Riot

Good action movie. It may start out a little slow the first 10 or 15 minutes, but once Gary enters the riot zone, the movie becomes a non stop action fest! Lots of shooting and fighting to keep action fans happy. The stunts are good as well. The last one in particular is amazing! See the movie. I bet you will be amazed as well. Another winner from PM! Keep up the good work guys!

'Riot' stands out in PM Entertainment's catalog. First it was part of a collection of titles the company decided to put more money behind. You'll notice it first as a studio lot subs for a real city street where the heart of the film's set pieces go down. Then the quality of explosions, pyro work is above & beyond for a dtv pix. Solid stunt work too. Shame the story is largely a bore.

SAS Maj. Alcott (Gary Daniels) in the States helping to train troops is called upon when the UK Ambassador's daughter Anna (Paige Rowland) is kidnapped during an LA riot. She's not only being held for ransom, but a well known fashion model and his ex girlfriend too. As the city burns and goes into lockdown, Shane battles thugs by fist or guns at night to both get in, get the girl and then get out.

You get a straight laced government suit role from Charles Napier and in a bit of stunt casting Sugar Ray Leonard as fellow US army man and Alcott's friend Maj. Williams. Unfortunately for second billing he only gets one sole fight scene and pops up at the start and a little towards the end. It's really Daniels film and he does a fine job of what's asked of him. Likable and good with the martial arts. Patrick Kilpatrick is here playing another baddie, but his role and how it ties in is very disjointed.

I wanted a better time with 'Riot' than what I received. Few pieces of unintentional funny dialog, cheesy fake accents and decent fight scenes that'll make you think about 'The Warriors' with a 'Escape From NY' vibe keep it from every being a pain. Christmas theme complete with tunes as dudes get the brakes beat off of 'em is memorable. All this wasn't enough to overcome an uninteresting plot though.

This movie is not about the riot; the riots are simply something that provides a distraction that allows a kidnapping to occur. I suppose it is not any more stupid than similar action movies, but it sure is stupid if you are expecting a realistic view of the riots.

It is opportunistic in that it uses the riots to make us think it is interesting and worthwhile. The riots were not a good solution and will not be a good solution to problems, but this movie does not show any of the desperation and other social influences that caused the riots. In this movie, the only purpose of the riot is to provide the opportunity to make the black people the enemy.

It is racist because nearly all the black people are the bad guys.

There is a military influence to the story, and that makes the plot more complicated, but that does not help much.

The Story: A riot erupts in a major US city following the deaths of some teenagers at the hands of the police. Shane Alcott, a British soldier, is called in to rescue his former love, the daughter of the British Consulate, who was kidnapped by a gang of hoods. Trapped in the riot zone, Alcott must rescue the girl, stop the hoods & their IRA handlers, who are using the riot to further their own ambitions.

Riot comes from director Joseph Merhi, who has made a whole slew of cheap action films, such as The Glass Jungle, Repo Jake, CIA: Code Name Alexa & the entertaining The Sweeper. Here Merhi uses the background of a riot in order to drive a story about a high-profile kidnapping by hoods employed by the IRA (why the IRA would operate on American shores is something of a mystery). If you want to watch the film expecting riots, you will be disappointed, since the riot scenes are used in the start of the film only. Not to mention the fact that the scenes are played along with Christmas music, which makes the scenes quite funny to watch. As an action film, it is entertaining, with Gary Daniels fighting various hoods & IRA terrorists. But the film falters by not using the riot scenes in the proper way. Grade: C+ Review by M. K. Geist

This TV Movie is one of many aimed towards the martial-arts action market, the type that goes straight to video and has clearly been done on a budget, but can nevertheless be reviewed critically. Riot sets out to do one thing: provide a platform for the butt-kicking skills of its star, Gary Daniels. He may not be Robert De Niro in the acting stakes but within his own domain, that of the B-list actioner, he is king of all he surveys.

The "plot": When his ex-fiancé, the daughter of the city's (we don't know which) British ambassador is kidnapped in an inner city riot zone on Christmas Eve, stateside stationed SAS man Shane Allcott has to come to the rescue by delivering the money to her ransomers. In doing so he comes face to face with his past, in the form of IRA terrorists.

I would imagine that fans of this kind of low budget action fest would not go far wrong with Riot. I do not count myself in their number, but sticking with this film for its 80 minutes was no chore, especially given some very competently made stunts, fight sequences, and chases. These are especially good when they are taken seriously, because at times the film can be quite powerful, specifically the scene where Sugar Ray Leonard's character falls from Shane Allcott's (Daniels) grip and onto the pavement some twenty storeys below. Seeing that sequence was a real surprise in what I took to be a mindless action fest, and showed that even in simple or even plain silly movies, you can get great moments of film. Many of the scenes in the film have a nightmarish and excited feel, as the viewer is taken into the heart of the riot zone with Allcott. That part was well done, but unfortunately the rest of the film is a mixed bag.

Realism seems to have been sacrificed for simplicity, as the writers take the complex dynamic of the conflict between the SAS and IRA and turn it into a bunch of caricatures of various stereotypes, especially in the case of the two main villains the (get this) o'Flaherty brothers, Brian and Paddy. One of them even looks like Vernon Wells in Commando. You would not find a more clichéd stereotype in an Irish theme bar. Same goes for the black gang members in the riot zone, who are built up as running things on a racial ideology, despite the very obvious multi-ethnic nature of the rioters. Although the fight scenes are well done, any pretence that the IRA are represented accurately must surely be dispensed with. The acting is generally good, with the exception of Paige Rowland, who should have been blacklisted for her attempts. The film at times feels like a cheap spoof, but as I mentioned it does have its moments, and these are when Gary does what he does best - flex his muscles and dispatch armies of villains.

All the action is handled well, not surprisingly as this is a specialist production by an experienced team. The climax is well done on a technical level, but lacks the spectacle which a few camera angles could have changed. Charles Napier, Sugar Ray Leonard, and Dex Elliot Sanders all put in good performances, but in Napier's case this is just for a cameo. I'll ignore the lack of logic in the plot and accept this is a made for video Gary Daniels action flick.

In all, fans of this type of thing will feel at home. Anyone else, if they can put aside the simplicity of this picture, may find something they like too.

5.5/10