Suit les mésaventures de quatre collégiens insolents dans la ville tranquille et dysfonctionnelle de South Park dans le Colorado.Suit les mésaventures de quatre collégiens insolents dans la ville tranquille et dysfonctionnelle de South Park dans le Colorado.Suit les mésaventures de quatre collégiens insolents dans la ville tranquille et dysfonctionnelle de South Park dans le Colorado.
- Récompensé par 5 Primetime Emmys
- 20 victoires et 93 nominations au total
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Résumé
Reviewers say 'South Park' is celebrated for its bold, satirical take on current events, social issues, and pop culture, often pushing television boundaries. Known for crude humor and controversial topics, it garners both praise and criticism. Its unique animation, rapid production, and timely issue addressing stand out. Main characters Stan, Kyle, Cartman, and Kenny bring distinct personalities. Despite varying opinions on its quality, 'South Park' remains a significant cultural phenomenon, influencing animated comedy and sparking censorship debates.
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Network: Comedy Central; Genre: Animated Comedy, Satire, Parody; Content Rating: TV-MA (for dark comic content and graphic language, sexual content, violence & animated gore); Available: DVD; Classification: Modern Classic (Star range expanded: 1 - 5);
Season Reviewed: 10+ seasons
Stan Marsh, Kyle Broflowfski, Eric Cartman and (sometimes) the ill-fated Kenny McCormick are 8-year-old boys growing up amid an adult world in the backward, frozen-over mountain town of South Park, Colorado. Their adventures, that make up creators Trey Parker and Matt Stone's animated comedy "South Park", include fending off everything from supernatural demons to the biggest names in the Hollywood intelligentsia. "South Park" is several things. It's rude, crude, shocking, smart, decidedly adult, completely original, and it is indulgent in the whims and imaginations of it's creators. It's also the very best political, pop culture and current event satire on television.
The show started as something of a fad - the new vulgar, don't-let-the-kids-watch show on the block. But as real world events changed, "Park" evolved along with them. Standing as the kings on top of a soap box they constructed out of swearing kids, talking poo, homosexual hand puppets and hermaphroditic parents; Parker and Stone where blessed with the freedom of a hit series, hip status and a network that gave them the freedom to do whatever they want. As the show aged, they matured in their storytelling abilities and the show went from shock value fad to a barbed satire of American culture.
"Park" is brought to life with oddly beautiful, vibrantly colored 2-dimensional cut-and-paste animation. The episodes are masterfully constructed. The writing a witty showcase of Parker and Stone's love for pop culture parody, graphic violence, pornography and a bold willingness to take on the hot button issues of the week. It is a free-for-all virtuoso where nothing and nobody is safe, every establishment media position gets flipped on it's head and every politically correct sacred cow gets eviscerated. Now that's comedy - if you can stomach a barrage of extreme scatological humor with your social satire. The vomit jokes and fat jokes on "Park" aren't there for the sake of it, but have substance behind them. And nobody does them better.
Eric Cartman, Mr. Garrison and more recently Randy Marsh (stepping up as a reliably hilarious scene-stealer) are classic characters, but Parker and Stone have gone further and developed an entire town of colorful caricatures. They aren't made to be as endearing as those in "The Simpsons", but aren't supposed to be. The characters aren't just vacuous idiots, and the laughs of the show come from a very socially conscious place.
Straight men Stan and Kyle are the show's most underdeveloped. They serve mostly as a mouthpiece for Parker and Stone's conservative libertarian philosophy, often literally giving a speech to a crowd in the show's finale. There is not a single other place on TV where you can see environmentalists, the anti-smoking lobby, illegal immigrants, trial lawyers, news media hysteria, elitist Hollywood liberals, abortion, sex ed in schools and every celebrity from Mel Gibson to Paris Hilton all get ripped to shreds. The show pulls it off because it has a unique ability to deconstruct and reconstruct current events better than anyone else (notably Comedy Central's overrated "The Daily Show with Jon Stewart"), giving them a hilarious or supernatural explanation without moralizing getting in the way of the laughs. They take their own messages to such loony extremes it's impossible to take seriously.The cherry on top is the seemingly endless quality of the original songs provided by the creator's cover band, DVDA.
