Dans le nord-est des États-Unis, à la fin des années 1950, un grand robot - d'une hauteur de 30 m - d'origine extraterrestre, se lie d'amitié avec un garçon de huit ans et un jeune artiste b... Tout lireDans le nord-est des États-Unis, à la fin des années 1950, un grand robot - d'une hauteur de 30 m - d'origine extraterrestre, se lie d'amitié avec un garçon de huit ans et un jeune artiste beatnik.Dans le nord-est des États-Unis, à la fin des années 1950, un grand robot - d'une hauteur de 30 m - d'origine extraterrestre, se lie d'amitié avec un garçon de huit ans et un jeune artiste beatnik.
- Réalisation
- Scénario
- Casting principal
- Victoire aux 1 BAFTA Award
- 20 victoires et 18 nominations au total
Vin Diesel
- The Iron Giant
- (voix)
M. Emmet Walsh
- Earl Stutz
- (voix)
Bob Bergen
- Additional Voices
- (voix)
- (as Robert Bergen)
Devon Cole Borisoff
- Additional Voices
- (voix)
- (as Devon Borisoff)
Résumé
Reviewers say 'The Iron Giant' is acclaimed for its heartfelt narrative, exploring friendship, acceptance, and choice. Its Cold War paranoia and anti-war themes resonate deeply. The blend of traditional and CGI animation is lauded for its beauty and emotional impact. Vin Diesel's voice performance as the Giant is particularly praised. The film successfully appeals to both children and adults, offering mature themes and moral lessons, solidifying its status as a timeless classic.
Avis à la une
It's nice to see an elegantly crafted piece of animation come out of America. How did they manage it? The writing is great the animation is excellent and the voice acting is superb. I don't think I've liked an English animated film this much since The Plague Dogs. The film doesn't talk down to it's audience, and instead tells a simple story very well. My only complaint would be that Hogarth is somewhat of a smart-alec at times, but I guess this is the era of Leave it To Beaver.
Many of the situations are standard movie-fare, the ex-lax in the food, the helmet on the bed, but it's nice to see them in an animated film for a change. As an anime fan, the realism of the movie didn't impress me as much as the quality of the writing, voice acting, and the music and sound effects. I particularly remember the sound of the power lines snapping and the musical score building up to the climax of the film.
The character design for the giant is excellent, it's amazing how they could draw out very subtle emotions without noticeably distorting the face. I bawled like a baby near the end.
Finally, most importantly for me, there are NO CHEAP LAUGHS in the movie. One of the best moments in the movie for me was when Hogarth is running through the woods and he slams his face into a low branch. The theater full of kids raised on recent Disney crap bursts into laughter, but wait, there's no stupid sound effect, he's not hopping back up to his feet instantly with a ridiculous lump or distorted face or little birds flying around his head, he's still on the ground ... and what's that coming out of his nose.. it CAN'T BE.. it IS, a trickle of BLOOD. The kids (and parents) quickly cease their laughter. I couldn't stop smiling because I knew then that like me, they actually cared about the character on the screen and frankly that doesn't happen very often.
Tarzan was a small step in the right direction, and near the end of the long path beginning with that step is The Iron Giant.
Many of the situations are standard movie-fare, the ex-lax in the food, the helmet on the bed, but it's nice to see them in an animated film for a change. As an anime fan, the realism of the movie didn't impress me as much as the quality of the writing, voice acting, and the music and sound effects. I particularly remember the sound of the power lines snapping and the musical score building up to the climax of the film.
The character design for the giant is excellent, it's amazing how they could draw out very subtle emotions without noticeably distorting the face. I bawled like a baby near the end.
