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Ajouter une intrigue dans votre langueA woman meets a man who isn't the right man for her - but she hasn't realised it yet...A woman meets a man who isn't the right man for her - but she hasn't realised it yet...A woman meets a man who isn't the right man for her - but she hasn't realised it yet...
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 14 victoires et 12 nominations au total
Mikhail Filipchuk
- Sanya 6 let
- (as Misha Filipchuk)
Yury Belyayev
- Sanya 48 let
- (as Yuriy Belyaev)
Anna Shtukaturova
- Devochka-khromonozhka
- (as Anya Shtukaturova)
Ervand Arzumanyan
- Bukhgalter
- (as Ervant Arzumanyan)
Avis à la une
Pavel Chukhraj's award winning film THE THIEF is one of those special films that should be owned and revisited - like a favorite novel or poem or symphony. Chukhraj both wrote and directed this tale/fable set in Stalinist Russia, a story which encompasses the impact on a child of loss of a father in the war, the appalling living standards in the communes during the 1950s where multiple families and comrades shared space and survived the lack of privacy, and the extents to which people will go to survive what fate has dealt them and the sad sequelae that follow.
The story opens on the cold steppes of Russia where Katya (Yekaterina Rednikova) gives birth to a son Sanya (Misha Philipchuk) in the mud of a country in disrepair in 1946. Narrated by the adult Sanya we next see Katya and Sanya on board a train where they encounter a handsome soldier Tolyan (Vladimir Mashkov), a seemingly gentle man who immediately bonds with the two 'refugees'. The remainder of the story deals with the fact that Tolyan is a thief and causes disruptive moves of his 'family' as he plunges them deeper into the hole of his crimes. At times he is harsh with Sanja, at time he is protective and instructive as a surrogate father, teaching Sanya the cruel rules of survival. He is finally imprisoned, Katya dies from an infection following an abortion, and Sanya grows into his teen years in orphanages, dreaming of his real father, wondering about Tolyan. They two make a final surprise encounter that leads to the ending of the story.
The actors are exceptional, the supporting cast is particularly fine, and the cinematography and set designs are something beyond description. The eyes of Sanya (those of Misha Philipchuk) will haunt you and beckon return to this most impressive and touching film. Highly recommended. Grady Harp
The story opens on the cold steppes of Russia where Katya (Yekaterina Rednikova) gives birth to a son Sanya (Misha Philipchuk) in the mud of a country in disrepair in 1946. Narrated by the adult Sanya we next see Katya and Sanya on board a train where they encounter a handsome soldier Tolyan (Vladimir Mashkov), a seemingly gentle man who immediately bonds with the two 'refugees'. The remainder of the story deals with the fact that Tolyan is a thief and causes disruptive moves of his 'family' as he plunges them deeper into the hole of his crimes. At times he is harsh with Sanja, at time he is protective and instructive as a surrogate father, teaching Sanya the cruel rules of survival. He is finally imprisoned, Katya dies from an infection following an abortion, and Sanya grows into his teen years in orphanages, dreaming of his real father, wondering about Tolyan. They two make a final surprise encounter that leads to the ending of the story.
The actors are exceptional, the supporting cast is particularly fine, and the cinematography and set designs are something beyond description. The eyes of Sanya (those of Misha Philipchuk) will haunt you and beckon return to this most impressive and touching film. Highly recommended. Grady Harp
For those of us who are interested in Russian life and film this is a must see. It provides an inside view of life in Stalinist Russia where people are forced to live in communal apartments and struggle to survive. A single mother with a young son becomes enamoured of a man she believes to be a soldier. He turns out to be a burglar preying on the unfortunate. The story is told by the son who first hates, then loves, then hates the thief. Amazingly, the viewer experiences the same shifting emotions. This is a film that will involve you and really play on your emotions. It's as though Dostoyevsky wrote the screenplay. No stereotypes or two-dimensional characters here but complex individuals who will draw you into their fear and pain. It is an unforgettable film; well worth seeking out!
