NOTE IMDb
6,0/10
11 k
MA NOTE
Un homme, père et mari raté, commet un cambriolage pour financer son entreprise naissante. Mais les choses se compliquent lorsque sa femme intervient.Un homme, père et mari raté, commet un cambriolage pour financer son entreprise naissante. Mais les choses se compliquent lorsque sa femme intervient.Un homme, père et mari raté, commet un cambriolage pour financer son entreprise naissante. Mais les choses se compliquent lorsque sa femme intervient.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Harold Perrineau
- Henry
- (as Harold Perrineau Jr.)
Avis à la une
Another twist on the heist gone wrong movie. Alex (Nicholson) and Victor (Caine) plan to rob jewels from a house safe. The robbery goes off fine but Alex's wife leaves him and flees the abusive relationship with her son Jason (Dorff) accidentally taking the jewels. Alex and Victor give chase leading to a double-crossing finale of greed and deception.
This is not what it appears - to compare it to the many "heist gone wrong" movies around now is quite unfair. Rather, this is a character driven piece where the diamonds become the signpost to the characters' true form rather than the reason d'eitre for the whole film. Nicholson plays the main character who seems OK on the surface but is paranoid, greedy, abusive and frustrated underneath. Caine is more sleazy and obviously violent, while Lopez, Dorff and Davis all play supposed innocents sucked into the crime.
However the truth is that the film reveals the greed inside each of them, only Judy Davis as Nicholson's wife comes off as anyway sympathetic, but even she has a drinking problem. Lopez and Dorff display their greed gradually and their characters develop during the film to be as unpleasant as Nicholson. All the main performances are strong and the monstrous sides of their nature are easily believable. Any redemptions are tarnished with lingering greed, greed turns to suspicion turns to deception turns to murder. Human nature is an ugly thing and this element of it is played out at every level here.
As a crime thriller it doesn't work as well as it could have - it is often treated as a plot driver rather than the plot itself. However the characters and performances are all strong and it is this that drives the film. Depending on whether you want a crime thriller or a character piece with big names, you'll either be disappointed or pleasantly surprised.
This is not what it appears - to compare it to the many "heist gone wrong" movies around now is quite unfair. Rather, this is a character driven piece where the diamonds become the signpost to the characters' true form rather than the reason d'eitre for the whole film. Nicholson plays the main character who seems OK on the surface but is paranoid, greedy, abusive and frustrated underneath. Caine is more sleazy and obviously violent, while Lopez, Dorff and Davis all play supposed innocents sucked into the crime.
However the truth is that the film reveals the greed inside each of them, only Judy Davis as Nicholson's wife comes off as anyway sympathetic, but even she has a drinking problem. Lopez and Dorff display their greed gradually and their characters develop during the film to be as unpleasant as Nicholson. All the main performances are strong and the monstrous sides of their nature are easily believable. Any redemptions are tarnished with lingering greed, greed turns to suspicion turns to deception turns to murder. Human nature is an ugly thing and this element of it is played out at every level here.
As a crime thriller it doesn't work as well as it could have - it is often treated as a plot driver rather than the plot itself. However the characters and performances are all strong and it is this that drives the film. Depending on whether you want a crime thriller or a character piece with big names, you'll either be disappointed or pleasantly surprised.
Michael Caine gives one of his greatest performances, and that really is saying something. How many times have you seen someone overshadow CJck Nicholson? Well it happens here. Caine's character is at times pathetic, at others funny, and at others deeply nasty, and always believable.
Jennifer Lopez looks astonishing in this but her character is a cypher. The script is so-so, as is the direction, but it is worth watching once for the Caine masterclass.
Jennifer Lopez looks astonishing in this but her character is a cypher. The script is so-so, as is the direction, but it is worth watching once for the Caine masterclass.
