Ajouter une intrigue dans votre langueTwo cops from different worlds team up to solve the murder of a powerful businessman.Two cops from different worlds team up to solve the murder of a powerful businessman.Two cops from different worlds team up to solve the murder of a powerful businessman.
- Réalisation
- Scénario
- Casting principal
Park Joong-hoon
- Kim
- (as Joong-Hoon Park)
Ben Immanuel
- Angelo
- (as Benjamin Ratner)
Roger Cross
- Dion Edwards
- (as Roger R. Cross)
Robert Daprocida
- Enzo
- (as Rob Daprocida)
Avis à la une
New York detective Tony Luca is paired with South Korean detective Kim after a failed sting, as they navigate a deadly Mafia-Yakuza conflict while facing cultural clashes and personal demons.
Orion's American Dragons (1998), also known as Double Edge and The First to Die, inexplicably skipped a release in the U. K. until 2005. Director Ralph Hemecker blends action and drama with shades of American Yakuza (1993) and Black Rain (1989). The cinematography by Ernest Holzman enhances the noir-like atmosphere, while Joel Goldsmith's score adds tension and intensity. The action sequences are a mixed bag-some are executed with precision, while others are less well executed. With scattered fistfights and shootouts the tense opening, alley fight, bowling alley encounter are particularly notable highlights.
Michael Biehn delivers a strong performance as the hardened Luca, bringing both edge and depth to his role. Park Joong-hoon holds his own, adding humor and charm. Cary-Hiroyuki Tagawa makes an impression as Matsuyama, though his screen time is limited. Don Stark as mobster Rocco injects energy, making his scenes particularly engaging.
The film strikes a balance between gritty action and lighter moments, offering amusing one-liners without veering into full buddy-cop comedy. Biehn shines and carries the film effortlessly.
While Hemecker's offering may not have the scale or reach the heights of likes of Red Heat (1988), it's still wonderfully atmospheric, embracing the fish-out-of-water dynamic, creating a stylish crime shoot-em-up.
Orion's American Dragons (1998), also known as Double Edge and The First to Die, inexplicably skipped a release in the U. K. until 2005. Director Ralph Hemecker blends action and drama with shades of American Yakuza (1993) and Black Rain (1989). The cinematography by Ernest Holzman enhances the noir-like atmosphere, while Joel Goldsmith's score adds tension and intensity. The action sequences are a mixed bag-some are executed with precision, while others are less well executed. With scattered fistfights and shootouts the tense opening, alley fight, bowling alley encounter are particularly notable highlights.
Michael Biehn delivers a strong performance as the hardened Luca, bringing both edge and depth to his role. Park Joong-hoon holds his own, adding humor and charm. Cary-Hiroyuki Tagawa makes an impression as Matsuyama, though his screen time is limited. Don Stark as mobster Rocco injects energy, making his scenes particularly engaging.
The film strikes a balance between gritty action and lighter moments, offering amusing one-liners without veering into full buddy-cop comedy. Biehn shines and carries the film effortlessly.
While Hemecker's offering may not have the scale or reach the heights of likes of Red Heat (1988), it's still wonderfully atmospheric, embracing the fish-out-of-water dynamic, creating a stylish crime shoot-em-up.
I know it was made it 1998, but this movie is so 80s it almost hurts, but that's probably because it's a straight-to-video thing complete with all the usual 80s cliches - hammy over-acting, angry/rogue cop, Yakuza assassins, revolvers with infinite ammo unless the scene requires them to be empty for Dramatic Reasons...but somehow it manages to rise above the cliches to at least be worth watching.
Michael Biehn is in fine form as the Angry/Rogue Cop in America, with Park Joong-Hoon joining him from as the Specially Assigned Asian Cop sent from Korea to help investigate killings in a Mafia vs Yakuza war. Two other cast members are the ICONIC Cary-Hiroyuki Tagawa as the head of the local Yakuza, and Hiro Kanagawa as one of his underlings.
Honestly, you know pretty much exactly what you're getting here, and that's not necessarily a bad thing because at least it IS fun. Yes, it could have been better, but it could also have been a LOT worse.
Michael Biehn is in fine form as the Angry/Rogue Cop in America, with Park Joong-Hoon joining him from as the Specially Assigned Asian Cop sent from Korea to help investigate killings in a Mafia vs Yakuza war. Two other cast members are the ICONIC Cary-Hiroyuki Tagawa as the head of the local Yakuza, and Hiro Kanagawa as one of his underlings.
