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Mo' Better Blues

  • 1990
  • Tous publics
  • 2h 9min
NOTE IMDb
6,7/10
15 k
MA NOTE
Denzel Washington, Spike Lee, Joie Lee, and Cynda Williams in Mo' Better Blues (1990)
Home Video Trailer from Universal Studios Home Entertainment
Lire trailer0:31
1 Video
98 photos
Drame sur le lieu de travailRomance torrideDrameMusiqueRomance

Le trompettiste de jazz Bleek Gilliam prend des décisions douteuses dans sa vie professionnelle et romantique.Le trompettiste de jazz Bleek Gilliam prend des décisions douteuses dans sa vie professionnelle et romantique.Le trompettiste de jazz Bleek Gilliam prend des décisions douteuses dans sa vie professionnelle et romantique.

  • Réalisation
    • Spike Lee
  • Scénario
    • Spike Lee
  • Casting principal
    • Denzel Washington
    • Spike Lee
    • Wesley Snipes
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    15 k
    MA NOTE
    • Réalisation
      • Spike Lee
    • Scénario
      • Spike Lee
    • Casting principal
      • Denzel Washington
      • Spike Lee
      • Wesley Snipes
    • 48avis d'utilisateurs
    • 29avis des critiques
    • 61Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 3 nominations au total

    Vidéos1

    Mo' Better Blues
    Trailer 0:31
    Mo' Better Blues

    Photos98

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    + 90
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    Rôles principaux55

    Modifier
    Denzel Washington
    Denzel Washington
    • Bleek Gilliam
    Spike Lee
    Spike Lee
    • Giant
    Wesley Snipes
    Wesley Snipes
    • Shadow Henderson (Sax)
    Giancarlo Esposito
    Giancarlo Esposito
    • Left Hand Lacey (Piano)
    Robin Harris
    Robin Harris
    • Butterbean Jones
    Joie Lee
    Joie Lee
    • Indigo Downes
    Bill Nunn
    Bill Nunn
    • Bottom Hammer (Bass)
    John Turturro
    John Turturro
    • Moe Flatbush
    Dick Anthony Williams
    Dick Anthony Williams
    • Big Stop Williams
    Cynda Williams
    Cynda Williams
    • Clarke Bentancourt
    Nicholas Turturro
    Nicholas Turturro
    • Josh Flatbush
    Jeff 'Tain' Watts
    • Rhythm Jones (Drums)
    Samuel L. Jackson
    Samuel L. Jackson
    • Madlock
    Leonard L. Thomas
    Leonard L. Thomas
    • Rod
    Charlie Murphy
    Charlie Murphy
    • Eggy
    • (as Charles Q. Murphy)
    Steve White
    Steve White
    • Born Knowledge
    Rubén Blades
    Rubén Blades
    • Petey
    Abbey Lincoln
    Abbey Lincoln
    • Lillian Gilliam
    • Réalisation
      • Spike Lee
    • Scénario
      • Spike Lee
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs48

    6,714.5K
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    Avis à la une

    10Rhythm-2

    Spike Lee, ya got this one right!

    One of Spike Lee's best, "Mo Better Blues" captures the atmosphere of jazz. The soundtrack flows with the acting like a song. Denzel Washington does a great job of portraying a jazzman's quest for perfection, while living in a "real world" full of problems. Being a musician myself, I appreciated the struggle Washington's character was going through. All of Spike Lee's trademark camera angles (which I've disliked in some of his movies) worked to perfection in this movie. Great music, good acting, and a solid plot. Recommend!
    Wazoo

    Not Spike's best, but still a great movie

    Spike Lee is, in my opinion, one of the most exciting young filmmakers to emerge in the last 20 years. While "Mo' Better Blues" is not as wonderful as "Do the Right Thing" or "Malcolm X," it still deserves considerable recognition as one of his more solid efforts. The story is a bit uneven, but the acting and the music more than make up for it.

    Denzel Washington plays Bleek Gilliam, a NYC trumpet player who fronts his own jazz quintet to sell-out crowds at a local club. He's managed by Giant (played by Lee), an irresponsible compulsive gambler who is only Bleek's manager because they're childhood friends. Meanwhile, Bleek is seeing two different women (played by Joie Lee [Spike's real-life sister] and Cynda Williams), and is torn between his passion for music and his inability to control his relationships.