With a skeleton crew that writes, directs, animates, voices and scores the show, this is independent television in it's purest form. This means it often labors on Parker and Stone's geeky indulgences - episodes center around a full-length "Star Wars" parody, the class gerbil making it's way up a human bowel or Timmy, a handicapped student who can only say his name. Occasionally, their shock value execution creates a gagging reaction that obscures an otherwise brilliant point ("Fat Camp"). But I'd rather have a show that challenges me than one shackled to clichés and network mandates. When "South Park" goes for the shocking ending, you better believe it actually will shock.
Still, "South Park" is almost impossible to recommend in a casual sense. The show is truly an acquired taste, but one I have to come to support whole-heartedly through the years despite (and because) I have absolutely no idea what to expect when sitting down for a new episode. How rare is that? Where so many other shows cower in the corner, begging for our approval "South Park" is constantly taking risks and re-inventing itself. We've got terrific stunt episodes, episodes built around one joke or building to a single knock-out punch line. They use the smash-cut ending better than anyone ("There Goes the Neighborhood"). Sometimes the experiments are to it's own detriment and the episode is a 22 minute bore, but even then it's almost unheard of to find a show in it's 10th season that is still water cooler television.
"South Park" grabs us by the collar, shakes us around and dares even it's biggest fans to come back next week for more. The show is a monument of creative freedom with a wicked imagination, a true (and hilariously funny) sense of comic timing, and an insightful, socially conscious ear that smartly reflects a point of view starving for attention in mainstream television. It is a hugely entertaining, fiercely visceral, fire-breathing, red-blooded American satire made by, for (and most appreciated by) the most jaded and discriminating TV viewers. We just don't have shows like this on TV today. Anywhere.
* * * * * / 5
Season Reviewed: 10+ seasons
Stan Marsh, Kyle Broflowfski, Eric Cartman and (sometimes) the ill-fated Kenny McCormick are 8-year-old boys growing up amid an adult world in the backward, frozen-over mountain town of South Park, Colorado. Their adventures, that make up creators Trey Parker and Matt Stone's animated comedy "South Park", include fending off everything from supernatural demons to the biggest names in the Hollywood intelligentsia. "South Park" is several things. It's rude, crude, shocking, smart, decidedly adult, completely original, and it is indulgent in the whims and imaginations of it's creators. It's also the very best political, pop culture and current event satire on television.
The show started as something of a fad - the new vulgar, don't-let-the-kids-watch show on the block. But as real world events changed, "Park" evolved along with them. Standing as the kings on top of a soap box they constructed out of swearing kids, talking poo, homosexual hand puppets and hermaphroditic parents; Parker and Stone where blessed with the freedom of a hit series, hip status and a network that gave them the freedom to do whatever they want. As the show aged, they matured in their storytelling abilities and the show went from shock value fad to a barbed satire of American culture.
"Park" is brought to life with oddly beautiful, vibrantly colored 2-dimensional cut-and-paste animation. The episodes are masterfully constructed. The writing a witty showcase of Parker and Stone's love for pop culture parody, graphic violence, pornography and a bold willingness to take on the hot button issues of the week. It is a free-for-all virtuoso where nothing and nobody is safe, every establishment media position gets flipped on it's head and every politically correct sacred cow gets eviscerated. Now that's comedy - if you can stomach a barrage of extreme scatological humor with your social satire. The vomit jokes and fat jokes on "Park" aren't there for the sake of it, but have substance behind them. And nobody does them better.
Eric Cartman, Mr. Garrison and more recently Randy Marsh (stepping up as a reliably hilarious scene-stealer) are classic characters, but Parker and Stone have gone further and developed an entire town of colorful caricatures. They aren't made to be as endearing as those in "The Simpsons", but aren't supposed to be. The characters aren't just vacuous idiots, and the laughs of the show come from a very socially conscious place.
Straight men Stan and Kyle are the show's most underdeveloped. They serve mostly as a mouthpiece for Parker and Stone's conservative libertarian philosophy, often literally giving a speech to a crowd in the show's finale. There is not a single other place on TV where you can see environmentalists, the anti-smoking lobby, illegal immigrants, trial lawyers, news media hysteria, elitist Hollywood liberals, abortion, sex ed in schools and every celebrity from Mel Gibson to Paris Hilton all get ripped to shreds. The show pulls it off because it has a unique ability to deconstruct and reconstruct current events better than anyone else (notably Comedy Central's overrated "The Daily Show with Jon Stewart"), giving them a hilarious or supernatural explanation without moralizing getting in the way of the laughs. They take their own messages to such loony extremes it's impossible to take seriously.The cherry on top is the seemingly endless quality of the original songs provided by the creator's cover band, DVDA.
