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He Got Game

  • 1998
  • Tous publics
  • 2h 16min
NOTE IMDb
6,9/10
54 k
MA NOTE
Denzel Washington in He Got Game (1998)
Regarder Trailer
Lire trailer2:11
4 Videos
89 photos
BasketballComing-of-AgeTeen DramaDramaSport

Le père d'un basketteur doit essayer de le convaincre d'aller à l'université pour qu'il puisse obtenir une peine plus courte.Le père d'un basketteur doit essayer de le convaincre d'aller à l'université pour qu'il puisse obtenir une peine plus courte.Le père d'un basketteur doit essayer de le convaincre d'aller à l'université pour qu'il puisse obtenir une peine plus courte.

  • Réalisation
    • Spike Lee
  • Scénario
    • Spike Lee
  • Casting principal
    • Denzel Washington
    • Milla Jovovich
    • Ray Allen
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    54 k
    MA NOTE
    • Réalisation
      • Spike Lee
    • Scénario
      • Spike Lee
    • Casting principal
      • Denzel Washington
      • Milla Jovovich
      • Ray Allen
    • 149avis d'utilisateurs
    • 56avis des critiques
    • 64Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 10 nominations au total

    Vidéos4

    Trailer
    Trailer 2:11
    Trailer
    4 Basketball Classics and 3 You May Have Missed
    Clip 1:40
    4 Basketball Classics and 3 You May Have Missed
    4 Basketball Classics and 3 You May Have Missed
    Clip 1:40
    4 Basketball Classics and 3 You May Have Missed
    He Got Game
    Clip 1:20
    He Got Game
    He Got Game
    Clip 0:56
    He Got Game

    Photos89

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    + 82
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    Rôles principaux85

    Modifier
    Denzel Washington
    Denzel Washington
    • Jake Shuttlesworth
    Milla Jovovich
    Milla Jovovich
    • Dakota Burns
    Ray Allen
    Ray Allen
    • Jesus Shuttlesworth
    Rosario Dawson
    Rosario Dawson
    • Lala Bonilla
    Hill Harper
    Hill Harper
    • Coleman 'Booger' Sykes
    Zelda Harris
    Zelda Harris
    • Mary Shuttlesworth
    Ned Beatty
    Ned Beatty
    • Warden Wyatt
    Jim Brown
    Jim Brown
    • Spivey
    Joseph Lyle Taylor
    Joseph Lyle Taylor
    • Crudup
    Bill Nunn
    Bill Nunn
    • Uncle Bubba
    Michele Shay
    • Aunt Sally
    Thomas Jefferson Byrd
    Thomas Jefferson Byrd
    • Sweetness
    Roger Guenveur Smith
    Roger Guenveur Smith
    • Big Time Willie
    John Turturro
    John Turturro
    • Coach Billy Sunday
    Lonette McKee
    Lonette McKee
    • Martha Shuttlesworth
    Arthur J. Nascarella
    Arthur J. Nascarella
    • Coach Cincotta
    Travis Best
    • Sip
    Walter McCarty
    • Mance
    • Réalisation
      • Spike Lee
    • Scénario
      • Spike Lee
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs149

    6,953.5K
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    Avis à la une

    tfrizzell

    Fouled Out Pretty Quickly.

    Director Spike Lee's ode to basketball is one of those frustrating experiences that appears to be a possible slam dunk, but ultimately ends up fouling out mainly because of an uneven story and a nearly invisible tone. Denzel Washington is serving a prison sentence for killing his wife in a domestic dispute. While away, his son has grown to become high school basketball stand-out Ray Allen (a real-life NBA player). Governor Ned Beatty promises to shorten Washington's sentence if he can convince Allen to attend Beatty's alma mater. He has one week to accomplish his goal. Naturally Allen is outraged by seeing his father again and creates a shell to keep Washington out of his life. At first this seems like a good thing, but what if all of Allen's so-called friends (coaches, relatives, girls, agents and fans) are the true antagonists here and Washington is the flawed hero? Lee is never sure what he wants to do here. The movie plays out like a chaotic basketball game with lots of action and memorable action, but in the end you do not want either team to win. Washington and Allen's relationship takes up some airtime, but so do others that leave almost as fast as they appear. The corruption in collegiate athletics and within sports agencies is also given an interesting glimpse, but alas those topics are not explored completely. "He Got Game" looked like it would match the brilliance of William Friedkin's "Blue Chips" (a flawed, but important movie), but just does not seem to have the coaching necessary. Washington is impressive and handles the material as well as he can. Allen is a complete revelation. Anfernee Hardaway had stolen the show from Nick Nolte in "Blue Chips" and Allen pretty much does the same thing in this one. Ray Allen seems to have unlimited potential in front of the camera and his gift could be developed more fully after his playing career ends. I have said for years that Ray Allen should be the best player in the NBA, but he has ultimately disappointed me throughout his professional career. Allen is not the problem here though. Lee's sporadic direction and a meandering script end up sending "He Got Game" to the locker room way too soon. 2.5 out of 5 stars.
    ericb336

    A flawed film that still flies.

