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Drive, She Said

  • 1997
  • TV-14
  • 1h 21min
NOTE IMDb
5,2/10
155
MA NOTE
Drive, She Said (1997)
Drama

Ajouter une intrigue dans votre langueFive years in, bank colleagues Nadine Ship and Jonathan Evans hit a road block in their personal relationship. Nadine wants their relationship to move to the next level, whereas Jonathan is ... Tout lireFive years in, bank colleagues Nadine Ship and Jonathan Evans hit a road block in their personal relationship. Nadine wants their relationship to move to the next level, whereas Jonathan is happy keeping things the way they are. Nadine feels re-energized when a new bank customer ... Tout lireFive years in, bank colleagues Nadine Ship and Jonathan Evans hit a road block in their personal relationship. Nadine wants their relationship to move to the next level, whereas Jonathan is happy keeping things the way they are. Nadine feels re-energized when a new bank customer starts flirting with her. But things take a more significant turn in Nadine and Jonathan's... Tout lire

  • Réalisation
    • Mina Shum
  • Scénario
    • Mina Shum
  • Casting principal
    • Moira Kelly
    • Sebastian Spence
    • Josh Hamilton
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,2/10
    155
    MA NOTE
    • Réalisation
      • Mina Shum
    • Scénario
      • Mina Shum
    • Casting principal
      • Moira Kelly
      • Sebastian Spence
      • Josh Hamilton
    • 4avis d'utilisateurs
    • 2avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos

    Rôles principaux23

    Modifier
    Moira Kelly
    Moira Kelly
    • Nadine Ship
    Sebastian Spence
    Sebastian Spence
    • Jonathan Evans
    Josh Hamilton
    Josh Hamilton
    • Tass Richards
    Jim Byrnes
    Jim Byrnes
    • Dr. Glen Green
    Lori Triolo
    Lori Triolo
    • Jo
    Peter Stebbings
    Peter Stebbings
    • Detective Eddie
    David Hurtubise
    • Ben Polstein
    Hiromoto Ida
    Hiromoto Ida
    • Sloan
    Mina Shum
    Mina Shum
    • Chen
    John Destry
    • Bob The Guard
    Hrothgar Mathews
    Hrothgar Mathews
    • Ernie
    Carrie Cain-Sparks
    • The Waitress
    • (as Carrie Cain Sparks)
    Mike Crestejo
    • Bike Cop
    Amanda O'Leary
    • Bank Heistess
    Allan Franz
    • Medic
    Tom Scholte
    • Arnold The Gas Guy
    Tom Shorthouse
    • Kindly Older Gent
    Tong Lung
    Tong Lung
    • Counter Person
    • Réalisation
      • Mina Shum
    • Scénario
      • Mina Shum
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs4

    5,2155
    1
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    5
    6
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    8
    9
    10

    Avis à la une

    8roger-212

    Thoughtful meditation on gender, genre in a bank-robber-on-the-run story.

    I thought this was a very nice meditation on genre, gender, and a very professionally shot "indie" film about a woman who is finding her her own identity - and what she's capable of.

    All wrapped up in a bank-robber/on-the-run-from-the-law story, the guy isn't very interesting; it's all about the woman (Moira Kelly). Sure she falls in love with him...or maybe the idea of being in love and on the run. A smart script, nice elliptical thematic touches to keep things moving on a more "conceptual" level.

    The other comments that note there is no "plot" miss the point. It's about her "movement" - through space, down the road, and into a state of understanding.

    I hope this person makes more movies.
    enfilmigult

    Much better than the story itself

    Though the script has indeed been done to death already, it's not the script itself so much as the wonderful filter it's put through that makes this worth seeing. The basic outline of the plot is embarrassing just to summarize--a woman is forced to choose between security with her boring bank teller fiancée, and heady but dangerous freedom with the good-looking bank robber who kidnaps her. Seriously. It's clichéd to its very bones, in every detail, at pretty much every moment.

    It's kind of amazing that the writer/director of 'Double Happiness' would invest any time or effort in this idea, but give her credit: she really invested time and effort in it. I've been trying to nail down what it is she's doing here, and it's difficult. She tells this story with utter sincerity, but never seems to be pretending that it's anything but absurd. There's no way we would ever buy this setup, so why not make it all look like some sort of fluid, color-saturated dream? There's barely a plot to hang together, so why not just sort of slide through it in a happy, dreamy reverie? And yet the characters are written and performed exactly like people who've never seen a movie in which anything like this ever happened, and are so surprised by each development that they nearly trick us into being surprised ourselves. Search me as to why this is so watchable.

    In short, 'Drive, She Said' could have been a boring, listless road movie with a scanty story, and instead it's a dreamlike, beautiful road movie with a scanty story. More profound insights can be had from a movie, without a doubt, but it's hard to begrudge one that's so clearly happy to be alive.
    4allyjack

    Great opening credits; almost directly downhill from there

    A beautiful, art-deco-ish opening credit sequence, set to beguiling bossa-nova flavored music, seems to promise something unusually quirky and allusive. For ten or fifteen minutes that still seems possible, before the movie - through a lame kidnapper-hostage love story - descends into astonishing predictability, and takes on a kind of joyless, sombre melancholy. The very short running time seems like a simple surrender, and falls far short of the feminine self-validation that's apparently intended. The saddest thing is that even if the movie had achieved what seem to be its goals, you'd still shrug at it.
    3Tito-8

    Lifeless

    I don't want to waste too much time with this comment, basically because I don't have many good things to say about this movie. The first twenty minutes or so are mildly entertaining, but then, it simply falls apart. The comedic bits aren't funny, I was indifferent to the dramatic moments, and there was nothing to like about these dull characters (especially the leads). In fact, even though I saw this movie a mere five days ago, I've already forgotten how the film ended. Need I say more?

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Director Mina Shum is credited as playing Chen, but she also appears in the bank as the uncredited character Margaret.
    • Connexions
      References Vas-y, fonce (1971)
    • Bandes originales
      True Love
      Music by Dennis Burke

      Lyrics by Mina Shum

      Performed by Lynda Boyd

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    Détails

    Modifier
    • Date de sortie
      • 8 septembre 1997 (Canada)
    • Pays d’origine
      • Canada
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • 娜娜向前衝
    • Lieux de tournage
      • Colombie-Britannique, Canada
    • Sociétés de production
      • 47 Films
      • Canada Television and Cable Production Fund
      • Telefilm Canada - Equity Investment Program
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 21 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby
    • Rapport de forme
      • 2.35 : 1

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