With a skeleton crew that writes, directs, animates, voices and scores the show, this is independent television in it's purest form. This means it often labors on Parker and Stone's geeky indulgences - episodes center around a full-length "Star Wars" parody, the class gerbil making it's way up a human bowel or Timmy, a handicapped student who can only say his name. Occasionally, their shock value execution creates a gagging reaction that obscures an otherwise brilliant point ("Fat Camp"). But I'd rather have a show that challenges me than one shackled to clichés and network mandates. When "South Park" goes for the shocking ending, you better believe it actually will shock.
Still, "South Park" is almost impossible to recommend in a casual sense. The show is truly an acquired taste, but one I have to come to support whole-heartedly through the years despite (and because) I have absolutely no idea what to expect when sitting down for a new episode. How rare is that? Where so many other shows cower in the corner, begging for our approval "South Park" is constantly taking risks and re-inventing itself. We've got terrific stunt episodes, episodes built around one joke or building to a single knock-out punch line. They use the smash-cut ending better than anyone ("There Goes the Neighborhood"). Sometimes the experiments are to it's own detriment and the episode is a 22 minute bore, but even then it's almost unheard of to find a show in it's 10th season that is still water cooler television.
"South Park" grabs us by the collar, shakes us around and dares even it's biggest fans to come back next week for more. The show is a monument of creative freedom with a wicked imagination, a true (and hilariously funny) sense of comic timing, and an insightful, socially conscious ear that smartly reflects a point of view starving for attention in mainstream television. It is a hugely entertaining, fiercely visceral, fire-breathing, red-blooded American satire made by, for (and most appreciated by) the most jaded and discriminating TV viewers. We just don't have shows like this on TV today. Anywhere.
* * * * * / 5
I love this show so much! I think this show has sometimes lost it's edge, but it always managed to get back in the game.
For some reason I stopped following this show long time ago, even before tenth season I think. Recently, again for some inexplicable reason, it came to my mind and I decided to start it all over, from season one, but this time I'm gonna finish it, or better to say catch it, because I hope it will never end. This morning I finished first season. There's nothing better than healthy laughter with morning coffee. After 20 years this season is still fresh and hilarious. One of the strongest tens I ever gave.
10/10
"There is actually a lot of intelligent social commentary here - it's just masked under anything they could possibly offend someone with." - chthon2
10/10
"There is actually a lot of intelligent social commentary here - it's just masked under anything they could possibly offend someone with." - chthon2
Both cartoons and sci-fi have long been the only place where thought-provoking social commentary can take place, unmolested by censorship, and both are all too frequently dismissed because of their least important characteristics. South Park is an intelligent, humorous and thought-provoking show that is often ignored or decried by people who judge it only by the very things it deliberately throws in their face, such as profanity, simple animation, and graphic violence, because the creators know that people like this are easily offended by these things, and will always miss the point. The simplicity of the animation, for example, has been criticised by people who miss the point that it's deliberately meant to be simple, in the face of those high-budget major studio cartoons that are more concerned with using cgi and selling toys than having anything to say. Nope, this isn't a show for those who don't appreciate irony. The episodes tackle a wide range of issues, from 9/11 to violence on television to celebrity obsession to religion, through the use of comedy, which is usually the best way to handle such matters.
The main characters are four children who are basically mouthpieces for their creator's opinions, expressing views that would sound arrogant coming from adults. Stan represents the liberal viewpoint, as does his friend Kyle, who as a practising Jew, allows opportunity for religious comment. Is the show anti-religious? No, but fundamentalists like to think it is. It has the essential message of 'believe what you like, but leave me alone'. And of course there's Eric Cartman, the ignorant foul-mouthed selfish redneck, and funny as hell. Sometimes I think he's there to remind us not to take anyone like him seriously. That and to provide a lot of the show's humour. Easily my favourite character. Other characters on the show usually represent majority/opposing views as the plot requires.