In Miami, Alex Gates (Jack Nicholson) is a small trader of wines, married with Suzanne (Judy Davies). He does not have a good relationship with his wife and his stepson, Jason (Stephen Dorff). Alex has a Cuban mistress, Gabriela (Jennifer Lopez). One day, he decides to steal a jewel from a rich client, in the house where Gabriela works as a nanny. Alex associates to the tuberculous small-time crook Victor Spansky (Michael Caine). A series of mistakes jeopardize the heist and the selling of the necklace. This amoral and noir movie has a magnificent cast. However, something does not work well, being just an average movie about greed. My vote is six.
Title (Brazil): "Sangue e Vinho" ("Blood and Wine")
Title (Brazil): "Sangue e Vinho" ("Blood and Wine")
"Five Easy Pieces" is closed to one of the best movies ever made. I never finished watching "The King of Marvin Gardens" (It got too ponderous and uninteresting)and "Blood and Wine" is no improvement. Rafelson was much better off when he didn't get influenced from other directors and just stuck to what he did best like in F.E.P., which was about genuine characters facing genuine problems.
The characters in Blood and Wine are not realistic. They're a cliche. They weren't interesting enough to be sympathied with, even Stephen Dorff, who is supposed to be portrayed as the film's hero. Charmless, humorless, and overall bleak movie lacking any style or substance.
The characters in Blood and Wine are not realistic. They're a cliche. They weren't interesting enough to be sympathied with, even Stephen Dorff, who is supposed to be portrayed as the film's hero. Charmless, humorless, and overall bleak movie lacking any style or substance.
In Blood and Wine, Jack Nicholson plays the likable antihero he plays so well. He's married to Judy Davis, but is having an affair with Jennifer Lopez, and although he seems like a respectable wine merchant on the surface, he's actually planning to steal a diamond necklace from one of his clients, with the help of his partner Michael Caine. But, since it's Jack Nicholson, we forgive him.
Blood and Wine isn't your typical heist movie, because there are more elements to the plot than just the robbery. There are family tensions, a love triangle, and character development, which helps make this a highly enjoyable movie to watch. When you care about the characters, you care about the movie. The performances are very good, and Alison Cross's and Nick Villiers's script is pretty riveting.
So often in films, the actors who play children don't even think to adopt the mannerisms and inflections of the actors who are playing their parents. In real life, you can see an enormous amount of similarities through the generations, from gait to speech pattern to the frequency and timing of brow raises, to the tiniest of facial expressions. Stephen Dorff, while playing Jack Nicholson's stepson, took the time to do his homework. When he speaks, it's clear he grew up in an environment where Jack's mannerisms were influential. He's not giving a Jack Nicholson impression, though, and that subtle distinction makes all the difference in the world.
Blood and Wine isn't your typical heist movie, because there are more elements to the plot than just the robbery. There are family tensions, a love triangle, and character development, which helps make this a highly enjoyable movie to watch. When you care about the characters, you care about the movie. The performances are very good, and Alison Cross's and Nick Villiers's script is pretty riveting.
So often in films, the actors who play children don't even think to adopt the mannerisms and inflections of the actors who are playing their parents. In real life, you can see an enormous amount of similarities through the generations, from gait to speech pattern to the frequency and timing of brow raises, to the tiniest of facial expressions. Stephen Dorff, while playing Jack Nicholson's stepson, took the time to do his homework. When he speaks, it's clear he grew up in an environment where Jack's mannerisms were influential. He's not giving a Jack Nicholson impression, though, and that subtle distinction makes all the difference in the world.
Le saviez-vous
- AnecdotesSir Michael Caine had decided to quit acting after being greatly disappointed with the production of Bullet to Beijing (1995) and the sequel, Midnight in Saint Petersburg (1996). Jack Nicholson convinced Caine to come out of retirement to work on this movie. Caine had such a good time that he decided to continue acting.
- GaffesAlex's position on the dock at the end of the movie changes several times.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Blood and Wine?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Blood and Wine
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 22 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 094 668 $US
- Week-end de sortie aux États-Unis et au Canada
- 420 993 $US
- 23 févr. 1997
- Montant brut mondial
- 1 094 668 $US
- Durée1 heure 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Blood & Wine (1996) officially released in India in English?
Répondre