C'est arrivé près de chez vous

Make no mistake this is a disturbing movie. And yea it's just violence with no reason behind it. But it's portraying being on a ride with a twisted, psychotic, sociopath who doesn't care. Kind of like how a war criminal would act. And then makes some off-color jokes about it while he's killing.

Notice the art snobs on here don't only attack the movie but they need to attack the viewer as well. The movie is mocking them and they can't take it. So they write a 4 paragraph review on how much the he or she hates it and how stupid and dumb a person must be if he likes it. It's not supposed to be taken seriously.

That's the one I was looking for...

Beautifully shot in black and white, this piece of art about a killer followed by a film crew is technically incredible.Camera movements or sound effects are among the most innovative I have ever seen. Besides, the dialogues are so funny...

We watch a lot of people being shot and this might shock a lot of people, but if the viewers bear in mind the real purpose of this "massacre" (to denounce the violence rather than glorify it), this movie is really funny.

I surprised myself talking with a Belgium accent and learning by heart the dialogues in order to make people laugh. It lasted 3 years...

This is definitely a masterpiece that I would not recommend to everybody, especially because of its visual violence, but filmgoers who would like to see something different should definitely check this one.

Man Bites Dog (C'est arrivé près de chez vous).

To say this movie is disturbing would be an understatement. A massive, gigantic understatement! But it is also a display of film-genius.

The movie is filmed in Black and White and is presented as a "documentary" of a serial killer. The film crew follows Benoit, the killer, around town as he recites poetry, muses on welfare and housing reform, ponders philosophy, and ... well, kills. Totally randomly.

He explains to the film crew the lessons he has learned about killing, how to stay low key, who to go after, and what potential victims are a waste of time. For Benoit, killing is an art form, but not one that should be undertaken frivolously.

There are scenes when his lunacy are briefly pierced by humanity - he counsels one of the film crew not to kill, because once you start it becomes a habit. In another scene he laments having killed a suburban family, because they had nothing good to steal, as it turned out. He proclaims that "there should be a law against" killing for no good reason.

Those who shy from blood and killing - about the most graphical violence you'll ever see "documented" in a film - should shy from this movie. But anyone with an interest in a glimpse at the darkest side of human nature will appreciate this film, not necessarily for its story or its darkness, but for its ability to make us think, and open our eyes to human behaviour we don't like to admit might exist.

During the course of the movie you become totally numb to the act of killing (or maming or torture or rape or any violent crime). It is no longer shocking when he kills yet another victim. It has become commonplace. You just sort of scratch your head and wonder - why this one? why now? why him? why her? This mental numbness is made possible by the way it is filmed - as though it were a documentary. Not long into the movie you begin to wonder if this is real, or just a movie. I wonder if this is the kind of numbness that soldiers experienced in wars like WWI, entrenched and under constant fire - to where the violence around become the norm. I read a book once called "My War Gone By, I Miss it So" (that's a whole 'nother review) in which a war-writer kept returning to the front because after experiencing violence all around him day after day after day, he could no longer live without it. In Man Bites Dog the killing is Benoit's addiction, but we, as viewers become complacent to it. We have been numbed to where it is no longer disturbing. Makes you scratch your head and wonder: is such detachment from emotion and what's right really possible???

To add to the realism, all the actors play characters with their real names. The killer's mother and grandparents in the movie - are really the actor's mother and grandparents in real life. During most of the filming they were not told it was about serial killing, just that they were in a movie with their son. So they just act normal around the son they love, only to find out in later scenes that the whole film is about killing. Imagine the look of shock on their faces to find this out - to them the story then is no longer acting but real: they've just discovered their son/grandson made a film about brutal killings and the shock shows in their faces.

Is it real? Is it a movie? What defines the difference?

When I told him about this movie, a friend mentioned that "society,as a whole, is already numb to brutal killing and violence." He's right about that. But this movie is so ridiculously brutal and violent it is more a mockery of our society's complacence to violence, not an endorsement.

I remember renting 'Man Bites Dog' (or 'C'est Arrivé Près De Chez Vous' which is its original title) on a hunch in the mid-nineties, because I found the title and the cover on the VHS cassette intriguing. I had no idea for what kind of ride I was in. At first I was taken aback a bit, as I didn't expect the film to be in black and white. And then it simply blew me away. This mix of realism, pitch-black comedy and shocking (though not very graphic) violence had me on the edge of my seat throughout, and I simply hadn't seen anything like it before.

The direction and the realistic performances in 'Man Bites Dog' are simply outstanding; when I later watched it with a friend of mine he was visibly shaken at first, because he had thought he had watched a real documentary (which is obviously the film's intention). What must be mentioned above all else though, is the standout tour-de-force performance by the charismatic and frequently hilarious lead: Belgian actor Benoît Poelvoorde who also co-wrote and co-directed the film. He IS the film, and I have a hard time imagining the story working so well without his inspired, genius turn.

'Man Bites Dog' is perhaps one of the best and most original satires on sensationalist media since Sidney Lumet's seminal movie 'Network'; it's certainly the meanest (and not for the easily offended, mind you). In my opinion, it's a flat-out masterpiece. Highly recommended. 10 stars out of 10.

P.S. In case you don't know whether to trust this review or not, just check out the lists below, and you'll see exactly what kinds of films I like:

Favorite films: IMDb.com/list/mkjOKvqlSBs/

Favorite TV-Shows reviewed: imdb.com/list/ls075552387/

Lesser-Known Masterpieces: imdb.com/list/ls070242495/

Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/

I'd have to rank this with "Henry, Portrait Of A Serial Killer" as one of the sickest and disturbing films I've ever seen. But like "Henry," it's fascinating.....and certainly different.

It is a fake (thank goodness!) documentary with sleazy cameramen following around a serial killer as the latter murders a bunch of people while spouting philosophy between killings. Some of the demented killer's words are downright funny because of their absurdity. Perhaps that is why this is labeled by some as a black comedy, but this is so dark it is difficult for me to rate this as a comedy, even though it's there.

Most of the killings are not gruesome but there are a few that qualify for that status. They don't dwell on the blood but they don't spare anything in here, either. This film is so strange, so bizarre that one has to see it believe it. That is not just a cliché. You have not seen a film like this: I guarantee it.

A couple of Belgians - Benoit Poelvoorde, Remy Belvaux and Andre Bonzel - did almost all the work on this movie: writing, directing, editing and acting. They were new to the business, had little money and wanted to make a film with those limited resources....and they succeeded very well.