Like any long-running show, some episodes are better than others, not all have something to say, and not all are funny. But creators Stone and Parker 'retool' the show periodically with new characters, and try to keep up with current events, and I enjoyed the latest series (8th) for these very reasons. I've watched since the beginning, but they're making an effort not to let South Park go stale.
No doubt South Park will continue to be derided by those who think the most important social problem today is swearing, yet have probably never sat down to watch an episode. And beside them will be the offended parent brigade who still haven't learned that not all cartoons are for children. But the rest of us will still be here to enjoy it, hopefully exchanging righteous indignation for a few laughs and maybe a thought or two about the world we live in. If you've never seen South Park, don't listen to the hype. Watch it and decide for yourself. Hopefully you'll be glad you did.
The main characters are four children who are basically mouthpieces for their creator's opinions, expressing views that would sound arrogant coming from adults. Stan represents the liberal viewpoint, as does his friend Kyle, who as a practising Jew, allows opportunity for religious comment. Is the show anti-religious? No, but fundamentalists like to think it is. It has the essential message of 'believe what you like, but leave me alone'. And of course there's Eric Cartman, the ignorant foul-mouthed selfish redneck, and funny as hell. Sometimes I think he's there to remind us not to take anyone like him seriously. That and to provide a lot of the show's humour. Easily my favourite character. Other characters on the show usually represent majority/opposing views as the plot requires.
Like any long-running show, some episodes are better than others, not all have something to say, and not all are funny. But creators Stone and Parker 'retool' the show periodically with new characters, and try to keep up with current events, and I enjoyed the latest series (8th) for these very reasons. I've watched since the beginning, but they're making an effort not to let South Park go stale.
No doubt South Park will continue to be derided by those who think the most important social problem today is swearing, yet have probably never sat down to watch an episode. And beside them will be the offended parent brigade who still haven't learned that not all cartoons are for children. But the rest of us will still be here to enjoy it, hopefully exchanging righteous indignation for a few laughs and maybe a thought or two about the world we live in. If you've never seen South Park, don't listen to the hype. Watch it and decide for yourself. Hopefully you'll be glad you did.
I don't know why this show is getting such negative reviews. A lot of people (adults mainly) keep assuming South Park is nothing more than wall to wall curse words and gross out jokes. Far from it. Sure, they swear and there is an occasional gross out jokes, but the show is also filled with quality and classic humor. The plots are genius. So what if it's offensive. Big deal! For some reason, people assume that cartoons are just for little babies, and some people appear to have difficulty accepting the fact that times have changed and animation is not just for kids anymore. Face it, we are living in an age of shows like South Park. Can't deal with it? Then that's just too bad.
Le saviez-vous
- AnecdotesCartman's mom is named Liane after Trey Parker's former fiancée. He caught her with another man so he named the promiscuous character after her.
- GaffesExactly who is related to whom in the Marsh family is never consistent. Early episodes imply that Jimbo and Marvin (Stan's grandfather) are on Sharon's side of the family, whereas more recent ones imply they are on Randy's side. Being on Sharon's side makes sense for Jimbo, as he has a different last name. However, Marvin's last name is, indeed, confirmed to be Marsh. Matt Stone revealed in an interview that Jimbo Kerns is Randy's half-brother.
- Crédits fousThis warning appears at the beginning of every episode: ALL CHARACTERS AND EVENTS IN THIS SHOW--EVEN THOSE BASED ON REAL PEOPLE--ARE ENTIRELY FICTIONAL. ALL CELEBRITY VOICES ARE IMPERSONATED...POORLY. THE FOLLOWING PROGRAM CONTAINS COARSE LANGUAGE AND DUE TO ITS CONTENT IT SHOULD NOT BE VIEWED BY ANYONE.
- Versions alternativesOn the "South Park" official site, modern reruns and the Blu-Ray releases, the show has been transformed from its 1.33:1 original aspect ratio to 1.78:1. Presenting new background with new sides on the screen and new restoration.
- ConnexionsEdited into Comedy Central Salutes George W. Bush (2008)
- Bandes originalesMain Title Theme
by Primus
Sung by Les Claypool (uncredited) feat. Trey Parker (uncredited) & Matt Stone (uncredited)
[Season 1-4]
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Détails
- Durée22 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
- 1.78 : 1
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