Pecker

Just saw this in New York, it will never come to St. Croix! I liked it a lot, made me laugh. This is the most accessible of any of John Waters' movies I've seen and I like that, doesn't hit you over the head with weirdness. Waters is so good at taking a normal situation and making it appear just slightly off kilter. There are some great characters here...Ed Furlong is wonderfully wholesome and believable as Pecker, Christina Ricci is terrific in a very intense way as a too normal no frills small city girl. This movie is just plain good fun, it's easy to laugh at everybody and not feel mean spirited. Oh yeah and good to see Patty Hearst having some fun.

Well, with the right amount of censors, I'm sure anyone would like this. While diehard John Waters fans will be disappointed (There's no obese transvestites that eat dog feces or hilariously hideous trailer park characters) it was still an uplifting film with good performances and several laugh-out-loud scenes. An uplifting John Waters film? Yes. He's also known for dark humor; but this film relied on harmless shock value.

Edward Furlong plays the title character, a kid who takes pictures of everything he encounters in his sleazy Baltimore neighborhood. A NY art agent (Lili Taylor) observes his work and he finds he has the choice between either rising to fame (which he loses his friends and family) or keeping his original lifestyle as a poor suburban dweller.

Give this one a try: Expect nothing, and you won't be disappointed.

John Waters most accessible film to date is one of his better ones, considering it cut down on all of the campiness and outright vulgarity which seem to litter most of his previous work. Sure, the nudity and the sexual references are still there, at least it is presented in a fashion

that cannot be deemed too foul or disgusting. Due to some great casting choices, this film really brought out the silliness associated with modern art and the subjective nature of your modern artist. Funny and somewhat lighthearted (if that is possible for Waters), this is one of those films I would watch on a rainy day.

"Pecker" is a young, unknown photographer from Baltimore who becomes a big star in the public, the media and the local art scene with his pictures showing the dirty reality of all-day life just as dirty underwear or human excrements. It's a typical topic of John Waters Baltimore-based independent comedies to show the weird sides of the American way of life between political correctness fashion and conservative backlashes by exploring the backgrounds of the middle class society of his hometown.

Edward Furlong of "Terminator 2" fame plays Pecker, supported by Christina Ricchi, photographer Cindy Sherman, legendary Patricia Hearst and Water's long-time actress Mink Stole. Although the pacing of the plot becomes a big flaw sometimes and can't compete with the fast and furious joke attacks of Water's brilliant "Serial Mom", it's still has some good laughs in it and some unforgettable scenes like a former junkie-girl who became a vegetarian by sniffing peas from a vegetable dish... "Pecker" is a great comedy about the arrogance of the art scene, media hypes, middle-class sex angst and the strange ways of how to become a pop star without realizing it. Recommended!

I thought this was an utterly charming film. The story seems to be a thinly veiled autobiography of John Waters: Pecker's greatest gift is his ability to find beauty in unexpected places. Edward Furlong does well in the lead, but the best performances are by his grandmother, Mink Stole (a hilarious cameo) and, of all people, Patty Hearst. I think the reviewers are way off base on this one. They seem to be taking Pecker's worst valuation of his work as gospel, when I think the film pretty clearly states that he is indeed a promising artist.