C'est une parfaite maman américaine: une excellente cuisinière et femme au foyer, une recycleuse dévouée et une femme qui tuera littéralement pour faire le bonheur de ses enfants.C'est une parfaite maman américaine: une excellente cuisinière et femme au foyer, une recycleuse dévouée et une femme qui tuera littéralement pour faire le bonheur de ses enfants.C'est une parfaite maman américaine: une excellente cuisinière et femme au foyer, une recycleuse dévouée et une femme qui tuera littéralement pour faire le bonheur de ses enfants.
- Récompenses
- 1 nomination au total
- Detective Pike
- (as Scott Wesley Morgan)
Avis à la une
Kathleen Turner takes the lead role, and does an excellent job of performing in a serious, yet jokey way; which does the film no end of favours on the parody front. She looks the part, acts the part...and really, I cant think of a better middle-aged actress to take the lead in this film. The support cast, which includes Matthew Lillard and Ricki Lake, is good; but it's the director that's the real star of the show. John Waters has made a name for himself by creating odd and twisted films, and although I haven't seen a great deal of them; Serial Mom is his best as far as I'm concerned. It's one of those films that constantly make you laugh (providing you've got a sick sense of humour), while poking fun at society and offending all the right people all at once! I love originality in movies, and this really is one unique film. The nineties saw the release of lots of obscure social commentaries that were lost under films like Schindler's List and Fight Club, and Serial Mom, along with Francois Ozon's 'Sitcom', is one of the best 'under the radar' films of the decade. It's not a film that everyone will like, but everyone should see it just in case!
Only one filmmaker seemed designated to shot this highly entertaining black comedy: John Waters, the king of bad taste and extravagance. In "Serial Mom", most of the comical situations are structured about the two quoted characteristics. The whole is condensed in one hour and a half. You don't get bored one moment and you honestly laugh in front of all these murders. In "Serial Mom", you also recognize Waters' strong taste for bloody, gore and horror movies. Moreover, for this extraordinary director, it is the occasion to harm the model image of the American family.
All in all, a delightfully politically incorrect comedy led by a Kathleen Turner on top form.
In terms of performances, Kathleen Turner is the perfect star to be in a John Water vehicle. It makes me sad to see her fall out of the limelight because every movie I've seen with her, she's easily been the best part, she is so charismatic and she is perfectly cast in this movie.
In addition, the satirical elements of modern mass obsession with real crime stories couldn't be more apt and wonderfully woven into the story. It really adds to the story, and keeps it from just being a great comedy.
And speaking of obsession with real crime stories, I do wonder what John Waters thinks of the glut of Ted Bundy documentaries and movies that have come out recently.
Turning his outrageous gaze on an archetypally perfect housewife and mother from the Baltimore suburbs in Maryland, supportive to her loving husband and teenage kids and possessing a real tlent for cooking, it appears that she is everything a stable, hard-working business man could want. However, there is a slight catch. She is also a serial killer.
Mom's tendency to take bloody revenge on any poor neighbouring housewife who fails to observe her rigid socially acceptable guidelines, like not recycling rubbish or driving too fast, is so barmy you are sure to find it absurdly and darkly funny. Kathleen Turner, alternating between dizzy, unquestioning devotion to her family and clinically cool, yet psychotic anger to offending neighbours, either appears to possess a martyr's yellow halo above her head, denoting divine lightness and freshness, or a focussed smile as she carefully contemplates her next victim.
If you are on the lookout for some perfectly vibrant, yet malicious black comedy, subscribe to "Serial Mom", one of the most ruthless, patronising skits on good manners and nosey, voyeuristic neighbours ever to hit the screen. If you like Waters' latest irreverent venture into visceral, cutting black humour, then get all his other movies, because they are all even more extreme and grotesque - "Pink Flamingos", "Hairspray", "Cry Baby" - all kitschy, underrated classics in their own right.
Le saviez-vous
- AnecdotesThis was Matthew Lillard's first film. When he noticed that Kathleen Turner had memorized everyone's names from the call sheets, he asked her why she did it. Her reply was, "Oh, honey, that's the first thing you do!"
- GaffesWhen Beverly goes to Chip's school for a P.T.A. meeting, Mr. Stubbins says Chip is "off to a fine start this year". However, a card in the opening scene established that the day is Friday, May 14, 1993, which would be nearing the end a school year, not the beginning.
- Citations
Dottie Hinkle: Hello?
Beverly Sutphin: Is this the Cocksucker residence?
Dottie Hinkle: God damn you! Stop calling here!
Beverly Sutphin: Is this Four Two One Five Pussy Way?
Dottie Hinkle: You bitch!
Beverly Sutphin: Now let me check the ZIP code. Two-one-two-fuck-you?
Dottie Hinkle: The police are tracing this call this very minute.
Beverly Sutphin: Well, Dottie Hinkle, then why aren't they here, huh, fuckface?
Dottie Hinkle: FUCK YOU!
[hangs up]
Beverly Sutphin: Hahahaha!
[immediately calls her back]
Dottie Hinkle: DIDN'T I JUST SAY FUCK YOU?
Beverly Sutphin: [in a different voice] I beg your pardon?
Dottie Hinkle: Who is this?
Beverly Sutphin: Mrs. Wilson from the telephone company. I understand you're having problems with an obscene phone caller?
Dottie Hinkle: Yes, I am. I'm sorry, Mrs. Wilson. But this is driving me crazy! I've had my number changed twice already. I'm a divorced woman, please help me.
Beverly Sutphin: Well what exactly does this sick individual say to you?
Dottie Hinkle: I can't say the words out loud, I don't use bad language.
Beverly Sutphin: Oh well, I know it's difficult but we need to know the exact words.
Dottie Hinkle: I'll try. Cocksucker, that's what she calls me.
Beverly Sutphin: [reverting to the original voice] LISTEN TO YOUR FILTHY MOUTH, YA FUCKIN' WHORE!
Dottie Hinkle: GODDAMN YOU!
Beverly Sutphin: MOTHERFUCKER!
Dottie Hinkle: COCKSUCKER!
- Crédits fousNo flies were injured or killed in the making of this motion picture.
- ConnexionsEdited into 365 days, also known as a Year (2019)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Ten cuidado con mamá
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 7 820 688 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 040 450 $US
- 17 avr. 1994
- Montant brut mondial
- 7 823 437 $US
- Durée
- 1h 35min(95 min)
- Mixage