    My two favorite Spike Lee movies are "Clockers" and "He Got Game" and they share similarities: both are about guys trying to keep integrity amidst characters whose primary motives are to persuade him to leave the path.

    "He Got Game" gets the edge because I love basketball and because I'm a sucker for well done father-son conflicts. The basketball parts of this movie are absolutely brilliantly shot. Most sports movies share two commonalities: completely ridiculous storylines and actors who throw like sissies. He Got Game avoids both.

    Okay, some parts of the story are hoky, but allowable. But what makes this movie work, similar to "Clockers" is that you get sucked into a main character whose nobility is tested at every turn. Will Jesus Shuttlesworth make it through the maze or fall prey to it? And will he be able to recognize that his father is not just one more flesh peddler? It makes for good drama. But above that, the basketball scenes just completely rock. They're examples of absolutely masterful cinematography and editing. In fact, the movie has some of the best montage sequences every put on film. Seriously.

    Denzel is excellent in this movie. He plays a Jeckyll and Hyde and plays both sides well. This conflicted character was very easy to root for. (I can identify.) NBA perennial All-Star Ray Allen, while more than a little stiff at times, holds his own as a non-actor in a dramatic role.

    He Got Game is a flawed piece of work: parts drag, it's not without its hokiness, and the subplot with Denzel and Jojovovich didn't quite fit. But the essential storylines work and play true: you believe in a conflict between father and son and you root for a high school basketball player who requires the wisdom of an adult to avoid the flesh peddlers. Kudos to Spike for not trying to hit us over the had with his message, but letting it unravel naturally.
    jhendrickson08

    Well Played

    Spike Lee's He Got Game is a beautifully shot and well-executed exploration of the role that the sport of basketball plays in the relationship between a father and his estranged son. At the outset, having not seen very many other Spike Lee movies, I didn't really know what to expect or what to compare this film to. However, I was pleasantly surprised at the overall quality of the plot and the cinematography that composed this film. Furthermore, I really liked the definitive sense of Spike's style that was quite apparent throughout.

    Told through flashbacks that reveal the plot throughout the course of the movie, He Got Game is about Jake Shuttlesworth (Denzel Washington) and his basketball-star son, Jesus (Ray Allen). Jake is in jail under mysterious circumstances, yet can get out of jail if he is able to convince Jesus to choose to play basketball at a specific school, namely the state governor's alma mater. Released for a week in order to complete the daunting task, he hounded by probation officers, and does a lot of things that he couldn't do in jail, such as have a light dalliance with Milla Jovovich's slightly-unnecessary prostitute character, Dakota Burns. Denzel, as usual, excellently handles his role as the intense father, and is utterly believable in both his emotion-laden and his violent, angry scenes.

    Ray Allen's portrayal of Jesus is also an interesting and well-played usage of the strong dichotomy of masculinity in the sport of basketball. He very clearly shows the purer and more tender side of his character through his love for his younger sister, whom he lives with and takes care of. Yet he is torn between that and the glittering, vice-infested world that his ability at basketball brings him ever closer to. At times he does even succumb to the cloying ploys of others, and there is a particularly raunchy scene as evidence of this. Allen carefully and quietly allows the audience to see the conflicts between sensitivity and machoism that exist in his life, as a result of basketball.

    Probably one of the more interesting ways in which this film is set up is through the use of comparative shots that allow the similarities of Jake and Jesus's actions to show. Jesus tries so hard to distance himself from his father, yet the shots and the camera framing show just how alike they both really are. I also particularly enjoyed the use of color and contrasts that appeared throughout. For instance when Jesus and his errant girlfriend LaLa (Rosario Dawson) are talking at the end of the film, both their faces vividly reflect a shade of jealous green from the amusement park lights.

    Overall this film is a very good spin on the basketball sports movie, yet with no huge stadiums or big games to win the championship, like what usually constitutes a basketball movie. Instead, the two main characters go through much self-analysis and introspective maturing, something that is quite rare for sports-playing men in film to do. I liked the strong use of color and the well-framed shots, and especially enjoyed Denzel Washington's brooding performance. A classic, must-see movie for anyone interested in cinematography or film.
    bob the moo

    Flawed but always interesting

    Jesus Shuttlesworth is the number one hope for college basketball and has offers from colleges and sports agents ringing non-stop. His father is in jail for the manslaughter of his wife but is allowed out by the Governor for 4 days with a promise of further leniency if he can convince his son to go to Big State University. However Jesus has never forgiven him and this pressure, on top of everything else, is the last thing he needs.

