Ronin
- 1998
- Tous publics
- 2h 2min
Un ancien agent de renseignement américain indépendant cherche à retrouver un mystérieux paquet recherché par les Irlandais et les Russes.Un ancien agent de renseignement américain indépendant cherche à retrouver un mystérieux paquet recherché par les Irlandais et les Russes.Un ancien agent de renseignement américain indépendant cherche à retrouver un mystérieux paquet recherché par les Irlandais et les Russes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Amidou
- Man at Exchange
- (as Amidou Ben Messaoud)
Avis à la une
Suffused with a sense of twilight melancholy and pre-millennial nostalgia, John Frankenheimer's end-of-career genre masterwork Ronin is an unapologetic old-fashioned caper playing as the perfect reaction to a formally ubiquitous genre, the Cold War-era espionage Euro-thriller. The film savours a haunting final gasp just prior to being downsized by 21st-century Bourne-driven techno-overload and an onslaught of bloodless PG-13 CGI spectacles. It shows the talent of Frankenheimer that he manages to take what is essentially a rather one-note often contrived story and turn it into something truly special, approaching the material with seriousness, commitment and professionalism. Lean, sleek, spare, almost minimalist; it's like watching the revival of a forgotten art form. The fact that it's done with a minimum of special effects makes it all the more stirring, a tribute to the film's earnestness that we can overlook most of its absurdities and simply revel in its deeds. Elevated by its talent in front and behind the camera, the winning combination of Robert De Niro and Jean Reno imbues the film with a likeable brothers-in-arms chemistry that sees the duo at the peak of their prowess; while Robert Fraisse's photography and Elia Cmiral's score construct a believable and lived-in atmosphere of hyperrealism. Carried by a style that's fast, furious and impeccably paced, at the time of release, Ronin might have seemed like an efficient vehicle, nowadays it's more akin to a classic car, one with exceptional class you won't find in most automobiles today.
I picked up this DVD in Asda's a few weeks ago and seeing it had Robert De Niro starring convinced me enough to buy it. Then seeing in the credits it starred Jean Reno, Sean Bean and Jonothan Pryce too made me realise I was watching a winner here.
I wasn't wrong either, this film is brilliant. The beginning is slow and tense; dark, clear colours in the picture sets the mood perfectly. From then on most of it is pretty much action.
Five mysterious men of various backgrounds (ex-CIA, KGB etc) meet in Paris, France for a job headed by a Northern Irish woman. The job is to steal a case from a group and return the case to their as yet unknown employers. Just as things seem to run smoothly, one of them is a double-crosser.
Now for some of the best bits, the car chases. These are shot magnificently as Peugeot's, BMW's and Audi's tear through the streets of Paris. These chases are the most thrilling chases I have ever seen. And when you get chases, you get crashes. Think on-coming traffic chases and you might get the picture.
This is a must see film. 8 out of 10.
I wasn't wrong either, this film is brilliant. The beginning is slow and tense; dark, clear colours in the picture sets the mood perfectly. From then on most of it is pretty much action.
Five mysterious men of various backgrounds (ex-CIA, KGB etc) meet in Paris, France for a job headed by a Northern Irish woman. The job is to steal a case from a group and return the case to their as yet unknown employers. Just as things seem to run smoothly, one of them is a double-crosser.
Now for some of the best bits, the car chases. These are shot magnificently as Peugeot's, BMW's and Audi's tear through the streets of Paris. These chases are the most thrilling chases I have ever seen. And when you get chases, you get crashes. Think on-coming traffic chases and you might get the picture.
This is a must see film. 8 out of 10.
Ronin is defined as a Japanese Samurai who has lost his master and must search for work as a sword for hire or reduced to banditry. A group of experts are gathered in Paris by Deirdre (Natascha McElhone) who is looking to steal a mysterious suitcase. The group (Robert DeNiro, Jean Reno, Stellan Skarsgård, Sean Bean, Skipp Sudduth) don't know each other and don't trust each other. The plan is very sketchy, and Deirdre won't tell them what's in the suitcase.
Director John Frankenheimer shows that he still has a bit of juice left in him. The best thing about this movie is the class of acting talents he is able to get. Robert DeNiro is superbly brilliant. Jean Reno is absolutely solid, and Sean Bean puts in a nice turn. The objective is almost unimportant. This is about a bunch of great actors playing around with some mysterious characters. Each of whom may turn out to be something less than reliable.
Director John Frankenheimer shows that he still has a bit of juice left in him. The best thing about this movie is the class of acting talents he is able to get. Robert DeNiro is superbly brilliant. Jean Reno is absolutely solid, and Sean Bean puts in a nice turn. The objective is almost unimportant. This is about a bunch of great actors playing around with some mysterious characters. Each of whom may turn out to be something less than reliable.
Now THIS is what I call an action movie. Combine a brilliant cast (Robert De Niro + the underrated Jean Reno, Sean Bean amongst them) with brilliant action scenes - gun fights and car chases are both top notch here; in fact, they're some of the best that have been put on film ever, and stand the rest of time really well (watching in 2022g - with lots of exotic European locals, like Paris and Nice, and a touch of swirling intrigue thrown in for good measure and you have a really great film.
De Niro plays a no-nonsense American mercenary hired by someone shadowy to retrieve a case. He doesn't know much more than that, except the folks currently in control of it are willing to kill to keep it in their possession. Lots of sketchy actors on both sides, including Russians and Irish!
De Niro plays a no-nonsense American mercenary hired by someone shadowy to retrieve a case. He doesn't know much more than that, except the folks currently in control of it are willing to kill to keep it in their possession. Lots of sketchy actors on both sides, including Russians and Irish!
A great movie that you can't just watch with one eye. It starts slow, laying a strong foundation, and if it's on TV, it's easy to get lost by not paying attention at the beginning. However, it's an outstanding film, exploring the characters with a huge action movie in the background.
It's visually interesting and doesn't ever let you know the things you think you need to know, but by the end you've forgotten that you wanted to know them in the first place. Robert DeNiro gives a strong performance and doesn't get lost in some of the showiness he can deliver when he's making up for a weaker story, and the supporting cast is full of familiar faces, many of which blend so well into the characters they play that, again, you can become lost in the story (although this time, it a good way).
It's visually interesting and doesn't ever let you know the things you think you need to know, but by the end you've forgotten that you wanted to know them in the first place. Robert DeNiro gives a strong performance and doesn't get lost in some of the showiness he can deliver when he's making up for a weaker story, and the supporting cast is full of familiar faces, many of which blend so well into the characters they play that, again, you can become lost in the story (although this time, it a good way).
Le saviez-vous
- AnecdotesA total of 80 automobiles were destroyed during filming.
- GaffesJean-Pierre claims that "All 47 of them committed Seppuku," but in fact only 46 did. The 47th Ronin, Terasaka Kichiemon, had a different mission. He was later pardoned. When he died at 87, he was buried along with the other 46.
- ConnexionsEdited into Ronin: Alternative Ending (1999)
- Bandes originalesTime To Say Goodbye (Con te partirò)
Composed by Francesco Sartori
Lyrics by Lucio Quarantotto
English lyrics by Frank Peterson
Performed by Sarah Brightman featuring Andrea Bocelli
Courtesy of Angel Records
Under license from EMI Music Special Markets
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Sát Thủ Tự Do
- Lieux de tournage
- Blue Sky, Rue des Trois-Frères, Paris 18, Paris, France(restaurant in opening sequence)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 55 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 41 616 262 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 697 641 $US
- 27 sept. 1998
- Montant brut mondial
- 41 616 262 $US
- Durée2 heures 2 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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