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IMDbPro

Heat

  • 1995
  • Tous publics avec avertissement
  • 2h 50min
NOTE IMDb
8,3/10
762 k
MA NOTE
POPULARITÉ
156
13
Robert De Niro, Val Kilmer, Al Pacino, Ted Levine, Wes Studi, Jerry Trimble, and Mykelti Williamson in Heat (1995)
IMDb looks back at some of the films that made us fall in love with L.A., from 'Sunset Boulevard' (1950) to 'Licorice Pizza' (2021).
 
Lire clip1:34
Regarder 25 Movies That Make Us Love L.A.
11 Videos
99+ photos
Action EpicCop DramaEpicGangsterHeistActionCrimeDrama

Un groupe de braqueurs de banque professionnels commence à sentir la chaleur de la police quand, sans le savoir, il laisse un indice à son dernier vol.Un groupe de braqueurs de banque professionnels commence à sentir la chaleur de la police quand, sans le savoir, il laisse un indice à son dernier vol.Un groupe de braqueurs de banque professionnels commence à sentir la chaleur de la police quand, sans le savoir, il laisse un indice à son dernier vol.

  • Réalisation
    • Michael Mann
  • Scénario
    • Michael Mann
  • Casting principal
    • Al Pacino
    • Robert De Niro
    • Val Kilmer
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,3/10
    762 k
    MA NOTE
    POPULARITÉ
    156
    13
    • Réalisation
      • Michael Mann
    • Scénario
      • Michael Mann
    • Casting principal
      • Al Pacino
      • Robert De Niro
      • Val Kilmer
    • 1.5Kavis d'utilisateurs
    • 213avis des critiques
    • 76Métascore
  • Voir les informations de production sur IMDbPro
  • Film noté 104 parmi les meilleurs
    • Récompenses
      • 15 nominations au total

    Vidéos11

    Heat
    Trailer 1:07
    Heat
    25 Movies That Make Us Love L.A.
    Clip 1:34
    25 Movies That Make Us Love L.A.
    25 Movies That Make Us Love L.A.
    Clip 1:34
    25 Movies That Make Us Love L.A.
    Remembering Val Kilmer (1959-2025)
    Clip 0:55
    Remembering Val Kilmer (1959-2025)
    Heat: Director's Definitive Edition
    Clip 1:45
    Heat: Director's Definitive Edition
    Heat: Director's Definitive Edition
    Clip 1:45
    Heat: Director's Definitive Edition
    Heat: Director's Definitive Edition
    Clip 1:25
    Heat: Director's Definitive Edition

    Photos321

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    + 314
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    Rôles principaux90

    Modifier
    Al Pacino
    Al Pacino
    • Vincent Hanna
    Robert De Niro
    Robert De Niro
    • Neil McCauley
    Val Kilmer
    Val Kilmer
    • Chris Shiherlis
    Jon Voight
    Jon Voight
    • Nate
    Tom Sizemore
    Tom Sizemore
    • Michael Cheritto
    Diane Venora
    Diane Venora
    • Justine
    Amy Brenneman
    Amy Brenneman
    • Eady
    Ashley Judd
    Ashley Judd
    • Charlene Shiherlis
    Mykelti Williamson
    Mykelti Williamson
    • Drucker
    Wes Studi
    Wes Studi
    • Casals
    Ted Levine
    Ted Levine
    • Bosko
    Dennis Haysbert
    Dennis Haysbert
    • Breedan
    William Fichtner
    William Fichtner
    • Van Zant
    Natalie Portman
    Natalie Portman
    • Lauren
    Tom Noonan
    Tom Noonan
    • Kelso
    Kevin Gage
    Kevin Gage
    • Waingro
    Hank Azaria
    Hank Azaria
    • Marciano
    Susan Traylor
    Susan Traylor
    • Elaine Cheritto
    • Réalisation
      • Michael Mann
    • Scénario
      • Michael Mann
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs1.5K

