Get on the Bus

Like most of Spike Lee's films, "Get on the bus" is first and foremost a refreshing alternative to the wave of black-on-black violence cinema started by "Boyz n the hood". While racial issues are present and highlighted, the focus is still human interaction and man's flocking nature. Spike Lee knows how to add depth to his characters, and as the film evolves, the lives and pasts of the central characters unravel piece by piece. Yet, as the many differences are revealed, so are the similarities, and ultimately, the need for companionship in the fight against racism is stronger than any prejudice. Other issues, like reverse racism and homophobia are added as extra spice, preventing the film from ever becoming boring. "Get on the bus" is a warm feel-good movie from the man who convinced me that Harlem would be a nice place to live.

Get on The Bus is all about dialogue. That is, a dialogue between one community of Americans, within the confines of a bus headed to the 1995 Million Man March. This is an emotional rollercoaster. None of the men in this film are of the same mindset, or from the same walk of life, but have come together for a common cause. Ossie Davis gives an all-time great performance. Overall, this is an under-appreciated Spike Lee joint. Perhaps it will find a new life in the times we are living in.

I just got done watching Spike Lee's "Get on the Bus" for the first time in about a year. The movie is done in a manner, I can't really describe it, that is very different from previous efforts by Spike Lee. The film follows a bus of about twenty men, all African-American, on a trip to Washington, D.C. to attend the Million March that was held there in 1995, about a year before this movie was made. We follow each of the men, including a father and son who have tethered together on a court order; a homophobic actor, who takes an immediate disliking to two homosexual men; a cop whose father was killed in the line of duty; a former gang member who is now a social services worker for troubled kids who he's trying to keep from living a life in gangs; an up and coming film student, who is video taping the event so he can show it to his future children; and an open-hearted elderly man who is going to the Million Man March simply because he wants to.

"Get on the Bus" is in my opinion, one of Spike Lee's best films. Each of the characters are unique in one a way or another.

A film that is not to be missed.

I always intended to watch this movie for a long time but I kept putting it off. I was really surprised at how excellent and well-written this movie actually was. If you enjoy films where a group of diverse people are put into a situation and then left to deal with each other (eg "Twelve Angry Men"), then you must see this movie.

This film was also very intelligent. I think too many people believe that if you get a group of black men together for anything, they'll soon be calling each other "nigga" and violence will erupt, not necessarily in that order. About halfway through the movie, I told my wife that the n-word had not been used at all, and no punches had been thrown.

But I was wrong.

What made it even more interesting was the way the men responded to the person who called everyone "nigga," and there was a fight, which occurred between a homosexual and an arrogant, big-mouthed guy who kept calling him "faggot." I don't condone violence, but the gay guy knocked him down a peg or two, and he certainly had it coming.

This film also solidifies Andre Braugher as an incredible actor. He has taken on such diverse roles and here, he was outstanding. So many of these actors were. Almost every scenario and discussion is covered in two hours well spent.

Get on the bus is a superb film in every way. The acting , the story ,the photography and the sound track are a joy to behold. Spike Lee should be praised for his unbiased view on the struggle for black rights in America. You may not always agree with some of the sentements of the film but you cant help be captivated. Dont miss it! 8 out of 10