Les amants du nouveau monde

This film, is just bad, that's all there is to it. It's just bad in so many ways. Nothing but corny writing, the scenes are just awful. All they really took from the book were it's characters and the basic idea of the story. After that, they totally f**k everything up from the book. It's one of those films that makes you wish Demi Moore would just go away for the overrated actress that she is. Just a truly awful film that's a waste of a lot of money.

For my point of view "The Scarlet Letter" is a good film with great performances… All the actors do a superb job… I was worried that Demi Moore might not have the range to handle the role of Mistress Prynne, but she is excellent... She is strong, passionate, intelligent and damaged… In another place and time she might have been a leader; in this movie she is quite believable as the woman who defends her love at all costs… Gary Oldman looks perfect as Reverend Dimmesdale… He projects force and sexual magnetism along with the guilt for his sin…

The film opens in 1666 when Hester Prynne (Demi Moore) arrived in the Massachusetts Bay Colony filled with hope that here, at last, in this new World, would come the freedom to worship without fear or persecution… She didn't suspect that beyond the trees there is a savage land of savage passions dark and untamed, and that soon she will face a scornful community in which she will forever be shamed by the scarlet letter…

Mistress Prynne rejected the idea of staying in the congregation until her husband's arrival and looked for a house of her own… She finds a beautiful and frightening place, just as 'Eden must have been so untouched…'

On one Sabbath morning, Hester met Reverend Dimmesdale (Gary Oldman) who helps her when her cart got stuck in the woods… She truly enjoyed, few minutes later, his sermon … It was rare, for her, to find a man so young and fiery who could speak with such force of passion… She was moved by his passion…

Dimmesdale thought that comprehending God was going to be his greatest challenge, but—after he met Hester—he was not the man he seems to be… He lost his power before this seductress beautiful woman… He lived in this township his whole life and his purpose was clear… But now he would risk everything—his life, his ministry, his soul—just to spend a few moments alone with her… After he asked her why that morning in the forest, she didn't say that she is married, he wondered how she were able to see so deeply into his nature…

From that moment, two hearts were there struggling against a love that grew stronger with each passing day…

Hester was courteous enough but her tongue knew no rules… She earned more than a few reprimands in her life for speaking too bluntly… With a frightening strength, she challenged her persecutors and stood up to their hypocrisy, refusing to reveal her lover's identity…

"The Scarlet Letter" compels us to recognize the shadow side of our lives, including this passion that pushes us beyond our limits... The climax also compels us to contemplate about whether there is anything that we would be willing to die for

If this is your first studio film, you may be shocked by the fact that this adaptation is not the same as the source material. This is not Hawthorne's insightful, profound, crushingly depressing novel. As with most studio adaptations, it's been made more tantalizing and easily digestible with a sort of happy ending. In order to enjoy this film, you have to let go of the fact that it only borrows from the characters and theme of the novel and let it stand on its own. You also must accept that it is more entertaining and emotional and less thought provoking. Its also helpful to keep in mind that this is a very 90's studio film.

This is a solid romance movie. Gary Oldman brings painfully beautiful depth to a character that, although well written, could have easily been made off-puttingly weak and vanilla, had it been played by one of the typical leading men of the time. The movie is worth watching for his performance alone, despite being made at the eroding peak of his alcoholism. I think this was Demi Moore's finest performance. I would have never thought of casting her for this role but she delivered a believable woman of great strength and character. She could have easily been annoyingly selfish and obstinate but instead, measured with subtlety and calculation, she is both relatable and inspiring and manages to hold her own among her accomplished male counterparts. Robert Duvall gives a solid, yet uncomfortable performance. He felt a bit alien from the rest of the cast but, in a way, it suits the character. The entire supporting cast is absolutely fantastic. The score is one of the best elements of the entire film. Direction is good, there are some awkward aspects but the overall production is beautiful and well conceived.

If you take the movie for what it is and just relax, it is quite enjoyable. If you are a romantic and a fan of any of the actors, you will love it.

This adaptation of Nathaniel Hawthorne's novel is pretty disappointing. The casting of Demi Moore as Hester Prynne is laughable - she looks what she was at the time, a pretty, A-list, Hollywood star. Gary Oldman does slightly better as Dimmesdale - in fact he might have just saved the film - but Robert Duvall is atrocious as Roger Chillingworth; totally wrong.

The adaptation is stodgy, the story tampered with, and the direction by Roland Joffe is pedestrian. Faces like Edward Hardwicke, Tim Woodward, Roy Dotrice, and Joan Plowright, give the film some credibility, but not enough.

Ridiculous take on the Nathaniel Hawthorne novel as those who worked on this behave like they never even read the book. In the Massachusetts Bay Colony of 1666 a young woman (Demi Moore) fears that her husband (the much older Robert Duvall) is dead after a year of absence. She befriends pastor Gary Oldman (laughable that he could ever be a religious man in a film to start with) and soon romance blossoms. The romance turns physical, a child is born (no one knows who the father is), Moore is forced to wear the titled item, Duvall returns and plots revenge on the man who impregnated his wife while he was captured by wild Indians and Oldman secretly punishes himself as Moore keeps their affair a secret from the townspeople. Where will all this lead? "The Scarlett Letter" is a really disappointing film considering that Roland Joffe' (a once great director in the 1980s who made modern masterpieces like "The Killing Fields" and "The Mission") acts like he is just not comfortable with the material and does not know how to execute the excruciating novel into a cohesive cinematic product. Oldman and Duvall, usually very dependable players, cannot cope here and Moore just continued to under-achieve in front of the camera. Void of intelligence, dim-witted and poorly paced, "The Scarlett Letter" is one of those films that has absolutely no tone and thus becomes a hard experience to get through. Turkey (0 stars out of 5).