    Things go haywire when Bleek's sax player, Shadow (Wesley Snipes), vies for the affections of one of Bleek's women, promising her fortune and fame as a jazz singer since Bleek only cares about himself anyway.

    Giant's gambling problems, Bleek's convictions as a "serious" musician, and the tightrope one walks between love and professional dedication are themes all visited in this exciting, vibrant film.

    Besides the wonderful performances (by Washington, Snipes, and the always-underrated Lee standby Giancarlo Esposito, among others), Ernest Dicekrson's cinematography is stunning, and the music -- performed in real life by Branford Marsalis, who has a cameo in the film -- is dazzling. The way the "band" mimes the performances is thoroughlly convincing (although it must be noted that Bleek's drummer is played by Jeff "Tain" Watts, a real jazz drummer who actually performs on the tracks themselves).

    If you're a jazz lover and a lover of Spike Lee's movies, check this out -- you'll be glad you did.
    lesyle

    Interesting interpretation of life and love...

    I really enjoyed this film. Everyone has a Bleek in his life: someone whose love of his life is all he knows, wants to know, etc. However, we always lose the love of our life for various reasons. Then, what do you do when the love of your life is suddenly taken from you? That is this film's theme. Bleek's only love was jazz music. Bleek's music was the only thing that mattered to him. Music overrode everything: an incompetent manager (who was his best friend), his lovers, and the contentment of his bandmates (the money issue which is related to having an incompetent manager). When Bleek lost the love of his life (watch the film to learn why), he was forced to make some hard choices about his life and face some unpleasant truths (something we've all had to do).

    I enjoyed the score and the jazz pieces included in this film (after all, Bleek played the trumpet). I really liked the cinematography in this film because the film showed the beauty of New York City - the brownstones, the Manhattan skyline (a brief glimpse), the Brooklyn Bridge, etc.
    8AndyInThePieWithAlmonds

    Surprised how much I liked it

    When this was on TV the other night, I expected to stick out about two minutes of it. Being a follower of Tarantino, all I'd heard recently of Spike Lee was wholly negative. In addition, I know nothing of black culture and/or jazz. Imagine my surprise then when, two hours later, I found myself entirely intoxicated by the blend of atmosphere, empathy, humour and pure depth of character and relationship in this exceptional movie. Next up, I'm watching all his other movies... Quentin, make your peace!
    HAK

    One of the better movies i have seen this and last year

    First of all let me see i'm a big jazz fan. Furthermore with Spike Lee as a director and a lot of good actors you have a good start for a film.

    It's kind of a dramatic and comedy film. Denzell plays a terrific role as as an artist who only wants his music, and neglects his girlfriends. And after an accident loses his love of his life (music). Only then he starts to realise there is more to his life than music.......

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    Centres d’intérêt connexes

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    Romance

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Denzel Washington and Wesley Snipes were trained to mimic the playing of the instruments they play in the film (trumpet and saxophone), by musicians Terence Blanchard and Donald Harrison. Washington later admitted that he was lucky if he could play three notes of a simple tune prior to filming, and ended up being able to correctly mimic most of the songs performed in the film, as did Snipes.
    • Gaffes
      During the performance of Bleek's "Pop Top Urban 40 Funk Love ... Song", Bleek's headgear changes from hat to baseball cap.
    • Citations

      Clarke: 'Cause mo better makes it mo better.

    • Crédits fous
      Flavor Flave of the rap group Public Enemy spells out the letters in "Universal" as the studio logo appears on the screen.
    • Connexions
      Edited into Cynda Williams: Harlem Blues (1990)
    • Bandes originales
      Harlem Blues
      Written and performed by Branford Marsalis Quartet and Terence Blanchard

      Vocals by Cynda Williams

    Meilleurs choix

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    FAQ19

    • How long is Mo' Better Blues?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 novembre 1990 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
      • Espagnol
    • Aussi connu sous le nom de
      • A Love Supreme
    • Lieux de tournage
      • Brooklyn Bridge, Ville de New York, New York, États-Unis
    • Sociétés de production
      • Universal Pictures
      • 40 Acres & A Mule Filmworks
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 10 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 16 153 593 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 4 387 360 $US
      • 5 août 1990
    • Montant brut mondial
      • 16 153 593 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 2h 9min(129 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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