    8,3762.3K
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    Résumé

    Reviewers say 'Heat' garners acclaim for its stellar performances by Al Pacino and Robert De Niro, and its realistic portrayal of the criminal underworld. Critics praise deep character exploration, atmospheric cinematography, and gripping narrative. However, some find the film overly long and criticize certain plot elements and character developments. The portrayal of female characters is contentious, with some noting a lack of agency and depth. Despite these criticisms, 'Heat' is often hailed as a modern crime classic, with its exploration of duality between cops and criminals, technical excellence, and powerful performances solidifying its status in cinema.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    9planktonrules

    Exceptionally well done though it's not the sort of film for everyone...but what movie is?

    I have very little interest in most action films or violent movies, so I am not the sort of person that would normally watch a film like "Heat". However, on a lark and because it's apparently such a good film I decided to give the film a look. Well, I must say that thought I was not in love with the film it sure was exceptionally well made and had a lot to offer--even for folks like me.

    The biggest reason I liked the movie and thought it was made so well was its rich and complex plot. At nearly three hours, there is lots and lots of time for the plot to slowly unfold. It also allowed for several concurrent plots to interweave themselves through the film--the story about the master criminals, the cops, another criminal as well as a rogue nut-job that just likes to kill. It's almost like a mini-series in this respect. I also loved how this was not a set-bound film but was made throughout LA--though I wonder how this was possible, as it must have tied up huge portions of Los Angeles! I also loved some of the characters--particularly Robert De Niro's oddly professional and scary criminal boss. It was one of his very best performances.

    There's very little to complain about in the film, though I thought Al Pacino's character was a tad over-acted at times. Unlike De Niro, I had a harder time believing Pacino was real. Perhaps it's just me....

    Overall, if you don't mind the violence and the occasionally frenetic pace, then this is a film well wroth seeing. Extremely well-directed and never dull.
    10aboriginee

    The best character film of all time.

    Sound like a bold statement? Devotees of classic cops and robbers flicks of old will no doubt take exception, but I believe that Michael Mann achieved some measure of perfection with Heat. To break this three-hour gem of a film down to its core, this is a film about men - strong men - and the supporting role that he women of the film have on them for better or worse. Take Pacino as good cop Vincent Hanna: one of the most intense characterizations of the tragic hero that I have ever witnessed, as he laments the demise of his third marriage to a pill-junkie wife. A fact which he discusses with his archnemesis (De Niro) in what history will regard as one of the most frenetic scenes in the history of film. The dialogue in this scene (at the very end of the first tape, if you own the VHS version) sets up the last half of the film beautifully, as our two rivals come to the joint realization that they have no hand in choosing the paths that will lead them to their ultimate confrontation: their very natures so define their respective actions that any attempt to do otherwise would simply be a waste of time. While I have heard others (who I am ashamed at times to call close friends) say that Heat drags in places, I will concede that there are moments in the film that require more than the cursory attention that they give to the movie they happen to be watching at any given time (I'm sorry not every director is Jerry Bruckheimer), there are poignant developments of character in Heat that many would casually disregard. I am thinking of the interaction between the ex-con who finds conditional employment in a diner with an opportunistic scum of a boss, and whose girlfriend is so proud of him for swallowing his pride and not simply giving the sonofabitch a good pummeling. But there is a catharsis that I felt for that same ex-con when De Niro's character presents him with the opportunity to take just one more score, for old time's sake. Who doesn't feel for this guy - this minor character in a film with big-time heavyweights who gets to shine for a few brief moments. That's what Heat is really: a series of brief moments, some touching, others traumatic, and still others incredibly horrifying in the feelings that they inspire in the romantic who, like me sees not black or white portrayals of protagonist and villain, but a montage of grays that combine to create a vivid spectrum of film characterization that could not be found in hundreds of films combined. One of my five favorite films of all time, Heat is a cinematic banquet of intense imagery and pulse-pounding action. Come hungry.
    10kevin_robbins

    You find yourself rooting for both sides the entire film.

