Midnight in Saint Petersburg

Caine's return to the Harry Palmer character in BULLET TO BEIJING seemed to the beginning of a new series. Complex and amusing, it had novelty and Caine's great performance. Now comes the sequel and it seems a bit of a retread of the first film. I would guess they were shot back-to-back because of the re-use of many characters and sets.This one replaces biological warfare with Plutonium as the evil substance and features no prolonged train trips. The plot is not too surprising and the secret double agent easy to spot. Too bad they could not have tried again. Maybe filming HORSE UNDER WATER ( updated) might have been fun.

Every time I woke up during this film there seemed to be Caine jumping in a car and rushing off somewhere.If it was trying to capture the magic of the first three Palmer films then it failed miserably,not just because they were the product of a different time and atmosphere, but because its a muddle to a point I really didn't have a clue what was going on, just a lot of cars buzzing about,old factories and the usual rat-tat-tat dialogue. While Caine was hungry for the fame in the first Palmer pictures and acted accordingly, he is not hungry anymore here and is obviously just Michael Caine acting as Michael Caine, but its not all his fault as he has no foil here to bounce off due to the dull co-stars.

God help us! Another continuity faux-pas. In the scene of Connery greeting General Kornikov,he says he has been in Russia before and answers the General with "Very pleased (to meet you)". Nothing wrong with the words(in Russian) but they would make any Russian language student cringe - talk about butcher the language. Later, "Tatiana's" father walks across a bridge followed by Connery in a Volvo, ostensibly from the Hermitage - except that he's walking toward Nevskii Prospekt, not away ( I don't know, maybe I misunderstood the scene). Still, it's the worst example of Russian gangsterism versuses the spy world ever made. Want reality, try going there and trying to find someone to trust.

Every film series runs it's course eventually. Sometimes it's the audience that gets fatigued and votes with it's wallet by not attending the latest sequel and other times the latest sequel runs out of ideas and falls flat.

Harry Palmers audience did the first in 1968 with the ''Billion Dollar Brain'' - a smart adaption of Deighton's novel which itself was quite outlandish in comparison to the film versions of the ''Ipcress File'' and ''Funeral in Berlin''.

The second time a rejuvenated Harry Palmer series ran out of steam was in this film during which the latter happened.

Come the mid 1990's with dwindling good acting opportunities for Michael Caine and a new appetite for spy thrillers from cinema-goers two more Harry Palmer films were committed to celluloid. The first ''Bullet to Beijing'' was a nice if flawed reunion movie for an older Harry Palmer but it's sequel here ''Midnight in St. Petersburg gets swiftly derailed by a bankrupt script and lower budget.

The problem is that it very much plays like a remake of it's immediate predecessor only with a much smaller scope and budget. It even revolves around a film studio location in it's later stages...

The plot is Harry Palmer has set up a private investigation agency in Russia and he has to search for some stolen Plutonion as well as his assistants ballerina girlfriend who has been abducted. The two story strands come together in the films finale at midnight in St. Petersburg.

Michael Caine is always entertaining as Harry Palmer but he looks bored here. Some of the supporting actors are quite good and some are just plain bad. The dialogue is very poor at times and it's all quite forgettable.

That said if you don't compare it to the other films in the series it is reasonably entertaining overall and there are a few genuinely good scenes in the film. But it was definitely a sequel too many for Harry Palmer I'm sure most would agree.

Compared to other Harry Palmer films, Midnight in Saint Petersburg is rather mediocre: rambling script, nothing-special cast (apart from two Sir Michaels: Caine and Gambon), uneven change of scenes. The latter is most annoying as you lose track of events sometimes and well performed scenes vary with cheaply filmed chases or scuffles.

The biggest value of this film to me is the filming location - Saint Petersbourg - as I spent several years there studying just some years before the film was shot. Thus, most of places were familiar to me - well, that could be a reason my focus could transfer from watching the events into watching the background, this beautiful city.

If you are eager to see all Palmer-related films, then do it and include the film in question. Otherwise, you might feel bored.