Finally, most importantly for me, there are NO CHEAP LAUGHS in the movie. One of the best moments in the movie for me was when Hogarth is running through the woods and he slams his face into a low branch. The theater full of kids raised on recent Disney crap bursts into laughter, but wait, there's no stupid sound effect, he's not hopping back up to his feet instantly with a ridiculous lump or distorted face or little birds flying around his head, he's still on the ground ... and what's that coming out of his nose.. it CAN'T BE.. it IS, a trickle of BLOOD. The kids (and parents) quickly cease their laughter. I couldn't stop smiling because I knew then that like me, they actually cared about the character on the screen and frankly that doesn't happen very often.
Tarzan was a small step in the right direction, and near the end of the long path beginning with that step is The Iron Giant.
After seeing this movie, I was overcome by a strange feeling. I realized that I had found a treasure where I had least expected it. The Iron Giant is intelligent, funny, touching, and visually superb, and should show the world that an animated movie does not need to be A) computer-animated, or B) based on a fairy tale to be successful. One of the best American-made children's movies I have seen in a decade: 8.5/10.0
Now, I'm a 17-year-old who is slowly transitioning into the domain of movie buffdom, which basically means that I am watching a stream of movies based on recommendations from friends, critics, and the IMDb Top 250 list. I got this one almost by accident after the local rental place could not find the movie I was really after, choosing it basically on the knowledge that it was the previous project of Brad Bird, director of The Incredibles (a personal favorite). After watching it, I felt like calling up every mother I knew and telling her to have her children (and herself) watch this.
The Iron Giant revolves around an adventurous young boy in 1950s small-town America who discovers a gigantic robot out in the woods that has arrived on Earth from goodness-knows-where. He befriends the robot, while trying to keep him safe from a nosy government agent. The story seldom lags, with a series of comical adventures connected by the boy's growing relationship with his friend.
This movie is very appealing as entertainment. The voices are well-done, and the scenery is also terrific. Most importantly, though, is the animation, which is a bright spot from this time period. The characters are well-drawn, especially the Giant, who through terrific design, lifelike movements, and clever small touches (i.e., the eyes) seems both alien and human, imposing and childlike. Furthermore, the animation is comical. I don't know when I have ever seen slapstick or punchlines so well-complimented by the animation. The script, written by Bird and based off the book The Iron Man, is also very well done. Though the movie relies upon a few minor crutches common to children's movies, it is still very original and clever.
One thing that I must point out about this movie is its morals. Throughout the movie, the main moral of the story, about the Iron Giant learning and choosing to be good, is actually fairly adroitly handled. At no point when the subject comes up, including standard sentimental climax, does the idea seem contrived. Throughout the movie, evidence of Bird's influence by comic books is quite evident, and his ultimate message about heroes (variations of which will resurface in The Incredibles) is relevant and sincere. However, I do have to say that the secondary moral, about the evils of xenophobia and paranoia, both of which are embodied by the movie's antagonist, the government agent and the military, are very politically charged. While this may sound initially controversial and politically charged for a kids' movie (the second of which I do not deny), I noticed that it was in large part a thoughtful spoof of Cold War America, with jokes as well as valuable lessons about "duck and cover" and 1950s nuclear edginess that I found very clever.
On a final note, I do have to point out that this movie had me laughing hard, but more importantly, it brought me closer to tears than any animated movie I can remember (including Bambi), closer than I like to admit. I wish that I had discovered it sooner, and I hope that everyone gets the chance to experience it the way I did.
Now, I'm a 17-year-old who is slowly transitioning into the domain of movie buffdom, which basically means that I am watching a stream of movies based on recommendations from friends, critics, and the IMDb Top 250 list. I got this one almost by accident after the local rental place could not find the movie I was really after, choosing it basically on the knowledge that it was the previous project of Brad Bird, director of The Incredibles (a personal favorite). After watching it, I felt like calling up every mother I knew and telling her to have her children (and herself) watch this.
The Iron Giant revolves around an adventurous young boy in 1950s small-town America who discovers a gigantic robot out in the woods that has arrived on Earth from goodness-knows-where. He befriends the robot, while trying to keep him safe from a nosy government agent. The story seldom lags, with a series of comical adventures connected by the boy's growing relationship with his friend.
