Ajouter une intrigue dans votre langueTraveling showman Aaron Quicksilver tells horror tales: a psychotic hitchhiker falls prey to a relentless dangerously-sharp set of chattering teeth, and a human hand that comes alive.Traveling showman Aaron Quicksilver tells horror tales: a psychotic hitchhiker falls prey to a relentless dangerously-sharp set of chattering teeth, and a human hand that comes alive.Traveling showman Aaron Quicksilver tells horror tales: a psychotic hitchhiker falls prey to a relentless dangerously-sharp set of chattering teeth, and a human hand that comes alive.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Primetime Emmy
- 3 nominations au total
William Frederick Knight
- Rhinoplasty Man
- (as William Knight)
Avis à la une
I'll start this review by saying that I've read neither of the short stories that this movie is based on, neither Stephen King's Chattery Teeth, nor Cliver Barker's The Body Politic, so I can't comment on whether or not they're accurate conversions of the stories. I will say, however, that based on my limited knowledge of King's work(and my even more limited knowledge of Barker's) that I do believe that they did a pretty good job on bringing the stories to life in this movie. The plot for both stories is good(yes, even the King story, I have to admit, though I despise his works), and it's both involving and interesting, for both segments. The acting ranges from made-for-TV standard, and slightly better; all four of the leads did a good job, as far as I'm concerned: Christopher Lloyd, Matt Frewer, Raphael Sbarge and Missy Crider. I especially enjoyed Lloyd, and his character, the storyteller, who is in both the prologue and the epilogue for both segments, and gives a further chill down the spine with his afterthoughts for both stories. The characters are well-written, credible and easy to relate to, which, I guess, can be credited almost as much to the original authors(King and Barker) as the script writer and director(who, incidentally, is the same person). Both segments are about equally chilling and horrifying, though the first has more buildup and the second has more actual action, which shows the difference in the authors' styles. The direction is pretty good, especially for a TV movie. The special effects are about as good as they get for a TV movie budget. The horror in both segments is fairly chilling and disturbing. They also both give you a little something to think about, once the story is over; this is also pushed a little further in the epilogue for both segments, by the storyteller, Lloyd, which obviously proves that the director/scriptwriter Mick Garris certainly understood both stories, as well as their underlying themes. All in all, a pretty good way to spend 90 minutes if it's on TV and you've got nothing spectacular to do, but not something you'll be watching over and over again. Good for one or two viewings, if you're into this type of horror. I recommend it to fans of King, Barker and Lloyd, and possibly also Garris. Good for spending 90 minutes watching if it's on, and you've got nothing better to do. 6/10
This movie wasn't all that good. Christopher was awesome in this movie, and thats it. That was the only good thing about this movie. It just isn't scary other then Christopher's part in the movie. It just wasn't all that good. I recommend watching some other scary movie. This wasn't worth it.
At the time of this writing I'm a bit confused because the version I saw gave the "hand" story first followed by the "teeth" story, but comments here and on Amazon say the movie presents the two stories the other way around. And it should be noted that I haven't read the original stories; I judge the movie as a stand-alone form of entertainment.
So, imagine what would happen if your hands stopped responding to commands from your brain and began doing whatever *they* wanted to do. And what if your hands plotted a revolution requiring an army of hands from other people. If you happened to see the modern "Addams Family" remake then you can extrapolate: picture a bunch of "Thing" hands running around free. I thought the army, and how they got that way, were very funny. OK, there is a rather serious horror story going on in the background, and Matt Frewer does some excellent hand-acting.
As for the second story, well, I can't say much without giving too much away. But I was blown away by my favorite character, the wind-up teeth. I have a small collection of similar wind-ups, similar in that they walk or play instruments, but I never saw anything like these teeth. I felt totally torn between the seriousness of a hitchhiker-horror story and the humor of a wind-up character. Enjoy, just for fun.
