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La courtisane

Titre original : Dangerous Beauty
  • 1998
  • Tous publics
  • 1h 51min
NOTE IMDb
7,1/10
20 k
MA NOTE
Catherine McCormack in La courtisane (1998)
Home Video Trailer from Warner Home Video
Lire trailer0:31
1 Video
87 photos
BiographieDrameRomanceDrames historiquesRomance torride

Une courtisane vénitienne devient une héroïne aux yeux de sa ville. Toutefois, accusée de sorcellerie, elle devient plus tard la cible de l'inquisition de l'Église.Une courtisane vénitienne devient une héroïne aux yeux de sa ville. Toutefois, accusée de sorcellerie, elle devient plus tard la cible de l'inquisition de l'Église.Une courtisane vénitienne devient une héroïne aux yeux de sa ville. Toutefois, accusée de sorcellerie, elle devient plus tard la cible de l'inquisition de l'Église.

  • Réalisation
    • Marshall Herskovitz
  • Scénario
    • Margaret Rosenthal
    • Jeannine Dominy
  • Casting principal
    • Catherine McCormack
    • Rufus Sewell
    • Oliver Platt
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    20 k
    MA NOTE
    • Réalisation
      • Marshall Herskovitz
    • Scénario
      • Margaret Rosenthal
      • Jeannine Dominy
    • Casting principal
      • Catherine McCormack
      • Rufus Sewell
      • Oliver Platt
    • 141avis d'utilisateurs
    • 33avis des critiques
    • 51Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos1

    Dangerous Beauty
    Trailer 0:31
    Dangerous Beauty

    Photos87

    Voir l'affiche
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    + 79
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    Rôles principaux58

    Modifier
    Catherine McCormack
    Catherine McCormack
    • Veronica Franco
    Rufus Sewell
    Rufus Sewell
    • Marco Venier
    Oliver Platt
    Oliver Platt
    • Maffio Venier
    Fred Ward
    Fred Ward
    • Domenico Venier
    Naomi Watts
    Naomi Watts
    • Giulia De Lezze
    Moira Kelly
    Moira Kelly
    • Beatrice Venier
    Jacqueline Bisset
    Jacqueline Bisset
    • Paola Franco
    Jeroen Krabbé
    Jeroen Krabbé
    • Pietro Venier
    Joanna Cassidy
    Joanna Cassidy
    • Laura Venier
    Melina Kanakaredes
    Melina Kanakaredes
    • Livia
    Daniel Lapaine
    Daniel Lapaine
    • Serafino Franco
    Justine Miceli
    Justine Miceli
    • Elena Franco
    Jake Weber
    Jake Weber
    • King Henry
    Simon Dutton
    Simon Dutton
    • Minister Ramberti
    Grant Russell
    Grant Russell
    • Francesco Martenengo
    Peter Eyre
    Peter Eyre
    • The Doge
    Carla Cassola
    • Caterina
    Gianni Musy
    • Joseph
    • Réalisation
      • Marshall Herskovitz
    • Scénario
      • Margaret Rosenthal
      • Jeannine Dominy
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs141

    7,120.3K
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    Avis à la une

    10Aleatha

    An excellent adaptation of a scholarly work

    For me the power of this movie rests in its faithfulness to Margaret Rosenthal's book the Honest Courtesan; which is a well-researched look at Veronica Franco's life and the plight of Venetian women in the 16th century. Dangerous Beauty, while making certain assumptions and taking some literary license, was a talented translation of Rosenthal's careful research into a captivating film. Many of the witty remarks and social commentary come directly from 16th century documents. Surprisingly the most unbelievable aspect of the movie (her escape from the Inquisition and support from prominent Venetian nobles) is historical fact. While the details are unknown and the movie is certainly more romatically dramatic than I would imagine the actual historical event, it was very true to the spirit and feel supported by the evidence we have.

