a real hoot. I had more fun watching this group than I could have ever hoped. Third, Death Promise has a really cool bow-chicka-wow-wow soundtrack that worked on me. Gotta love these 70s films. Finally, Death Promise falls solidly into that "so bad it's good" category. I never like using the phrase, but it applies here. Considering the good and the bad, I think my 5/10 rating seems about right.

I previously mentioned incomprehensible logic. Well, here's what I mean. BIG TIME SPOILER Charley Roman wants revenge for his father's death. His martial arts instructor, Master Shibata, advises him to seek out some special training from another martial arts master. Charley Roman returns home more ready than ever to face his father's killers. How absolutely illogical is it when we discover (and it's no real surprise) that Shibata is the head baddie? So, Shibata sends Charley Roman for more training so that he can return to face him. What? How does that make any sense in the slightest? END BIG TIME SPOILER

"Death Promise" is a lost 70's exploitation gem and deserves to be seen. Technically somewhat of a mess and boasting a stock of amateur New Yawk types, this film never bores. I highly recommend tracking this down. It's a hoot and a half.

One of the classic low budget 70's movies, this film was found in a bargain video shop in London for only 50p. (interestingly, the package lists the star of the film as 'Charles Bone', who sounds like a porn star, but once the credits role it's obvious that the picture is aligned to far the right of the TV screen, so that all the cast members have the last letter missing from their names)

From the moment the narrator lamely introduces us to the situation that the desperate tenants of a grimy New York City apartment block, you know you're in for a rollercoaster ride of fromage. The direction is from the 'Ed Wood one-take' school - if one or two extras were looking at the camera crew, then what the hell?

The films finishes with a plot twist that puts The Usual Suspects to shame. Buy it now.

I really like the energy put into this movie from the principal actors! Charles Bonet and Speedy Leacock play "brothers," best friends who are championed by the father of Bonet's character, Bob O'Connell. They band together to battle the greedy landlords, who are intent on evicting their poor tenants in favor of cashing in on a real estate development deal. Before long, things go awry and Bonet embarks on a personal vendetta to avenge his father. Some of the story is ridiculous, much of it is incompetently made and the acting ranges from nearly adequate to downright agonizing. (Check out that somnambulism on display from Thompson Kao Kang.) Nonetheless, I enjoyed nearly every minute of this! Bonet and Leacock come across with chemistry that makes their friendship seem genuine and by the time they team up with Sup Kim (Bill Louie), I was full of warm fuzzies for all the diverse, Enterprise-style humanity going down. If you want to watch some exciting and impressive displays of martial arts, check out Bruce Lee, Jackie Chan or Jimmy Wang Yu. If you want to watch some feel-good, American chop socky, you won't do much better than "Death Promise."

Mindless fun guaranteed with this low-budgeted & trashy Kung-Fu exploitation flick set in NYC. Back in the mid-to-late 70s, martial arts movies were so popular that they didn't even need to come from the East, or star Bruce Lee clones, as long as they were featuring sufficient violent drop-kicks and hard random battle-shrieks. The plot of "Death Promise" sees a bunch of rich and obnoxious apartment block proprietors bundling their forces - and their wallets - to chase the "poor" tenants out of their ramshackle buildings, so that they can invest in more prestigious projects. The tenants, led by Roman Sr., refuse to leave, even when the power or water is cut or when rats are deliberately unleashed in the hallways. When Roman Sr. Is killed in a cowardly attack, his young fighting-talent son Charley promises to avenge his father's death, but first he must complete a long and intense spiritual training.

Admittedly "Death Promise" is mostly very entertaining because it's so bad. The script appears to have been improvised whilst shooting, with lots of random stuff happening and a twist-ending that everyone - literally everyone - is able to predict. The "landlords" are delightfully stereotypical villains, including a mafia-type Italian, a corrupt judge, and a drug-dealing black guy. Director Richard Warmflash (with such a name, he ought to direct adult flicks) keeps it amusing and fast-paced thanks to inventive killing methods, a groovy soundtrack, wildly choreographed Kung-Fu sequences, an authentic chemistry between all the bad actors. Not for everyone, but good fun for trash/exploitation fanatics.