Ajouter une intrigue dans votre langueAn amnesiac awakens in an asylum for the criminally insane and must find answers as those around him die one by one.An amnesiac awakens in an asylum for the criminally insane and must find answers as those around him die one by one.An amnesiac awakens in an asylum for the criminally insane and must find answers as those around him die one by one.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
Edgy? Stylish? Though-provoking?
More like Unoriginal, Stupid, and Confusing. This movie was a monumental letdown, all things considered. For starters, the plot was a messy rehash of several other "successful" movies. The writer must have been watching Fight Club, Vanilla Sky, and the Truman Show on 3 different TVs and thought "Wow, if I could only rip all 3 of these off, I could make the most mind-bogglingly retarded waste of film known to man!" The main character, Noname McNeedsActingLessons, looked like some horribly distorted charicature of George W. Bush. Seth Green, who enjoyed fame in questionably "mainstream movies," figured he could make an easy paycheck with this one by doing a bad Brad Pitt impression from 12 Monkeys. The plot jumps so much from one ripoff to another that I can just see the director thinking, "I can't wait until THIS scene, it'll blow their minds." Why yes, it did blow my mind... I WAS TRYING TO FIGURE OUT WHAT WAS GOING ON! "But it's deep man," says the director, pointing out all the complex metaphors. About as deep as Corky Romano. Ted Raimi's character, apparently commenting on the plot, said it best, "There's too many variables." Yes, Ted, too many indeed.
Skip this one. If you fall into a trap and happen to see it, skip forward to Ted Raimi's scenes. He's the savior to an otherwise convoluted mess of pretentious crap.
More like Unoriginal, Stupid, and Confusing. This movie was a monumental letdown, all things considered. For starters, the plot was a messy rehash of several other "successful" movies. The writer must have been watching Fight Club, Vanilla Sky, and the Truman Show on 3 different TVs and thought "Wow, if I could only rip all 3 of these off, I could make the most mind-bogglingly retarded waste of film known to man!" The main character, Noname McNeedsActingLessons, looked like some horribly distorted charicature of George W. Bush. Seth Green, who enjoyed fame in questionably "mainstream movies," figured he could make an easy paycheck with this one by doing a bad Brad Pitt impression from 12 Monkeys. The plot jumps so much from one ripoff to another that I can just see the director thinking, "I can't wait until THIS scene, it'll blow their minds." Why yes, it did blow my mind... I WAS TRYING TO FIGURE OUT WHAT WAS GOING ON! "But it's deep man," says the director, pointing out all the complex metaphors. About as deep as Corky Romano. Ted Raimi's character, apparently commenting on the plot, said it best, "There's too many variables." Yes, Ted, too many indeed.
Skip this one. If you fall into a trap and happen to see it, skip forward to Ted Raimi's scenes. He's the savior to an otherwise convoluted mess of pretentious crap.
Horror in the Attic Late night horror movie on the Horror Channel. It made a desperate stab at being a complex psychological horror, but ended up being boring and falling into the same trap as almost all modern horror films. There is no real atmosphere, it felt very phoney and just very typical. The complexity of it seemed just tacked on and was not very complex at all.
I'd read it was a "thinking man's horror film" and in the vein of Lovecraft, but it was far from it. I found it rather simple and pointless. If you really were a "thinking man" then this isn't going to make you think, try "Jacob's Ladder". And for being like "Lovecraft", the man didn't fill his stories with sex and nudity, while this film has two sex scenes and more nudity. Just making vague references doesn't make it like something. If that were the case then here: "God" - now this post is like the Bible.
Slightly above average horror movie, but better than most of today's American tripe.
I'd read it was a "thinking man's horror film" and in the vein of Lovecraft, but it was far from it. I found it rather simple and pointless. If you really were a "thinking man" then this isn't going to make you think, try "Jacob's Ladder". And for being like "Lovecraft", the man didn't fill his stories with sex and nudity, while this film has two sex scenes and more nudity. Just making vague references doesn't make it like something. If that were the case then here: "God" - now this post is like the Bible.
Slightly above average horror movie, but better than most of today's American tripe.
The above tag line is a tip-of-the-hat nod to a previous IMDB user, and I agree. Seriously, I have never read such a deep divide in viewers over a horror movie! I have to wonder about people who call this movie "boring." What do audiences want from horror films today? There is real fear, dread and (most importantly) disorienting. I must agree that many younger minds with short attention spans will not enjoy this movie, but if you were intrigued by 12 Monkeys, Memento, Eraserhead, and other movies you HAD TO WATCH AND THINK ABOUT, I highly recommend this movie. Don't like loose ends? Tough! Want everything explained? Out of luck! But if you read Phillip K. Dick, H.P. Lovecraft or William Hope Hodgson, you will be pleased with this highly literate movie. I am looking forward to more from the director.
This film felt very disjointed and unfinished. It was stylishly directed and edited well but there were too many unanswered questions in the end. The actor who played Trevor was not very good. He was so stiff and unanimated. All of his dialogue felt very forced. I don't think he was a strong enough actor to play the lead in this film. Seth Green was great as always and the only thing that kept me from turning this film off were the scenes between Ted Raimi and Jeffrey Combs. How about a horror flick staring these two guys?! Now that would be good!