    I'm never too sure what I'm going to take away from this film each time I watch it, as it does tend to try and cover a lot of ground. Is the film about father/son relationship? Is it about the commercialisation of school sports? Or pressure on young athletes? It's hard to be sure and I'm not sure that Lee is totally sure either. As such it often leaves me searching for an adequate way to summarise what I just watched. Regardless I do feel that the film manages to cover a lot of bases well. The stuff about the sports system is well worked without ramming down your throat – the exaggeration (or is it?) of the characters and scenarios is good and makes for good satire of sorts.

    The central relationship between Jake and Jesus is also worked well through several key scenes throughout the film. It leaves questions open during the film and at the end, but I guess there aren't always answers for everything and that's the way it is. The dynamic between the two is good though and it makes for an interesting plot – even though it does often feel like a subplot behind the basketball stuff. Other bits of the film don't fare as well. The two romantic strands are not as good as they should be – certainly Jake's scenes with Dakota are less than inspiring.

    The cast are all pretty good. Allen does OK but occasionally looks out of his depth with the talented cast. The array of basketball players and associates all add colour whether as themselves or playing characters. Washington carries the majority of the film and shows his ability in a difficult role – he became the heart of the film for me even though I'm sure the intention was for that to be Jesus. Dawson plays well despite being eye candy for the majority, she does have better scenes near the end of the film. The support cast have a few Lee regulars including an amusing Turturro, a convincing Palagonia and a blink and you'll miss her Jennifer Esposito.

    Overall this is not a perfect film as it overstretches itself a little and doesn't manage to deal with everything as well as it could have done. Ironically the overstretching is also a plus point as, every time I watch it, it gives me something else to concentrate on. Not Lee's finest work but a good film about his other passion with plenty of other stuff thrown in behind it.
    10thekino

    A Great Movie for Anyone Who Plays Ball at Any Level

    I recently watched this movie for the first time, and as a 19 year old black male it spoke to me. However, I can see this being a film that everyone can appreciate. Especially now, with Lebron James and other upcoming HS athletes, you really see the other side of life that only they know.

    This movie detailed the life of the #1 basketball star in HS, and the issues he deals with before he announces his plans for the future, further complicated by his father's contingent release from jail.

    A GREAT movie, don't let the votes fool you, it's not a 6.5/10, more like 8.5.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Spike Lee originally wanted Kobe Bryant to play the part of Jesus Shuttlesworth. While Bryant liked the script, and the idea of working with Lee, he had just finished his rookie year in the NBA (the 1996-97 season), and had shot several air balls in a brutal playoff loss by the Lakers to the Utah Jazz. For this reason, Bryant planned a workout program that would help him maintain his strength through the longer NBA seasons (a major adjustment, as Kobe went straight from high school to the pros). After Bryant consequently turned the movie role down, noting that the summer of 1997 was too important to spend time making the film, Lee promptly sought out Ray Allen, who quickly accepted the lead role.
    • Citations

      Jesus Shuttlesworth: Basketball is like poetry in motion, cross the guy to the left, take him back to the right, he's fallin' back, then just J right in his face. Then you look at him and say, "What?"

    • Connexions
      Featured in Siskel & Ebert & the Movies: The Object of My Affection/Paulie/Nightwatch/Suicide Kings/Wild Man Blues/Chinese Box (1998)
    • Bandes originales
      John Henry
      Performed by London Symphony Orchestra

      Aaron Copland, Conductor

      Written by Aaron Copland

      The Aaron Copland Fund for Music, Inc., Copyright Owner

      Boosey & Hawkes, Inc., Solo Publisher

      Courtesy of Sony Classical

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    FAQ20

    • How long is He Got Game?Alimenté par Alexa
    • What high school are the basketball scenes shot in?
    • Where is the Abraham Lincoln High School located?

    Détails

    Modifier
    • Date de sortie
      • 7 juin 2000 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • No perdonarás
    • Lieux de tournage
      • Cabrini-Green Public Housing Projects, Near North Side, Chicago, Illinois, États-Unis
    • Sociétés de production
      • Touchstone Pictures
      • 40 Acres & A Mule Filmworks
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 25 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 21 567 853 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 7 610 663 $US
      • 3 mai 1998
    • Montant brut mondial
      • 21 567 853 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 16 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 1.85 : 1

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