This movie is very appealing as entertainment. The voices are well-done, and the scenery is also terrific. Most importantly, though, is the animation, which is a bright spot from this time period. The characters are well-drawn, especially the Giant, who through terrific design, lifelike movements, and clever small touches (i.e., the eyes) seems both alien and human, imposing and childlike. Furthermore, the animation is comical. I don't know when I have ever seen slapstick or punchlines so well-complimented by the animation. The script, written by Bird and based off the book The Iron Man, is also very well done. Though the movie relies upon a few minor crutches common to children's movies, it is still very original and clever.
One thing that I must point out about this movie is its morals. Throughout the movie, the main moral of the story, about the Iron Giant learning and choosing to be good, is actually fairly adroitly handled. At no point when the subject comes up, including standard sentimental climax, does the idea seem contrived. Throughout the movie, evidence of Bird's influence by comic books is quite evident, and his ultimate message about heroes (variations of which will resurface in The Incredibles) is relevant and sincere. However, I do have to say that the secondary moral, about the evils of xenophobia and paranoia, both of which are embodied by the movie's antagonist, the government agent and the military, are very politically charged. While this may sound initially controversial and politically charged for a kids' movie (the second of which I do not deny), I noticed that it was in large part a thoughtful spoof of Cold War America, with jokes as well as valuable lessons about "duck and cover" and 1950s nuclear edginess that I found very clever.
On a final note, I do have to point out that this movie had me laughing hard, but more importantly, it brought me closer to tears than any animated movie I can remember (including Bambi), closer than I like to admit. I wish that I had discovered it sooner, and I hope that everyone gets the chance to experience it the way I did.
10dpenny
I'm 25 years old. I have no children. So why am I praising a 'kid's movie' which nobody saw? Because I have never seen a film pack the emotional wallop 'The Iron Giant' provided.
The film's plot is similar to 'E.T.' - a young boy meets an alien robot from outer space, who is stranded on earth, and runs afoul of paranoid government agents. Not to knock the Spielberg film, but what makes 'The Iron Giant' the better film is that the young boy is the teacher. It is he who has to teach the Giant about the beauty of life, the difference between good and evil, and choices we have to make. The Iron Giant, it turns out, is a weapon, who has to struggle against his own nature. The film has an obvious (and timely) gun control message, but its real message is about the choice we make when dealing with other people. We can use our powers for good or lash out at everyone around us.
I dare not give away the climax. All I will say is that it features a sacrifice absolutely breaktaking and emotionally shattering (albeit somewhat blunted by the ending). The animation is gorgeous, Michael Kamen's score is perfect, and the film beautifully evokes the 1950s.
Sadly, poor marketing kept audiences away in droves. All I can say is, to heck with the box office gross. Despite Warner's appearant desire to pretend the film never existed, the word is getting around about what a magical film this is, and I have no doubt it will join 'It's a Wonderful Life' as a film which bombed in theatres but became a classic over the years. See it now, so you can say you discovered it before everyone else did.
The film's plot is similar to 'E.T.' - a young boy meets an alien robot from outer space, who is stranded on earth, and runs afoul of paranoid government agents. Not to knock the Spielberg film, but what makes 'The Iron Giant' the better film is that the young boy is the teacher. It is he who has to teach the Giant about the beauty of life, the difference between good and evil, and choices we have to make. The Iron Giant, it turns out, is a weapon, who has to struggle against his own nature. The film has an obvious (and timely) gun control message, but its real message is about the choice we make when dealing with other people. We can use our powers for good or lash out at everyone around us.
I dare not give away the climax. All I will say is that it features a sacrifice absolutely breaktaking and emotionally shattering (albeit somewhat blunted by the ending). The animation is gorgeous, Michael Kamen's score is perfect, and the film beautifully evokes the 1950s.
