En 1838 Élisabeth accepte de porter l'enfant d'un propriétaire terrien anonyme, qui paiera en échange la dette de son père. Engagée comme gouvernante dans un domaine isolé du Sussex, Mr Godw... Tout lireEn 1838 Élisabeth accepte de porter l'enfant d'un propriétaire terrien anonyme, qui paiera en échange la dette de son père. Engagée comme gouvernante dans un domaine isolé du Sussex, Mr Godwin s'avère être ce propriétaire terrien anonyme.En 1838 Élisabeth accepte de porter l'enfant d'un propriétaire terrien anonyme, qui paiera en échange la dette de son père. Engagée comme gouvernante dans un domaine isolé du Sussex, Mr Godwin s'avère être ce propriétaire terrien anonyme.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 2 nominations au total
Avis à la une
This film takes a unique perspective, concentrating more upon the relationship between mother and daughter, rather than the romance between mother and father. Though the story is an oft-told one, this is a film whose magic will grasp you, just as the mentioned firelight within.
Sophie Marceau gives a wonderful performance as Elisabeth, combining her lovely face with the warmth of any mother towards her child. Stephen Dillane is also very good, but I was entirely *riveted* by Dominique Belcourt as little Louisa. Her performance had no artifice---she had no problem acting like the little brat, then slowly beginning to soften as she discovered what a life could be without hating everyone other than her father.
The costumes were as good as any other recent period film and the sets were *gorgeous*, especially the famous "lake house".
Therefore, despite a plot everyone knows, "Firelight" utterly charmed me and held me spellbound even after its conclusion.
Searching the web, as I said, I also ran across the director's statement that I cite here:
Inspired by Nicholson's fascination with 1940s movie love stories, Firelight is a film that awakens the romantic spirit in each of us. For his film directorial debut, Nicholson wanted to create a boundless romantic story about lovers forced apart by outside forces. To do so, he had to set his story in another place and time. "To achieve that old-fashioned level of romance," the writer/director asserts, "I had to go back to a place and time when there were forces stronger than individual desires. Contemporary love stories are relationship stories because the obstacles that prevent people from loving each other are essentially self-induced. These kind of stories can be charming, but you can't build up an enormous head of steam with them. I wanted to create a story about how love can redeem people, about how it can totally change their lives. I wanted to create that tragic feeling you have when two people are perfect for each other, love each other, but yet cannot have one another." Nicholson set out to write a film in which the focus was on people and their emotions. As he worked on the screenplay, Nicholson developed a very clear and simple visual style for the film. "I wanted people's feelings to be the central issue of the film and I wanted nothing to distract from that. The idea of firelight became central to what the film is about. The story is about light, about winter, about coldness and empty rooms where the eye goes toward the one source of heat, the fire.
To conceive a good film is one thing, but to make it, is altogether different, sometimes very hard. Nicholson succeeded fantastically but praises must be given to all the cast as well, Sophie first.
Le saviez-vous
- AnecdotesThough he had been in the film industry as a scriptwriter for many years, this was William Nicholson's first directed film.
- GaffesAfter seven years, despite evolving fashions, neither hero nor heroine have made any change in hairdo or style of clothes. Nor do they look a day older.
- Citations
Elisabeth: Do you know about Firelight?
Louisa: What about it?
Elisabeth: It's a kind of magic. Firelight makes time stand still. When you put out the lamps and sit in the firelight's glow there aren't any rules any more.
[blows out lamp]
Elisabeth: You can do what you want, say what you want, be what you want, and when the lamps are lit again, time starts again, and everything you said or did is forgotten. More than forgotten it never happened.
Meilleurs choix
- How long is Firelight?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 785 482 $US
- Week-end de sortie aux États-Unis et au Canada
- 135 401 $US
- 7 sept. 1998
- Montant brut mondial
- 785 482 $US