Grantchester

I have not read the books. Therefore I enter as a virgin into the land of Grantchester. So, to me, it is a pleasant, light, somewhat funny, charming show. If we accept the idea that the Director meant to make the show in that way, I think that it is successful. I think the acting is excellent, and the stories are within reason, and interesting,but not hard-hitting because the show is not meant to be "film noir". It is light entertainment. I don't have to really believe that a Vicar, Sidney Chambers (James Norton),is regularly solving murders with his friend, Geordie, the police detective. I need not believe that a seemingly small town would have so many murders--one or more weekly--OK, let's say the time frame is two months apart, still.....you get it. So I give this show a 9 because I do enjoy it. I particularly like the acting of James Norton as the Vicar, but all are good.

Grantchester since the very first episode has been particularly good viewing, the concept of a clergyman helping the local detective solve all manner of village crimes initially seemed a wee bit far fetched,and better suited to the Father Brown afternoon slot,but it's totally engaging, intriguing, and sometimes contains a level of grit.

The combination of Robson Green and James Norton as Sidney and Geordie is a good one, they play of each other incredibly well, they frequently see all that is good and bad in one another. Tessa Peake Jones is particularly good as Mrs Maguire.

I can't recall seeing a bad episode, always consistent, some of the standout episodes include the finale of series one, and series three's Christmas special. I'm impressed how they manage to make each episode feel so unique, and the personal lives of the lead duo add to the story.

A perfect way to end the week, Sunday evening Grantchester. 8/10

I very much enjoyed seasons 1 and 2 - another "cozy" mystery series, gorgeously filmed and well-acted. The mysteries themselves are self-contained from episode to episode, while character development story arcs take place in the background to tie things together. As other reviewers have noted, the writers have made hero Sidney Chambers remarkably liberal and modern in his views. Perhaps in 1953 there were small-town vicars with such attitudes, but after a while it feels unrealistic.

For whatever reason, season 3 fell flat for me, to the extent I thought they might have changed writers. Perhaps it's the peaking of a couple of those story arcs in season 2, but I found that I no longer cared very much about the characters, while the mysteries began to feel secondary to the characters' stories. I'm unlikely to come back for season 4.

I like Grantchester for the period costumes and the Cambridgeshire setting, the plots are rather tame but what I do dislike about it is that the attitudes that it portrays are so anachronistic. The scriptwriters are becoming more determined to add in 21st century attitudes and to be politically correct, and this is completely out of place for a drama set in the 1950s. I had a rolling eyes moment when Chambers and Keating greeted each other with a hug - for heaven's sake, British men didn't even do that in the 1980s, let alone the 1950s! A handshake would have been a sign of affection but a hug - absolutely not. I really can't see a vicar that I would have known in my youth (in the 1970s) let himself go to that extent, I'm thinking in particular or the 'simulated sex on the dance floor scene' - even non-clergy wouldn't have behaved like that in the 1950s. People just didn't behave like that in public.

Another reviewer felt that Grantchester was better than Jeremy Brett's Sherlock; I think absolutely not. I know my British history in great depth and that version of Sherlock had an authentic feel of Victorian Britain. Grantchester viewers could be left thinking that the 1950s were not much different to today, just different clothes, and that certainly isn't true.

I have just finished viewing the sixth episode of Granchester and am pleased to see that the series is being continued for another season. After viewing the sixth show, I detect a dramatic shift in the characters who have now become very close friends. The show has also matured into a somewhat dark, psychological drama where the pain and the character flaws of the two men are as much a part of the show as the murder mysteries they solve together.

At the start of the series, the police officer, Geordie Keating, played by Robson Green, was suspicious of the idealistic vicar, Sidney Chambers, played by James Norton, whose life was so different than his own. After a few months, Sidney wins Geordie's friendship by using his intuitive skills to help him solve the ongoing murders that plague the village. Geordie is a no nonsense police officer with a wife and four children who is made to appear almost as a "Columbo" figure (from the U.S. television show in the 1970's and 80's) with his worn-out raincoat and hunched figure. He is a drinker and a World War II veteran. Chambers also likes to imbibe, a bit too much, and has had a series of ill-fated affairs, going against the grain for an Anglican vicar. Chambers is well aware of his shortcomings but he has a huge heart which not only endears him to women but enables him to see the best in the people of his village.

Chambers also helps Geordie through a serious crisis in his family when one of his children becomes seriously ill and Geordie is unable to be with his family and share the pain that his wife Cathy is feeling; he has been trained in both war and peace to keep emotions in check. Chambers has a great heart but he is no fool and when there is a murder, he jumps right into the action, giving the overworked Geordie the benefit of his insights. We see a number of sub-plots in the series, with some comic relief from the vicar's housekeeper, Mrs. McGuire, who treats her boss like a wayward son, finding the empty whiskey bottles and watching his liaisons with the women in his life. Then there is Sidney's curate, who is unwise to the world and full of false dreams about his idyllic life as a country priest. His naive nature soon takes a beating under the patient and watchful eye of Sidney, who has much more experience to draw upon.

Sidney must also navigate around the impending marriage of his former lover who he stills sees socially from time to time. It is clear that the two still care deeply for one another. The show has some dramatic flashbacks for Sidney that haunt him long after the war. Geordie has also been through the ordeal of war and knows the moral ambiguities that Sidney faces. The personal sides of the two men have become more pronounced as the show moved through subsequent episodes. I am looking forward to seeing the next season.