Veneno para las hadas

Veneno Para las Hadas is a very good horror/fantasy movie. It's very psychological too because Graciela (Ana Patricia Rojo) constantly submits her new friend Fabiola (Elsa Maria Gutierrez) through extortion forcing her to believe her that she is a witch and bad things could happen to Fabiola if she doesn't give her what she wants. Graciela is an orphan who listens to her grandmother's horrific fairy tales and her nanny's knowledge about withces and pacts with the devil. Graciela learns a lot about witchcraft and uses her knowledge against Fabiola, the daughter of a rich family, who is new in the all-girls private school where the two first meet. Contrary to Graciela, Fabiola is brought up in a very modern way being told that ghosts, demons and witches don't exist. Not even prayers are encouraged in Fabiola's family. Knowing this Graciela forces Fabiola into giving her the things she wants on basis of her being a witch and there is more convincement by Fabiola when a strange coincidence totally convinces Fabiola that her new friend is indeed a witch. Fabiola changes from skeptic of everything (including prayers) to a believer of ghosts and witches.

The movie is set apart by only the main character's points of view because we never see the faces of the adults, we only see them in unnatural ways or in very low light. Even though Graciela appears to be evil, she and Fabiola are still very young and childish in their behavior.

A great musical score by Carlos Jimenez Mabarak delivers a fairy tale-like atmosphere to the already beautiful cinematography by Lupe Garcia. Set in early 60's Mexico City and the Tlaxcala woods, Veneno para las adas is a fairy tale by itself. A very dark one anyways, like the ones the Nana tells Graciela before going to bed.

I'm so glad to watch this!

Twisted fairytale. A deeply psychological horror on how an innocent child may transform into a potential sociopath. If adults aren't careful enough, those childish games may even lead to an inevitable tragedy.

I'm not sure how I would categorize this film, and I also don't know who I would recommend it for. It's slightly twisted, but only so. Much of the movie feels more like a drama centering on the friendship of two little girls. Eventually, they pull the rug out from that, but these kids aren't as messed as, say, the girls in "Do Not Deliver Us From Evil." Closer to a Mexican 1960's "Ghost World." So it's largely tame, but then throws in some elements that would really bother some people. I thought it was well worth a watch, but not for everyone.

I'm a fan of horror flicks, and I must say that "Veneno para las hadas" is the scariest film in 80's Mexican cinema. Horror films were very popular at that time, films such as "Friday the 13th", "A Nightmare on Elm Street", "Halloween" -and their sequels- followed the same plot, you know a boogyman killing everyone around, except a virgin heroine. "Veneno para las hadas" has a flawless direction, some false scares, and very good acting; this movie is for those who believe in witchcraft, devil, and in good horror. That's it, go and rent it!!!

At first, Poison for the Fairies may remind American viewers of the classic "Wonderful World of Disney" feature films, leading some people to believe they have been tricked into watching a children's movie. However, it is not for children. It is instead an atmospheric, absorbing fairy tale about two little girls and their intense, unsettling friendship--if one can rightly call a relationship based on psychological dominance as "friendly." The plot is deceptively simple: Lonely, aristocratic Flavia comes to a new school, where she instantly grabs the attention of Veronica, a girl from a lower-class family, who pretends to be a witch in order to comfort herself for a lack of power in the real world. All the other girls have long since learned to ignore Veronica, but Flavia is just innocent enough to believe that Veronica truly is a witch, her beliefs helped along once several macabre coincidences seem to reinforce Veronica's claims that she possesses black magic. Gradually the line between childhood friendship and a master and slave is blurred, and Veronica's games of make-believe witchcraft have filled Flavia with a fear and despair that are far too real.

People who expect a traditional horror film will definitely be disappointed in Poison for the Fairies. The pace of the film, along with the lack of violence or even blood, may be too slow for some viewers to tolerate. Visually, the film looks dated, and certain stylistic techniques (particularly the lengths to which the camera goes in avoiding the faces of adults) seem a little hackneyed. But all in all, this is a film of culminating, creepy horror building to a shocking but inevitable denouement, and well worth a watch.