Trevor Blackburn is put under psychiatric care after killing his girlfriend and then going into a four year coma. As part of his treatment, he is placed in Love House, a community of nuts hoping to become rehabilitated. But why can't Trevor recall the murder he's accused of?
Other people -- at least two -- have called this a "thinking man's horror film", and I'm going to join them. The events are shown out of order, usually out of context, and even once the film is completed you may or may not have understood everything that happened. At one point, there's even a nod to H. P. Lovecraft, though as near as I can tell, this film has no direct connection.
The "thinking man" aspect is either going to intrigue you or frustrate you. I am a thinking man, as is my friend Seth who watched it with me, and we were frustrated. Had it not been for our man-crushes on Jeffrey Combs and Ted Raimi, the film probably would have been turned off. Now that I've seen it through, I'm curious to watch it again knowing the answers from stage one... but only so I can understand it, not because I think I'll like it.
While Combs and Raimi made the film enjoyable, and a brief Alice Cooper was nice (anyone seen "Prince of Darkness"?), what I really disliked was the actor playing Trevor, Andras Jones. Jones simply can't act for dog snot in this picture, comes off as not knowing his own emotions and more often than not is just lost. I didn't care about him, and as a lead, that's horse apples. His supporting actor, Seth Green (playing "Douglas"), wasn't much better. Green has his moments and this wasn't one of them.
There's some minor gore, some drug use, a fair dose of sexuality... so that's good. And director Jeremy Kasten does a fine job at the helm. One scene follows Seth Green around a game room and is executed flawlessly. This is probably more due to the cinematographer, but regardless it stood out. Kasten went on to make "The Thirst" (which I enjoyed) and the remake of "Wizard of Gore" with Crispin Glover. This was his directing debut, and a job well done.
I picked this film up used for $2.99 on the power of Jeffrey Combs alone, and it was worth that for the viewing... if you can find the same deal, pick it up. Or rent it. Don't buy this one, unless you really want to irk your friends and ruin a good night of drinking. Usually I drink during horror films, and on this one I didn't. Good thing, or I never would have made it through. Thinking man, yes. Drinking man, no.
Other people -- at least two -- have called this a "thinking man's horror film", and I'm going to join them. The events are shown out of order, usually out of context, and even once the film is completed you may or may not have understood everything that happened. At one point, there's even a nod to H. P. Lovecraft, though as near as I can tell, this film has no direct connection.
The "thinking man" aspect is either going to intrigue you or frustrate you. I am a thinking man, as is my friend Seth who watched it with me, and we were frustrated. Had it not been for our man-crushes on Jeffrey Combs and Ted Raimi, the film probably would have been turned off. Now that I've seen it through, I'm curious to watch it again knowing the answers from stage one... but only so I can understand it, not because I think I'll like it.
While Combs and Raimi made the film enjoyable, and a brief Alice Cooper was nice (anyone seen "Prince of Darkness"?), what I really disliked was the actor playing Trevor, Andras Jones. Jones simply can't act for dog snot in this picture, comes off as not knowing his own emotions and more often than not is just lost. I didn't care about him, and as a lead, that's horse apples. His supporting actor, Seth Green (playing "Douglas"), wasn't much better. Green has his moments and this wasn't one of them.
There's some minor gore, some drug use, a fair dose of sexuality... so that's good. And director Jeremy Kasten does a fine job at the helm. One scene follows Seth Green around a game room and is executed flawlessly. This is probably more due to the cinematographer, but regardless it stood out. Kasten went on to make "The Thirst" (which I enjoyed) and the remake of "Wizard of Gore" with Crispin Glover. This was his directing debut, and a job well done.
I picked this film up used for $2.99 on the power of Jeffrey Combs alone, and it was worth that for the viewing... if you can find the same deal, pick it up. Or rent it. Don't buy this one, unless you really want to irk your friends and ruin a good night of drinking. Usually I drink during horror films, and on this one I didn't. Good thing, or I never would have made it through. Thinking man, yes. Drinking man, no.
Le saviez-vous
- AnecdotesIn one scene Seth Green's character Douglas must deliver a five-page monologue about paranoia to Andras Jones' bewildered Trevor. Director Kasten felt that the only way to express the scene's complexities was to shoot the monologue in one continuous shot, moving constantly throughout the ballroom-sized game room in circles. Kasten rehearsed Green for three days in the room where they would be shooting; pulling Green on a predetermined path through the room and slowly increasing the tempo on a metronome.
- GaffesNear the end when Trevor and Faith are making love, you can see the actor is wearing a flesh-tone g-string. As they are sitting and talking in the follow scene, you can see the "string" part on his hips.
- Bandes originalesBlackAcidDevil
Performed by Danzig
Written by Glenn Danzig
Published by Evilive Music (ASCAP)
Courtesy of Evilive Records
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- How long is The Attic Expeditions?Alimenté par Alexa
Détails
Box-office
- Budget
- 1 000 000 $US (estimé)
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By what name was The Attic Expeditions (2001) officially released in Canada in English?
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