La cadillac de Dolan

The harmless school teacher Robinson (Bentley) seeks revenge on a cold and greedy crook (Slater) who had his wife killed. The plot is familiar, the details of the revenge rather ingenious.

This is actually a rather solid and effective chiller, based on Stephen King's memorable short story. Instead of adding countless new themes in an effort to show the audience that they are not "merely" making a horror flick, the filmmakers have added scenes that actually foreshadow and strengthen the ending.

This hardly classifies it as a classic, but I found surprisingly little to gripe about and actually one or two additions that I found impressive. Christian Slater seems to be enjoying his part without turning it into camp and Besley manages to convey some real human emotions without seeming to reach for the Oscars. In this sort of (short) movie, restraint is just as important as ideas, seeing as how countless thrillers just go overboard on a desperate quest for "impact".

The cinematography and sound engineering stand up to scrutiny and the minor parts are well executed. In short, this one works.

Robinson (Wes Bentley) and his wife Elizabeth (Emmanuelle Vaugier) are fellow school teachers. Elizabeth is horse riding in the desert and runs across human traffickers. The fans in the truck broke down killing some of the girls. Elizabeth witnesses gangster pimp Jimmy Dolan (Christian Slater) killing the drivers and one girl trying to escape. She rides away but loses her phone. The couple reports it to the police but he is uninterested in the illegals. They go home to find one of the dead girls in their bed and they go to the FBI. She's committed to testifying but is killed in a car bomb. Robinson falls into a deep depression and then aims to take revenge. Meanwhile Dolan is disagreeing on payment with the Snakeheads.

Christian Slater is chewing up the screen. He is a good bad guy. Wes Bentley has crazy eyes. He looks like he's permanently tense. It doesn't allow him to change his character's feelings and the character goes through a lot of changes. It's one of the big problems. The other problem is the general lack of production value. I assume it's due to a lower budget and won't fault the movie for it. It has the basis of a good psychological thriller but Wes is not able to deliver it completely.

Just watched the movie a min ago, and I have to say, I enjoyed it. The story line is very good, and it keeps you hooked to it and wanting to get more out of it, but then all movies based on Stephen King's novels are. the acting was pretty decent as well, both lead actors played their role perfectly and I always saw that Christian Slater dose better roles as a villain, don't know he just have this evil look in him, The story was very real and without exaggeration, and it flows with the modern times that we are in, there is some action and some moments that just keep you on your feet. Some great lines and quotes are in there as well. Over all this is a pretty decant revenge movie, and I would recommend it to anyway who enjoys a good film.

I didn't need to see this movie. I don't think anybody did, but I read the short story many times over the years. It's one of my favourite Nightmares and Dreamscape shorts from Stephen King and I was intrigued to see how they stretched the plot to make it into a feature length film! You don't need a synopsis from me, not on IMDb. Jimmy Dolan is a criminal living and operating out of Las Vegas. When keeping his nose clean means dispatching of Robinson's wife, it destroys his life and leads him to act out on the urge for revenge as the authorities fails to pin the crime on Dolan and his goons.

What I liked about the King story was that there was nothing to like about any of the characters, all but Tinker. He wrote it from Robinson's perspective and it was nothing short of psychopathic, which is refreshing compared to most revenge stories.

In the movie, the likability factor pretty much stays the same, but the makers seem to have made a point of giving Dolan and his crew all the entertainment value and most of the screen time. Personally, I'd have watched an hour and a half of Robinson planning and executing his revenge trip, but we're given snippets of him going through his trauma and falling apart and, sorry to say, it bored me.

Wes Bentley has never been one to watch, for me at least. It might just be the angry kid scowl permanently etched into his face, but here he does a great job and pulls off some very natural but often overlooked acting.

Christian Slater is just Christian Slater as always. I'm not saying he's incapable of acting because he puts some great energy into his role, but he's one of those actors that isn't cut out for defining different personalities. His face is incapable of change, it seems.

The most important part of the movie, now that my problems are out of the way, is Bentley's Robinson giving up school to join the road crew in the Nevada desert. That's when King's storytelling really transfers well, and the addition of Tink and Danny really add texture to this film's character.

The revenge plot itself and how Robinson goes through with it are superb. I found myself smiling most of the way through it and feeling satisfied by the end credits. Odd that a film can be so generic and run-of-the-mill until the final half hour blows you away, right? If you ever give it a try, read the story first and just skip to the end, that's my advice!

A creepy tale of revenge belonging to a Stephen King's original short story from Nightmares and Dreamscapes, which was inspired by Edgar Allan Poe's The Cask of Amontillado. This better than average sinister movie to come from a King short novel centering around the hero's tenuous grip on reality . Dealing with Elizabeth (Emmanuelle Vaugier) who's happily married to loving husband Robinson (Wes Bentley) . While horse riding through the desert one evening, she witnesses the execution of two coyotes and an illegal immigrant by the human trafficker Jimmy Dolan (Christian Slater) and decides to report the incident to the police. She gets a promise of protection by police chief (Al Sapienza) if she testifies against him . Then she is targeted by Dolan for knowing too much. Robinson thinks Dolan is too powerful and well connected to be stopped , so he takes justice on his own hands. Later on , the young husband attempts to seek to avenge his wife's death after she is murdered by the Las Vegas mobster. For him and his mission to make him pay for what he has done in the most terrible way possible.

More a thriller than an all-out terror , this picture packs tension , suspense , violence , exploitation and amazing conclusion .Bases on a Stephen King's story , the horror writer extraordinaire , he's a prolific writer , here dealing with a short tale set in Las Vegas, in which school teachers Robinson and his wife Elizabeth are trying for a baby , but things go wrong when she's killed . King has a library load of books to his credit and a fan base of fanatic's eager to purchase any piece that pours from his platinum pen . Quite obviously many of his books have inspired movie adaptations, however surprisingly the transformation from page to cinema has not always been a successful one. Scanning a list of films based on King's work which features about 120 writing credits , there is a mixture of masterpieces and others mediocre , flops or stinkers . On the one hand we have horror classics like Carrie, The Shinning, Misery and The Mist . And on the other hand , B-movies , blowouts or failures films such as Thinner, Maximum Overdrive, The Tommyknockers, Dreamcatcher , Running Man and The Langoliers. And Hollywood keeps buying up the rights to more of Stephen King's stories other directors could take . Casting is frankly decent, originally schemed to be played by Sylvester Stallone , in ¨Dolan's Cadillac¨ stands out Christian Slater as a Vegas crime lord who deals in human trafficking. After a shipment of girls goes wrong, he ends up killing half his cargo in the desert. Slater's scoundrel Dolan is the essential centre of the film, equal parts spitting out provoking soliloquies in Shakespearian style as well as sharp suited sleaziness and easily as swear words . While Wes Bentley is acceptable as teacher Robinson who's driven by vengeance and desperate for retribution, as Robinson spirals into madness consumed by his hatred and Wes does a solid job creating a character both sympathetic and slightly insane at the same time. And Emmanuelle Vaugier is nice as the beautiful wife who is witness an unceremonious execution resulting in fateful consequences.

The motion picture was professionally shot by director Jeff Beesley, who learnt his trade making TV shows, spinning a stylish and sisnister yarn with a surprising climax .Jeff Beesley is one of Canada's most exciting young filmmakers. With his unique cinematic vision, Jeff has achieved International acclaim for his body of work. His productions have screened at some of the world's most prestigious festivals and have won dozens of awards. Rating : 6/10 . Chilling climax this film offers something different with a good cast and a solid script which will have you absorbed from start to finish.