    Venetian women, and indeed most medieval women, were in an unenviable position as second class citizens. Veronica Franco's struggle to find an acceptable position in society as a woman of good family but poor, is representative of the moral and societal conflicts of her time. Courtesans were not respected but they were accepted as a necessary evil. Their income was even taxable! In a society where female chastity was considered sacrosanct if she were to marry and a marriage bed was no less for sale than a courtesan's, women's choices were limited indeed. Franco's impassioned cry in the movie "I did what was necessary to survive!" is no less true were it not a verbatim report of her defense. As a penniless girl her options were limited to scullery work, the nunnery or prostitution. Her distinction was that, while she chose to sell her body, she never chose to be dominated by her profession or those who sought her out. In publishing her book of poetry and personal letters, she redefined herself as a woman first and a courtesan second. Using her wit to defend herself in the public arena she skillfully manipulated accepted literary mores of the day to show her mastery of the literary as well as political implications of her position.

    Her greatest detractors were courtiers, such as Maffio Venier, who competed with courtesans for the money bestowed by wealthy patrons. As she says in the movie, they must both sing for their suppers. The problem is that while she is willing to accept they are equal in their need of patronage, he is unwilling to be outdone by a woman. His misogynistic works of poetry were directed toward Franco and other courtesans with the intent of parading his own virtue by damning theirs. The greatest irony is that Maffio was ultimately killed by a sexual disease while Franco died of causes unrelated to her sexual practices.

    While there are those who might see this movie as an acceptance of prostitution, I believe they are missing the true story behind the sexual facade which they are focusing on. Franco's life was one of courage and honesty. She made choices that we may not understand, but we do not live in her world. And she accepted both the privilege and the degradation that her position brought her. This movie is a powerful tribute to one who sought more in life than mere existence and who faced her trials with the courage of her convictions, whether or not we or others share those convictions is immaterial.
    6Thanos_Alfie

    Catherine McCormack...

    "Dangerous Beauty" is a Biography - Romance movie in which we watch a young woman becoming a courtesan without having other choice in 1583, Venice. From the start she has to fight for everything and later on she is being accused of witchcraft by the church and she has to fight for truth too.

    I have to say that I did not know what to expect from this movie but it amazed me. The plot of the movie was very interesting with many good scenes and also the way that the society and also the political scenery were presented made it even more interesting. Regarding the interpretations of the cast, I believe that Catherine McCormack who played as Veronica Franco made one of her best performances if not the best, Jacqueline Bisset who played as Paola Franco was also very good and Rufus Sewell who played as Marco Venier was equally good. Lastly, I have to say that "Dangerous Beauty" is a very good movie and I strongly recommend everyone to watch it because it presents very well many truths of that time.
    8DonB-5

    Superb

    I saw this when it first came out and I just saw it again on video. Superb movie. I adore Venice and feel I got a real taste of what it must have been like in the 16th century. Great photography and costumes. Beautiful actors. Comedy. Romance. Based on a true story. Shows some of the ugliness of the zealot church of the time. A must see and one of the year's best. Where were the critics on this one? Played to empty theaters mostly. What a shame.
    6orcagurl

    Entertaining, but bad

    Yes, an entertaining film, yes beautiful on a cinematic aspect, but all in all, a silly period piece, and considering the subject matter, it would have done better if held with more sensitivity than sentimentality.

    It's not a smart period piece, let's start with that. The 'jovial' verbal sparring that goes on between Veronica and Platt's character is trite, and with clumsy innuendos. The sexual fascinations the men of Venice have with Veronica comes off as somewhat artificial, and Veronica herself, doesn't seem like such a dangerous beauty. The emphasis for power and intelligence in courtesans is quite clear in the film, but apart from showing her reading a couple of books, this doesn't come across. The exchange between Veronica and King Henry was set up to be challenging, and interesting, and then too easily resolved. The conclusion between Marco and Veronica's characters ripped right out of a Harlequin romance, and not given any sort of punch to make it favorable. I was hoping that Veronica would truly be strong, and assert herself as a powerful woman, but her weaknesses and what she gave into demeans this. And Paola, her mother, was quite shocking and somewhat incredulous. The film tries to explain her motives for pushing Veronica to become a courtesan, but the training session sequence still leaves an uneasy feeling about her.