    Heat (1995) is a movie that is in my DVD collection that I recently rewatched on Tubi. The storyline follows an underground high end burglary team looking for one big last mission and a parallel story about a successful police officer who is struggling at home. As the buildup to the big heist unfolds the two worlds come closer and closer together until the ultimate collision happens.

    This movie is directed by Michael Mann (Ali) and stars Robert De Niro (Goodfellas), Al Pacino (Scarface), Val Kilmer (Willow), Jon Voight (Anaconda), Mykelti Williamson (Forest Gump), Ashley Judd (Kiss the Girls), Tom Sizemore (Black Hawk Down), Wes Studi (Deep Rising), Natalie Portman (Leon: The Professional), Ted Levine (Silence of the Lambs) and Dennis Haysbert (Far from Heaven).

    This cast is absolutely amazing top to bottom. The writing is also excellent and delivers the backstories to each character to perfection and the dialogue is out of this world. The chemistry of the cast throughout the film worked perfectly and the action scenes are intense and very well done. You find yourself rooting for both sides the entire film. The conclusion to such a huge movie is excellent and fits the film perfectly.

    This is an all time classic that is an absolute must see and an easy 10/10. I would strongly recommend seeing this.
    10LeightWinst

    Masterful on all counts

    For some reason I cannot stop thinking about this film lately.

    You know that feeling of having seen it about 3 or 4 times in the last 12 months is not enough? That's what I feel at the moment.

    I rate it as Mann's best. It's his most kinetic,vibrant(for a film mostly shot in steely blue),agonising,stirring,brash,violent and brilliance in such a simple story.

    What games did you play as a young kid? Cops and robbers.Good guy.Bad guy.

    We all know De Niro and Pacino could have been either main part,but can you imagine it any other way round. Pacino doing ice cool calm? De Niro the manic outbursts,arms flailing? It wouldn't work. We know these men now.We know neither will stop at what they do.And yet there is no way either would stop the other.Unless they had too. Which leads us too the characters. All of them.

    This is an extended family where you feel you know all of them without knowing anything at all. The cops are similar to the robbers and vice-versa. Perhaps Mann is telling us were all the same.Except in what we do.Every speaking part holds substance in this movie, and the support cast is astonishing when you actually read the caliber of who appeared in this film.Tom Sizmore, Val Kilmer,Ashley Judd,Ted Levine,Wes Studi,Hank Azaria,William Fitchner,Henry Rollins,Dennis Haysbert,Tom Noonan. And Natalie Portman, for chrissake! Try getting that cast again.

    A real 10/10 film. And that Moby song at the end(God moving over the face of waters) gets me every time.
    10acdc_mp3

    I finally sat down and watched.

    I have been hearing about this movie for years and kept telling myself to see it ffs, and today I did. Seeing who was cast during the opening credits, I knew I was in for a treat. I was lucky that I had never had the plot spoiled for me and I knew absolutely nothing about what was coming.

    Regarding the cast, let me mention an actress I have been a fan of since her turn on FX, and she is also the mother-in-law of a friend, Diane Venora. She played her part with such a wide spectrum of emotions that I was completely drawn into her empathy, anger, aloofness, and deep sorrow. It tore me up, actually. She was the perfect match for Pacino's manic character.

    Speaking of Pacino, his performance was one for the books. He was a dude on the razor's edge of completely losing it and uses his job as a form of a security blanket. It's his happy place which unfortunately makes any semblance of a normal life impossible.

    Now lets talk about De Niro's performance. In a word: Perfect. It's sad in today's world, people judge an actor on their political beliefs rather than how they perform their craft. De Niro's beliefs are polar opposite from mine, but I could not care less. He was fantastic as the professional thief who is likeable, deadly, and when all is said and done, a scourge of society. Rooting for him is wrong, but you can't help to just a little.