Honestly, you know pretty much exactly what you're getting here, and that's not necessarily a bad thing because at least it IS fun. Yes, it could have been better, but it could also have been a LOT worse.
True, the movie has this cheapish aura. But for some reason, the action wasn't even that crap. For example, the shooting in the bowling center had some sort of passion that is uncommon for a direct-to-video. Heck, even some of the more "cinema-worthy" movies couldn't beat this action. Rocco blasting everyone away with this jackhammer, while on the background you heard some opera. I liked it :P The dialogue's can be considered cheesy, but again, the dialogue's were crafted with some sort of passion that again, is truly uncommon for such a movie. And last but not least, I always had a soft spot for Michael Biehn... Or maybe I just played too much Tiberian sun ;) The Chinese guy was quite funny as well :D He had some sort of own style, instead of a plain Jacky Chan rip-off guy image you may get from him while you see him first. Don't get me wrong, I don't say this is a must-see or anything. But if you don't have anything better to do, and you notice in your TV-guide this movie is on at 12AM like it was in my country, you might as well go check it out!
New York undercover cop Luca has his cover blown during an attempted sting on mobster Rocco. The fallout leaves a cop and a civilian dead. Meanwhile in Korea officer Kim lives in the shadow of his wife and child murdered by a gang called the black orchid. When Luca is moved top homicide he finds a connection to the black orchid gang bringing Kim from Korea. The two must work together to stop the mysterious assassins causing a gang war between the mob and the Yakuza.
I thought this would be a martial arts type US cross over movie and I wasn't far off. In fact this film covers all stereotypes of the mismatched-cop movies. We have a foreign cop, a hard assed cop, a firm but fair black captain etc etc. The cliches are overpowering and the story itself is nothing special. Because of the cliches you never get to the point of getting to believe in the characters. The action scenes are OK but it's nowhere near the type of martial rats stuff I expected even Martial Law is more exciting.
The cast are mixed Biehn is OK but really overdoes the tough guy stuff and delivers his lines flat. Park is not much better, at times I thought he was poor because he was foreign and at other times I thought he was poor because he was rubbish. Tagawa is always value for money but has too small a role. The rest of the cast are nothing more than stereotypes police captain, mobsters, informants etc. The whole cast is one big cliché.
The ending deserves special mention (don't worry I'm not spoiling the end!), the line `yeah, see you but next time I'll come to Korea!' is typical of this mass produced straight-to-video gumph, already planning an international sequel .
Overall it's almost rubbish. The fact that you know exactly what to expect from it means you're not disappointed (there's a backward compliment!) but it's still pretty poor. May I suggest you watch Rush Hour instead it's cliched too but it has more energy, comedy and flair. This is very workmanlike stuff.
I thought this would be a martial arts type US cross over movie and I wasn't far off. In fact this film covers all stereotypes of the mismatched-cop movies. We have a foreign cop, a hard assed cop, a firm but fair black captain etc etc. The cliches are overpowering and the story itself is nothing special. Because of the cliches you never get to the point of getting to believe in the characters. The action scenes are OK but it's nowhere near the type of martial rats stuff I expected even Martial Law is more exciting.
The cast are mixed Biehn is OK but really overdoes the tough guy stuff and delivers his lines flat. Park is not much better, at times I thought he was poor because he was foreign and at other times I thought he was poor because he was rubbish. Tagawa is always value for money but has too small a role. The rest of the cast are nothing more than stereotypes police captain, mobsters, informants etc. The whole cast is one big cliché.
The ending deserves special mention (don't worry I'm not spoiling the end!), the line `yeah, see you but next time I'll come to Korea!' is typical of this mass produced straight-to-video gumph, already planning an international sequel .
Overall it's almost rubbish. The fact that you know exactly what to expect from it means you're not disappointed (there's a backward compliment!) but it's still pretty poor. May I suggest you watch Rush Hour instead it's cliched too but it has more energy, comedy and flair. This is very workmanlike stuff.
American Dragons is a hugely underrated film that more people should definitely know about.
Biehn plays Tony Luca, an NYC detective working undercover trying to take down the Fiorino Mafia family. When some unfortunate events cause that investigation to "go sideways", he is transferred to another case, in the Chinatown area where there have been some murders. It seems someone is bumping off Yakuza gangsters and leaving a mysterious Black Lotus emblem. Enter Detective Kim (Park) from the Seoul police department. He comes to America because he has a score to settle with the evil Matsuyama (Tagawa, playing yet another gun-toting bad guy, see Danger Zone ,1996). He teams up with Luca, who also has his own score to settle with amoral gangster Rocco (Stark). So it goes that, despite some initial conflicts due to their different cultures, the two pugilistic cops must take down their respective enemies before a mob war breaks out between the Mafia and the Yakuza.