    I sound quite unforgiving towards the film, so here I admit there were some good moments. Veronica explaining the not so glamorous part of a courtesan's life. The court scene (though the conclusion was still a mite too easy) held some power the rest of the film should have. Veronica's interactions with Domenic. And the Minister Rimbarti was a very sympathetic character and he stood out in the scenes he was in.

    So all in all, it's okay to watch, but if you're expecting something that actually has meaning look somewhere else.
    BB-15

    A Feast of Beauty, Charm & Wit

    While there have been several recent films about courageous women of the past whether true or imaginary, Dangerous Beauty, a quality effort with individuality, is a welcome addition to this group.

    A story of some historical sweep, wit and romance, we are first drenched in the sunlight and beauty of Venice. As the film builds I was impressed by the talent, charm and strength of the hero, Veronica Franco, poet and courtesan.

    Through two amazing events she saves Venice twice first by getting help to defend itself from invasion and later by standing up for its spirit of independence. Intertwined with this is a touching romance made bitter sweet by the pressures of arranged marriages, the terrible limitations upon women and the twisted power of envy.

    This film works on many levels, the photography and music are top notch as are the settings and costumes. The acting is fine including the main roles played by Catherine McCormack and Rufus Sewell. (Just don't expect Blanchette and Joseph Fienes.)

    If you like historical dramas with romance, intrigue and lovely scenery then I strongly recommend Dangerous Beauty.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The Veronica Franco depicted in the film was a real person. She was born in 1546 and died in 1591, at the age of forty-five. She was the most famous courtesan in Italy, but she was also famous for her satire and for her poetry.
    • Gaffes
      The books shown in the movie are printed on paper that is too thin and too white for 16th century. Also, the typeface is too small. Until 1843 paper was made exclusively from rags and this resulted in paper having large fibers and rough surface. Printing ink smeared on the fibers and so printers had to use large typefaces (equivalent to modern 16-18 points at least). White color of paper required and still requires copious use of sulfuric acid that was not available before industrial revolution too. It was not until late 19th century then modern quality paper, such as the one shown in the movie, was developed.
    • Citations

      Veronica Franco: I confess that as a young girl I loved a man who would not marry me for want of a dowry. I confess I had a mother who taught me a different way of life, one I resisted at first but learned to embrace. I confess I became a courtesan, traded yearning for power, welcomed many rather than be owned by one... I confess I embraced a whore's freedom over a wife's obedience... I confess I find more ecstacy in passion than in prayer. Such passion is prayer. I confess - I confess I pray still to feel the touch of my lover's lips, his hands upon me, his arms enfolding me... . Such surrender has been mine. I confess I hunger still to be filled and enflamed. To melt into the dream of us, beyond this troubled place, to where we are not even ourselves. To know that always, always, this is mine... If this had not been mine - if I had lived any other way - a child to her husband's whim, my soul hardened from lack of touch and lack of love. I confess such endless days and nights would be a punishment far greater than you could ever mete out... You, all of you, you who hunger so for what I give but cannot bear to see that kind of power in a woman. You call God's greatest gift: our selves, our yearning, our need to love - you call it filth and sin and heresy... I repent there was no other way open to me. I do not repent my life.

    • Connexions
      Featured in Siskel & Ebert & the Movies: Palmetto/Senseless/Dangerous Beauty/Mrs. Dalloway/Nil by Mouth/Live Flesh (1998)
    • Bandes originales
      Ungaresca e saltarello
      in "Artificio Scientia La Selena"

      Composed by Giorgio Mainiero

      Per S. Naria Della Pace

    Meilleurs choix

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    FAQ

    • How long is Dangerous Beauty?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 9 juin 1999 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Amor prohibido
    • Lieux de tournage
      • Rome, Lazio, Italie
    • Sociétés de production
      • New Regency Productions
      • Arnon Milchan Productions
      • The Bedford Falls Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 8 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 4 553 271 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 105 989 $US
      • 22 févr. 1998
    • Montant brut mondial
      • 4 553 271 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 51 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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