Inspecteur Barnaby

This series is TV at it's best. The plots are full of twists and turns, none of the predictable formula plots of the American hour long dramas. The attention to detail is extraordinary, from the costumes, the cottage interiors to the whiskers on a character's face. One of the pleasures of watching a British drama, such as this one, is the quality of the acting. The actors are not chosen for their flawless white smiles or their silicon enhanced bodies but for their acting talents. The scenery and the quaint English villages are idyllic but underneath the seven deadly sins fester. The viewer can enjoy piecing together the clues to uncover the main villain but it is also fun to guess who is going to be the next victim. It is one of the few TV offerings that my husband and I can watch and enjoy together.

I discovered the "Midsomer Murders" 2 years ago. In Argentina they are shown on Hallmark Channel, and in this case I don't mind their repetitive programming, because I've become so totally addicted to the episodes that I watch them every time they are on, twice , four, five times....(middle age is creeping up on me, so sometimes I tend to forget who dunit) Wonderful entertainment, great actors down to the smallest role (remember Phyllida Law and John Nettles getting high on pot cookies??? Hilarious!!!) - which goes to show that the British are unsurpassed in the art of solid ,tasteful and funny TV crime fare. I hope we get new episodes like the ones last year and that Hallmark keeps showing them, like other British crime series, too. Malke Schmiedeberg

I really appreciate this show.No, it's not a really serious dramatic murder mystery but it's FUN to watch. I get all comfortable in my chair and it's like a mini vacation. I settle into my chair with a nice cup of tea and I'm transported to some English village, a manor, a farm, a pub and it's a slow unravelling. By the time the shows done, I have formed bonds with the locals of the episode. I mean does it get better than this? I don't want noise and car chases and all seriousness or over the top smut. This is wry and dry and just the ticket. It's light but the characters are wonderful and although the stories aren't going to make your eyes pop when the murderer is discovered, you don't care. It's the getting there that's such a good time. I will watch this over and over.

Midsommer Murders is the very definition of a guilty pleasure: it delivers a thoroughly and sustainably enjoyable and rewarding viewing experience when it shouldn't; the production value, is there, of course, as is the top notch acting and confident, if simple, directing. It is in the stories, plots and characters that the show is comically simplistic, outdated and unrealistic. And yet, it does not bother you. Contemporary rural England seems to have been frozen in time - the villages might as well be the setting for a Hercule Poirot/Sherlock Holmes murder mystery - all these butlers and manors and decadent heirs and disenfranchised servants and hunting parties and minor nobles..and still, one plays along, you suspend everything you know England is, for the illusion and the stereotype that is presented to you. And even though the crimes can be appalling and the motives quite dark and daring ( the show had episodes dealing with incest, madness and extremely violent deaths), what you are left with is a type of nostalgia and dreamlike impression, a lingering memory of country pubs and inns and stone bridges and a luscious green countryside.

I've been binge-watching (unintentionally--I accidentally got hooked) on N*tfl*x and am now on season 12. My appreciation for this show has only grown; which leads me to substantially increase my rating from the first season or two. FYI: yes, while thankfully not too hard to understand here, there is closed-captioning.

Why I've grown to like this show so much: While the initial season or two were rife with annoying stereotypes, as the show matured, so did the characters. Barnaby, the lead, is a nice change from the sometimes deranged, immature and annoying detectives so popular on American television today. He's a laid back intelligent fellow, with a stable marriage and a lovely grown daughter with ambitions of her own. It's also a nice change for a detective show to not rely on any ongoing marital or family strife as a prop for ramping up tension and drama. Any marital spats here are realistically mild and short-lived (except for the first season or so, when Joyce (his charmingly age-appropriate wife) too often complains about his frequent and justified absences during "family" moments--that was irritating, as any cop's spouse--or doctor's spouse, or fireman's spouse, would know that is part of the job; especially in a rural district with low staff numbers. I realize I'm over thinking this, but I'm glad they dropped that trope relatively early, regardless). As of season 12 Joyce is secure in her relationship with Barnaby and a woman with an active life outside of her marriage. This is a healthy relationship with mutual support and affection. Such a nice change from the usual. His "sidekicks" have also matured and grown more believable.

Even better, the show has improved the mysteries and interjected a bit more dry and appropriate humor. The Barnaby of season 12 is a confident and relaxed, seasoned detective. Sure of himself and his team(unlike many shows of this ilk); willing to let others do the heavy lifting--far more realistic than an older lead detective charging off after a younger suspect--and even let someone else take the lead. By season 12 Barnaby is secure in his position and has nothing to prove to his superiors; he's good at his job without being a rigid moralistic crusader, and everyone knows it. Despite the fact that he despises office politics, he's an active part of a functioning team, and the other characters are also allowed to change, grow and mature, with character arcs that realistically portray their growing knowledge and confidence--and promotions.

Another thing I really like about the program (and for me a major point of appreciation for British programming in general) is that many of the characters are middle aged or elderly. The cast is composed of actors and actresses that look age-appropriate and like real people. These are not Hollywood plasticized, Botoxed and sanitized versions of the middle-aged or elderly. Victims and villains, and even those having romantic affairs look like ordinary people-in some cases very attractive ordinary people, but people with prominent laugh lines and even (gasp) gray hair. People with character. Senior citizens are actively having love affairs and sexual encounters and no one is acting shocked at their age (except perhaps a spouse or two, or maybe their grandchildren); and the writers don't treat it like a joke.

This show rarely makes any note about how old anyone is when they are getting up to whatever they are doing--except perhaps in admiration. What a breathe of fresh air! You do not have to suspend disbelief to accept that actor as the father of that middle aged child, or that one as the middle aged parent of that teenager, or that those people are actually married to each other and have been for 30 or 40 years, or that person was active in WWII, etc. Given some of the mysteries go back to something that happened decades or even generations before, casting age-appropriate actors matters a great deal, even if it didn't seem like an obvious thing to do anyway. (On a social level, it also demonstrates a much greater acceptance of aging and flaws in appearance. You can be attractive even with wrinkles and a saggy bum. An attitude we'd do well to emulate). Midsomer's murder demographic definitely skews older than we would assume from similar American programming. I like that very much.

Overall a very enjoyable program with interesting and believable characters (if you can get past the first season or so) and great actors. Usually not the most challenging of mysteries, but entertaining. The quality or challenge of those mysteries can vary. In general the audience is given the same knowledge as the Detectives, so in that regard there are few "cheats" (I can't stand mystery shows that cheat their audiences; leaving out crucial information that only the sleuth knows). Most of the time the Detectives spell out their logic (sometimes as the show progresses, but usually at the end) in figuring out the murderer's identity and/or the murderer's motive. Once we know the facts and follow the Detective's logic, it makes sense--if you haven't already solved the mystery on your own.