    The movie was filled with great performances particularly from Val Kilmer, Amy Brenneman, Ashley Judd, Natalie Portman, and damn, Kevin Gage's evilly maniacal portrayal was downright demented. The entire cast was top notch. Kudos to the casting director.

    Watch this movie for the intense ride of hovering between good and evil. It does not disappoint.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Rather than dubbing in the gunshots during the bank robbery shoot-out, Michael Mann had microphones carefully placed around the set so that the audio could be captured live. This added to the impact of the scene, because it sounded like no other gunfight shown on-screen.
    • Gaffes
      In the final scene, the approach light system at LAX airport is shown turning on and off for individual aircraft as they approach to land. In actuality, approach lights to runways remain lit at the same level of intensity for aircraft. They are not turned 'up' and 'down' for each airplane.
    • Citations

      Vincent Hanna: I'm angry. I'm very angry, Ralph. You know, you can ball my wife if she wants you to. You can lounge around here on her sofa, in her ex-husband's dead-tech, post-modernistic bullshit house if you want to. But you do not get to watch my fucking television set!

    • Versions alternatives
      For the film's Blu-ray release in 2009, director Michael Mann made two minor changes to the film (this Blu-ray cut has been used for all subsequent home video releases):
      • When Vincent Hanna (Al Pacino) returns to the restaurant to pick up Justine (Diane Venora), they have a low-key argument about his obsessive police work and how it is affecting the marriage. In the Theatrical Cut, Justine says, "You don't live with me, you live among the remains of dead people. You sift through the detritus, you read the terrain, you search for signs of passing, for the scent of your prey, and then you hunt them down. That's the only thing you're committed to. The rest is the mess you leave as you pass through." In the Blu-ray cut, the line "You sift through the detritus" has been removed. To cover this edit, the camera cuts to Hanna rather than staying on Justine for the entirety of her monologue (which was how the scene played out in the Theatrical Cut).
      • When Hanna is speaking to Alan Marciano (Hank Azaria), Marciano questions why he got involved with Charlene Shiherlis (Ashley Judd) at all, and Hanna shouts, "Cause she's got a great ass...and you got your head all the way up it!" The camera cuts to a stunned Marciano, and we hear Hanna say, "Ferocious, aren't I?" The camera then cuts to Hanna and he says, "When I think of asses, a woman's ass, something comes out of me." In the Blu-ray cut, the line "Ferocious, aren't I?" has been removed from the audio track.
    • Connexions
      Edited into Terminator: Les chroniques de Sarah Connor: Some Must Watch While Some Must Sleep (2009)
    • Bandes originales
      Always Forever Now
      Music by Passengers

      Performed by Passengers

      Courtesy of Island Records Ltd.

      By Arrangement with PolyGram Film & TV Licensing

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    FAQ32

    • How long is Heat?Alimenté par Alexa
    • Why would they take all that time looking for bonds and not take any cash from the armored truck, just to sell it back to the original owner (Van Zant)?
    • Who are the villains of the film?
    • Why was Neil so furious with Waingro when they were leaving the armored car scene?

    Détails

    Modifier
    • Date de sortie
      • 21 février 1996 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • -Official 20th Century Studios (United States)
      • -Official Facebook
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • Fuego contra fuego
    • Lieux de tournage
      • 1219 Dodds Circle, East Los Angeles, Californie, États-Unis(Trejo's pad)
    • Sociétés de production
      • Warner Bros.
      • New Regency Productions
      • Forward Pass
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 60 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 67 436 818 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 8 445 656 $US
      • 17 déc. 1995
    • Montant brut mondial
      • 187 436 818 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 50 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • SDDS
      • Dolby Surround 5.1
    • Rapport de forme
      • 2.39 : 1

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    Robert De Niro, Val Kilmer, Al Pacino, Ted Levine, Wes Studi, Jerry Trimble, and Mykelti Williamson in Heat (1995)
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