La Fille de d'Artagnan

A fun French comedy/adventure flick which resurrects the "Three Musketeers" and creates a beautiful daughter, Eloise, (Marceau) for an aging, portly D'Artagnan. The plot is a tad convoluted with subtitles which use some archaic English and nonstop dialogue making the story a bit of a challenge for non-French speakers to keep up with. Nonetheless, the 2+ hour run is full of swashbuckling adventures, funny antics, comedic dialogue, and the beautiful European countryside with misty moors, autumn forests, castles and all those things we love about Euro-period films.

Yes, wit. Some fun with a slice of history (Tavernier is no fool, specially talking about history, Lyonnaise cuisine and music (do you remember the beautiful, poignant and above five stars 'Round midnight...yes, I like most of Bertrand Tavernier's films). This time he take us on a trip to the Dumas territory, the same way he did the trick with Dale Turner (Dexter Gordon in 'Round midnight), but this time it's just for a happy roller coaster. Great in the acting department and using kid gloves to handle the plot as the old masters used to. If you want to have a break of all the "fast and furious" of nowadays cinema check this one.

A blithe film, perfect for a wintry evening. I saw it because I have loved every Tavernier film I have seen. This one was an unexpected treat--I was prepared for something dark and moody, and instead got Gallic sunshine. The plot is about as serious as a Gilbert and Sullivan operetta, but it really doesn't matter. It's all delightful froth. Twenty years have passed since the famous adventures of the Three Musketeers. The film begins with an escaped African slave and a mysterious raid on the convent in which Eloise, the daughter of D'Artagnan, has been raised. Quick tempered and bold, she vows to avenge the death of the Mother Superior, disguises herself as a boy and leaves for Paris seeking her father's aid. The film records the amusing history of her subsequent adventures and companions. The French do this kind of picture better than any one else--it's civilized, affectionate, jolly, self-aware, playful, and respectful. Sophie Marceau is luminous, whimsical and feisty as Eloise. I wish we could see her in more roles. Phillipe Noiret is perfect as D'Artagnan, moving and comic simultaneously. Over-scheduled Americans may fret at the pacing, but just allow yourself to be a little French--enjoy the tale, the lack of American style violence and the delightful performances, music, and sets. C'est tres jolie.

This movie must have been at its best at the concept stage. It seems to be a patriotic attempt to remake Lester's Three Musketeers as a French film. The actors are good, and Sophie Marceau is lovely, but Tavernier has no clue how to make an action film. The story rambles incoherently, the pacing is awful, even the action scenes lack tension, and the jokes fall flat. In this genre, DeBroca's Le Bossu is far superior. For a good film with Sophie Marceau, see Police.

The spirit of Dumas is alive and well as D'Artagnan and his three legendary companions regroup and once again go forth in defense of the Crown in `Revenge of the Musketeers,' directed by Bertrand Tavernier. This time around, however, it's D'Artagnan's daughter, Eloise (Sophie Marceau), who sounds the alarm after witnessing a cold-blooded murder at the convent she has called home these many years, having been raised there while her father was off on one adventure after another in service to the King. And it's the King for whom Eloise is concerned; in the wake of the murder, she has uncovered a conspiracy to assassinate the about-to-be-crowned Louis XIV during his coronation. Her evidence is a cryptic message discovered among the personal effects of the recently deceased resident of the convent. So throwing caution to the wind, Eloise takes to horseback, alone, to seek out her father and inform him of this threat to France and the King. What she doesn't know is that D'Artagnan (Philippe Noiret) has recently withdrawn from the service of the King, and not by his own choosing. It seems that the King-to-be is something of an upstart, the fact of which D'Artagnan conveyed to him personally-- in no uncertain terms-- after which the now former Musketeer retired to private life to give lessons in the art of swordsmanship. All of which is about to change with the arrival of the daughter he hasn't seen for many years, and who to his knowledge is still safely ensconced in the convent.

To successfully present yet another episode of `The Three Musketeers,' it must have that certain sense of bold carelessness born of confidence and larger-than-life adventure, and Tavernier's film has it. Though it takes a couple of scenes to find it's legs after an intense opening that makes you sit up and take notice, when it finally kicks in (which it does fairly quickly) it becomes a rousing adventure steeped in the tradition of it's predecessors. And, as in the best of the `Musketeer' movies, it's laced with subtle humor and intrigue. Tavernier sets a pace that is at times inconsistent, but he provides enough action and fun that it can be easily overlooked; it may threaten to stall occasionally, but never actually does.

Philippe Noiret cuts a striking figure as the aging D'Artagnan, who though slowed somewhat by the years, is still one of the best swords around. He successfully embodies that spirit and sense of `legend' that makes his D'Artagnan believable, and delivers it all with the confidence befitting his character.

The highlight of the film, however, is the lovely Marceau, who as Eloise proves that she can cross swords with the best of them. Her technique with a blade may be a bit awkward at times, but it gives credibility to the character; a young woman raised in a convent-- even the daughter of a famed Musketeer-- wouldn't necessarily be a master swordsman. And Marceau gives a lively performance as Eloise, diving into the action with a reckless abandon that makes her endearing, as well as fun to watch. She has a radiant screen presence that draws the eye to her, even in a crowded scene. But what really puts this character across-- and again, the entire film, for that matter-- is that unabashed spirit of adventure, which Marceau manifests in Eloise.

The supporting cast includes Claude Rich (Crassac), Sami Frey (Aramis), Jean-Luc Bideau (Athos), Raoul Billerey (Porthos), Charlotte Kady (Eglantine de Rochefort), Nils Tavernier (Quentin), Luigi Proietti (Mazarin) and Jean-Paul Roussillon (Planchet). Proving that even Musketeers beyond their prime can be engaging, especially when combined with a spirited beauty like Marceau, `Revenge of the Musketeers' is a welcome cinematic chapter in the saga Dumas began so many years ago. In the end, it's a satisfying experience that will transport you to another place and another time, when chivalry was alive and well, and right always triumphed over wrong. I rate this one 7/10.