So, imagine what would happen if your hands stopped responding to commands from your brain and began doing whatever *they* wanted to do. And what if your hands plotted a revolution requiring an army of hands from other people. If you happened to see the modern "Addams Family" remake then you can extrapolate: picture a bunch of "Thing" hands running around free. I thought the army, and how they got that way, were very funny. OK, there is a rather serious horror story going on in the background, and Matt Frewer does some excellent hand-acting.
As for the second story, well, I can't say much without giving too much away. But I was blown away by my favorite character, the wind-up teeth. I have a small collection of similar wind-ups, similar in that they walk or play instruments, but I never saw anything like these teeth. I felt totally torn between the seriousness of a hitchhiker-horror story and the humor of a wind-up character. Enjoy, just for fun.
Stephen King may be the man behind Shawshank Redemption, Dolores Clairborne and the Green Mile. But he was also the man behind Thinner, Children of the Corn and one of the worst episodes of the X-Files ever. Clive Barker (you could say he is King's English counterpart) was the writer behind Hellraiser, Lord of Illusions. But he was also the man behind the novel Coldheart Canyon. Both writers have talent. But they have pitfalls too; we are all human.
And Quicksilver Highway isn't exactly their best.
Quicksilver Highway seems like a movie made out of two mediocre stories that came out of the minds of two great writers. Perhaps they were among their worst stories. If that was the case, they shouldn't have made it to television. The first one, the Clattering Teeth, isn't so bad. But it is unoriginal and dull. So dull you just want it to end. But it goes on and on. Eventually it becomes tiresome; since this movie was made for TV, you may find yourself going to the kitchen to look inside the refrigerator before it ends and the other one begins. The second story, the one written by Clive Barker, seems more like the work of Stephen King. Here we have a hand that gets life of its own and turn against its owner. Soon other hands join a revolution. The story could have consumed thirty minutes of your life. But it didn't stop when it should have. Just like the first story, it went on and on. Maybe you can forget about the hands walking around on their own and return to the kitchen. This film may help you gain weight but gets short when it comes to entertaining us.
Quicksilver Highway only has two stories. Not five or three like Creepshow I and II. After you watch this film, you feel like you have escaped out of a neverending nightmare. It is obvious that they wanted to stretch the stories long enough to make a film and not another episode of the Twilight Zone.
Perhaps it is a good idea to avoid this one at all cost.
And Quicksilver Highway isn't exactly their best.
Quicksilver Highway seems like a movie made out of two mediocre stories that came out of the minds of two great writers. Perhaps they were among their worst stories. If that was the case, they shouldn't have made it to television. The first one, the Clattering Teeth, isn't so bad. But it is unoriginal and dull. So dull you just want it to end. But it goes on and on. Eventually it becomes tiresome; since this movie was made for TV, you may find yourself going to the kitchen to look inside the refrigerator before it ends and the other one begins. The second story, the one written by Clive Barker, seems more like the work of Stephen King. Here we have a hand that gets life of its own and turn against its owner. Soon other hands join a revolution. The story could have consumed thirty minutes of your life. But it didn't stop when it should have. Just like the first story, it went on and on. Maybe you can forget about the hands walking around on their own and return to the kitchen. This film may help you gain weight but gets short when it comes to entertaining us.
Quicksilver Highway only has two stories. Not five or three like Creepshow I and II. After you watch this film, you feel like you have escaped out of a neverending nightmare. It is obvious that they wanted to stretch the stories long enough to make a film and not another episode of the Twilight Zone.
Perhaps it is a good idea to avoid this one at all cost.
'Quicksilver Highway' is the collaboration of two of the world's most talented literary horror writers, Stephen King and Clive Barker. It is a rather short anthology of two terrifyingly twisted tales, with an inset story featuring Christopher Lloyd (Back to the Future). But do they terrify the average film-goer? A wandering storyteller, Aaron Quicksilver (Lloyd), narrates the tales in two strikingly different locations: Stephen King's 'Chattery Teeth' along a deserted stretch of desert highway and Clive Barker's 'The Body Politic' within the carnivalesque setting of a funfair.