American Dragons is stylish and artsy, yet dark and brooding. It has an engaging storyline, and despite the fact that it has some brutal, gritty violence, it also has some unexpected humor which leavens everything out.
You really get your money's worth, as there are two personal vendettas that must be settled, and two super-evil bad guys that must get their comeuppance. Luckily, there are two heroes, in the form of Park and Biehn. Biehn gets some great lines and seems as intense as the movie itself. Try to imagine a better, more adult, mature version of Last to Surrender (1999). Also, if you can, try to imagine a MUCH better version of Massacre (1985). While 'Dragons shares some plot elements from those two films, what's really interesting is the similarity it bears to Punisher: War Zone (2008), both in the style in which it is filmed and the plot.
The cinematography truly is a double edged sword here, as it is inventive and stylish, but often the scenes are just too dark to see. It's almost funny how every bar, restaurant, police station or anywhere else in the movie never turns its lights on. A lot of the time it looks like they are talking in the dark. The station house resembles the one from the Law and Order franchises, and that adds to the "police procedural on steroids" feel and even the Captain of the Precinct is reminiscent of that show's Van Buren. But here they're clearly trying to save money on electricity.
The whole movie is a of a much higher caliber than the usual action junk, and you can tell some thought went into everything, from the rockin' soundtrack to the fact that even here there's a training sequence! This, and other clues tell me the filmmakers are action fans themselves and know what they are doing. It's nice to know you're in good hands when you watch a movie.
So remember, "So foul a sky clears not without a storm" and watch American Dragons tonight - it's a cut above the rest.
For more insanity, please visit: comeuppancereviews.com
Biehn plays Tony Luca, an NYC detective working undercover trying to take down the Fiorino Mafia family. When some unfortunate events cause that investigation to "go sideways", he is transferred to another case, in the Chinatown area where there have been some murders. It seems someone is bumping off Yakuza gangsters and leaving a mysterious Black Lotus emblem. Enter Detective Kim (Park) from the Seoul police department. He comes to America because he has a score to settle with the evil Matsuyama (Tagawa, playing yet another gun-toting bad guy, see Danger Zone ,1996). He teams up with Luca, who also has his own score to settle with amoral gangster Rocco (Stark). So it goes that, despite some initial conflicts due to their different cultures, the two pugilistic cops must take down their respective enemies before a mob war breaks out between the Mafia and the Yakuza.
American Dragons is stylish and artsy, yet dark and brooding. It has an engaging storyline, and despite the fact that it has some brutal, gritty violence, it also has some unexpected humor which leavens everything out.
You really get your money's worth, as there are two personal vendettas that must be settled, and two super-evil bad guys that must get their comeuppance. Luckily, there are two heroes, in the form of Park and Biehn. Biehn gets some great lines and seems as intense as the movie itself. Try to imagine a better, more adult, mature version of Last to Surrender (1999). Also, if you can, try to imagine a MUCH better version of Massacre (1985). While 'Dragons shares some plot elements from those two films, what's really interesting is the similarity it bears to Punisher: War Zone (2008), both in the style in which it is filmed and the plot.
The cinematography truly is a double edged sword here, as it is inventive and stylish, but often the scenes are just too dark to see. It's almost funny how every bar, restaurant, police station or anywhere else in the movie never turns its lights on. A lot of the time it looks like they are talking in the dark. The station house resembles the one from the Law and Order franchises, and that adds to the "police procedural on steroids" feel and even the Captain of the Precinct is reminiscent of that show's Van Buren. But here they're clearly trying to save money on electricity.
The whole movie is a of a much higher caliber than the usual action junk, and you can tell some thought went into everything, from the rockin' soundtrack to the fact that even here there's a training sequence! This, and other clues tell me the filmmakers are action fans themselves and know what they are doing. It's nice to know you're in good hands when you watch a movie.
So remember, "So foul a sky clears not without a storm" and watch American Dragons tonight - it's a cut above the rest.
For more insanity, please visit: comeuppancereviews.com
Le saviez-vous
- AnecdotesIn Argentina, this film was released straight to video as "Black Rain 2", a sequel of Black Rain (1989).
- ConnexionsReferenced in Los ilusos (2013)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Double Edge
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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