Sadly, poor marketing kept audiences away in droves. All I can say is, to heck with the box office gross. Despite Warner's appearant desire to pretend the film never existed, the word is getting around about what a magical film this is, and I have no doubt it will join 'It's a Wonderful Life' as a film which bombed in theatres but became a classic over the years. See it now, so you can say you discovered it before everyone else did.
Sometimes when watching an animated feature, I spend my time saying, "What great animation." When this happens, I wonder if I am doing what the producers wanted me to do. Like so many things, should I be so enamored with the technical part of the movie that I am distracted from the content. As I watched "The Iron Giant" I realized I had forgotten it was an animated feature. Don't get me wrong. I knew the enormous title character was animated, but the relationships among the characters and the intelligence of the script caused me to forget that these weren't actors. The movie is filled with tender moments, especially as they relate to our feelings of our own mortality. What I enjoyed is that the grownups aren't treated as garden variety bad guys. Even the military, which is nearly always portrayed as evil, finds itself in a contradictory position--having to go on faith. The animation is wonderful, but so are the "performances." No spoilers here, but I think the ending is a lovely tribute to the spirit of the life force in all of us--even those of us not made of metal. See this. It is one of the better movies of the year.
The Iron Giant is a critically acclaimed piece of animated cinema. I wasn't expecting it to be that good, but The Iron Giant was an amazing movie, it is easily the most exquisite animated movie I have ever seen.
Hogarth Hughes (Eli Marenthal) is obsessed by the opportunites offered by science fiction, the possibility of an alien take-over or, at the very least, an attack from outer space. The original story, which the late Poet Laureate had set in England, saw the innocent Titan of the title emerge from the sea; here he is a visitor from another galaxy.
The Iron Giant is an amazing piece of animation, the voice-overs were done perfectly, the actors obviously enjoyed themselves, the animated art direction and cinematography was beautiful and the giant itself is just...breathtaking.
The Iron Giant is not just another silly little kiddies movie, it is perfection in filmmaking. Please, for the love of God, make your life better and see this brilliant film.
I rate The Iron Giant 10 out of 10.
Hogarth Hughes (Eli Marenthal) is obsessed by the opportunites offered by science fiction, the possibility of an alien take-over or, at the very least, an attack from outer space. The original story, which the late Poet Laureate had set in England, saw the innocent Titan of the title emerge from the sea; here he is a visitor from another galaxy.
The Iron Giant is an amazing piece of animation, the voice-overs were done perfectly, the actors obviously enjoyed themselves, the animated art direction and cinematography was beautiful and the giant itself is just...breathtaking.
The Iron Giant is not just another silly little kiddies movie, it is perfection in filmmaking. Please, for the love of God, make your life better and see this brilliant film.
I rate The Iron Giant 10 out of 10.
Le saviez-vous
- GaffesAt the beginning, Sputnik is shown orbiting from East to West. Most non-polar orbits of satellites run West to East (including Sputnik) in order to take advantage of the Earth's rotation.
- Citations
[as the Giant flies toward the missle]
Hogarth Hughes: [in the Giant's mind] You are who you choose to be.
The Iron Giant: Superman.
- Crédits fousThe Warner Brothers logo is done in 1950s art deco, as the Sputnik signal is heard.
- Versions alternativesTwo added scenes overseen by Brad Bird were animated for the theatrical release of The Iron Giant: Signature Edition.
- ConnexionsEdited into The Making of 'The Iron Giant' (1999)
- Bandes originalesHoneycomb
Written by Bob Merrill
Performed by Jimmie Rodgers
Courtesy of Rhino Entertainment Company
By Arrangement with Warner Special Products
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- El gigante de hierro
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 23 315 035 $US
- Week-end de sortie aux États-Unis et au Canada
- 5 732 614 $US
- 8 août 1999
- Montant brut mondial
- 23 339 506 $US
- Durée1 heure 26 minutes
- Mixage
- Rapport de forme
- 2.39 : 1
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