The more interesting of the two tales is 'Chattery Teeth', which tells of a psychopathic hitchhiker who falls prey to a relentless and dangerously-sharp set of chattering teeth owned by the travelling salesman driving the car. 'Chattery Teeth' is taken from a short story written by King and first published in 'Cemetery Dance' magazine in the nineties. Similar to the stories found in 'Creepshow' and 'Creepshow 2', it is a bizarre and disturbing story with a twist in the tail (think 'Twilight Zone' and the 'Ray Bradbury Theater').
The lesser of the two is Barker's 'The Body Politic'. Here, a hand comes alive, goes completely out of control, and eventually attacks its owner. The story is taken from Clive Barker's 'Books of Blood: Vol 4' and is actually quite an entertaining and intelligent story ... in print. However, attempting to re-create this story on film just doesn't work. The effects are nothing short of laughable, which inevitably ruins a good tale.
'Quicksilver Highway' is directed by Mick Garris, who has collaborated with Stephen King on more than one occasion (see 'Sleepwalkers', 'The Stand', 'The Shining' (TV), and the forthcoming 'Riding the Bullet' and 'Desperation'). He is also the man behind some of the 'Twilight Zone' episodes and 'Freddy's Nightmares', the latter explaining his less than efficient effort with 'Quicksilver Highway'.
Nevertheless, the cast is well chosen - Matt Frewer (The Stand), John Landis (dir. 'An American Werewolf in London'), Bill Nunn (Kiss the Girls), and Clive Barker - and although the movie does have its tedious and ridiculous moments (check out Lloyd's fetishistic leather garb), it is watchable. Fans of 'Tales from the Crypt' and 'Tales from the Darkside' will certainly want to give this film a look-see.
Matthew J Lee-Williams, Review.
The more interesting of the two tales is 'Chattery Teeth', which tells of a psychopathic hitchhiker who falls prey to a relentless and dangerously-sharp set of chattering teeth owned by the travelling salesman driving the car. 'Chattery Teeth' is taken from a short story written by King and first published in 'Cemetery Dance' magazine in the nineties. Similar to the stories found in 'Creepshow' and 'Creepshow 2', it is a bizarre and disturbing story with a twist in the tail (think 'Twilight Zone' and the 'Ray Bradbury Theater').
The lesser of the two is Barker's 'The Body Politic'. Here, a hand comes alive, goes completely out of control, and eventually attacks its owner. The story is taken from Clive Barker's 'Books of Blood: Vol 4' and is actually quite an entertaining and intelligent story ... in print. However, attempting to re-create this story on film just doesn't work. The effects are nothing short of laughable, which inevitably ruins a good tale.
'Quicksilver Highway' is directed by Mick Garris, who has collaborated with Stephen King on more than one occasion (see 'Sleepwalkers', 'The Stand', 'The Shining' (TV), and the forthcoming 'Riding the Bullet' and 'Desperation'). He is also the man behind some of the 'Twilight Zone' episodes and 'Freddy's Nightmares', the latter explaining his less than efficient effort with 'Quicksilver Highway'.
Nevertheless, the cast is well chosen - Matt Frewer (The Stand), John Landis (dir. 'An American Werewolf in London'), Bill Nunn (Kiss the Girls), and Clive Barker - and although the movie does have its tedious and ridiculous moments (check out Lloyd's fetishistic leather garb), it is watchable. Fans of 'Tales from the Crypt' and 'Tales from the Darkside' will certainly want to give this film a look-see.
Matthew J Lee-Williams, Review.
Le saviez-vous
- AnecdotesMatt Frewer didn't have to audition for his two roles in this film. Writer and Director Mick Garris simply called Frewer on the phone and asked him if he wanted to be in the movie.
- Citations
Aaron Quicksilver: You might say I'm a collector of rare objects
- ConnexionsFeatured in Quicksilver Highway: An Interview with Matt Frewer (2005)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Stephen King & Clive Barker's Quicksilver Highway
- Lieux de tournage
- Santa Monica Pier, Santa Monica, Californie, États-Unis(carnival scenes)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 $US (estimé)
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