What a movie
Very well written shot and directed by Pavel Chukhray
This 90 min drama is so engaging and what makes it that much engaging is the story,the cinematography,
its amazing cast and their strong performances especially the child who played sanya
Truly a well made russian tragic,emotional and beautiful drama that takes place in a Stalin era Russia I strongly reccomend to all the movielovers out there to watch this movie and be touched by it.
Truly a well made russian tragic,emotional and beautiful drama that takes place in a Stalin era Russia I strongly reccomend to all the movielovers out there to watch this movie and be touched by it.
A post war tale of World War II, a woman and her fatherless son get acquainted and affectionate to a soldier, who in turns out to be an imposter. Perhaps the second best Russian language film I've watched after "Kolya," it gives a compassionate and observant account of emotions seen through a child and his mother. It's cold and poignant yet human and witty in its depiction of emotions, which is beautifully filmed and masterly acted taking the story to various cities, citing an epitome to nomadic life imparted by the agonies of war. Not as buyest to "Life Is Beautiful," it still mesmerizes through its impeccable performances and a superb depiction of emotions.
Rating: 3 stars out of 4
Rating: 3 stars out of 4
This was the first Russian movie I was able to view and, I have to admit, I was impressed. It was one of the best movies I have ever seen.
Mikhail Filipchuk as 6-year-old "Sanya" gave a heart warming performance as a boy who lost his father to a war when his mother was only three months pregnant with him. Getting to know his new step-father and gaining his acceptance wasn't an easy task for him. Especially after his step-father is given 7 years in prison for his thievery.
In the end, 12-year-old "Sanya", played by Dmitri Chigaryov, is in an orphanage after his mother's death. The movie takes a strange twist...and...in the end...."Sanya" gets his justice.
Very enjoyable, indeed.
Mikhail Filipchuk as 6-year-old "Sanya" gave a heart warming performance as a boy who lost his father to a war when his mother was only three months pregnant with him. Getting to know his new step-father and gaining his acceptance wasn't an easy task for him. Especially after his step-father is given 7 years in prison for his thievery.
In the end, 12-year-old "Sanya", played by Dmitri Chigaryov, is in an orphanage after his mother's death. The movie takes a strange twist...and...in the end...."Sanya" gets his justice.
Very enjoyable, indeed.
Le saviez-vous
- AnecdotesFinal film of Lidiya Savchenko.
- Citations
[first lines]
Sanya - 48 Years Old: [voiceover] I was born right after the war, in 1946. My mother was going to the village where her relatives lived and gave birth to me right on the road. I never saw my father. He was covered with wounds when he returned from the war and died six months before I was born, but throughtout my childhood I kept thinking of him, trying to imagine him.
- Versions alternativesThe Russian release features an additional 14 minutes at the end which depict Sanya as an adult. After he shoots Tolyan, the film cuts directly to modern times where Sanya is a colonel of the Russian army. He explains that he has had to kill many times since that day and that his profession justifies it. In a war-torn village, he mistakes an old man for Tolyan. He embraces the old vagrant, who dies in his arms. Upon inspection of his back, he finds that there is no Panther tattoo. It is not Tolyan. As he leaves the village in his own personal staff car, he takes off his shirt. At this point Russian audiences see for the first time that Sanya has a Panther tattoo identical to Tolyan's on his back. (Some non-Russian versions finished the film with a shot of Sanya at 12 lying in his bunk with this tattoo. Russians did not see that scene.) The original Russian version ends with a flashback to Sanya at 6 peering out the window of the train and seeing his father waving to him on the back of a passing railcar. It is rumored that 'Pavel Chukhraj' cut the non-Russian versions for two reasons. First, he wanted to make it shorter and more attractive to foreign critics and film festivals. He also felt it might confuse and complicate the meaning of the film for viewers not familiar with modern Russia.
- ConnexionsFeatured in The 55th Annual Golden Globe Awards (1998)
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- How long is The Thief?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 126 506 $US
- Week-end de sortie aux États-Unis et au Canada
- 33 340 $US
- 19 juil. 1998
- Montant brut mondial
- 1 126 602 $US
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