Benny's Video

"Benny's Video" focuses on a maladjusted teenager who is obsessed with technology, particularly video recording and television. He is largely ignored by his upper-class parents who feed his obsession by arming him with the latest and greatest technology, until mom and dad are forced to confront a shocking act of violence he commits.

For anyone who knows Michael Haneke's filmography even on a tertiary level, they will be aware of his bleak depictions of society and frank, unembellished representations of human depravity. This earlier work from the director has his trademarks all over it, and is bolstered by strong performances from Arno Frisch as the disturbed Benny, with Angela Winkler and Ulrich Mühe giving disturbing and calculated performances as his emotionally detached parents.

While the film gets off to a rather startling beginning, some will find the midsection and conclusion to be a bit slow; although they may be correct in pointing out slight pacing issues, the latter part of the film allows the character dynamics between parent and child (and parent and parent) to be expanded upon, and what is perhaps most shocking about it is that the audience grows to develop some sympathy for Benny despite his sociopathy; his parents, less so. There is also a notable contemplation of technology and its function in society that underpins the screenplay.

All in all, "Benny's Video" is an effective, disturbing film that speaks more to the brokenness of the family unit than it does of the malignant outcomes that may arise from it. Certainly not for the lighthearted, but it offers a drab and uncompromising window into the dark. 8/10.

Benny's Video is a slow methodical drama circling around the psyche of character decisions made through the movie. It has a strong start, and one that puts you into it right away with some disturbing footage. But then after 30 minutes or so it becomes a uneventful, both in events and character. Leading to a very slow end.

Directing is static, impactful and methodical. It's not afraid to sway from the norm, long takes that last forever. Enabling the viewer to be sucked in in certain moments. That is when it works, but there's also long lasting scenes on simply a TV. Now the I get it, the violence shown in the news and movie is supposed to be interesting and the 'story'' behind the actions. But it's dull and repeated too often. That said the directing in general managed to mostly keep me engaged and curious.

Sadly that curiosity is not rewarded. As a story it fits the notion of ''art house'' film, without a proper message to end with. But with a message as a whole. Perhaps back then it was more relevant, surely. But it makes for a weaker film now.

Acting is a standout, great work from all involved. Music, non existent. Sound design, maybe I'm weird but the eating and subtle sounds made this movie more uncomfortable than the disturbing stuff. Or maybe it was a mix of both. Just odd.

Decent but not as effective as I'd hoped.

'Benny's Video' is a genuinely unsettling film whose premise concerns a scene that is particularly disturbing and visceral. The film concentrates on Benny, a seemingly sociopathic teenager, and his regimented, staid parents known simply as 'Mother' and 'Father'. Benny lives a materially charmed life, having an array of electronics bought for him by his affluent middle class parents. This technology allows him to indulge in his interest, or rather obsession, with videos, both watching and recording them.

The film's message is a relevant one, it suggests that the media has a detrimental, and in this case fatal, desensitising effect. However, it suggests this in a rather hyperbolic fashion. The film loses its credibility through how explicitly and rather insularly it conveys its message. In my opinion, it's clear that Benny is a warped individual with an innate lack of remorse, no film or news report can rid someone of their senses to the point of sociopathy. Benny is a contemptible person, and he's purposely constructed that way, but he isn't someone who's the product of desensitisation; his cold, empathy devoid persona is that of a genealogically tarnished mind.

Narratively speaking, the film's first hour or so engrosses you with its unpleasantness and realism. The film places the viewer in a 'what if?' situation that's somewhat reminiscent of films such as 'Deliverance', but it isn't as resonant owing to the abhorrence of the film's events, the psychopathy of Benny and the steely reserve of his parents. During the last 40 minutes of the film, there is something of a pacing problem, I felt the film lost the edge and tension it had created; this isn't a particularly pressing issue, but the film certainly felt longer than 105 minutes.

I found 'Benny's Video' to be a fundamentally flawed film; it would've worked if it had a more balanced, rational message at its core. Some lobbyists, in the haze of their ignorance and typically political agendas, would vehemently agree with this film. I am of the opinion that there is a substantial difference between watching something and doing something. Violent media can, at the very most, be a mere substitutional factor amongst many factors that could somewhat exacerbate the pace of an unhinged, unwell mind.

I found this movie to be very disturbing, though it is not a violent movie. Benny is a normal teenager, except for his rather horrid taste for gore and death. This is a very thought provoking movie stumbling through a couple of different immoral issues, the end of this movie was a bit different to what I was expecting and did sort of knock me off place. I give it an 8 out of 10.

It's all about shock value. Haneke's intro for this one is to desensitize you for the rest. What happened with the teenagers is nothing compared to what we see first because the first one is real (and we know it's real), what happened with the teenagers is fake and off-camera.

The discussion happens from this point. Why aren't we more shocked? Why is Benny so insensitive to what he did? It's because of his hobby. He doesn't see it as real, it's all from his camera point of view, like everything he saw before. It's just digital or analog information put on screen. He sees himself as a viewer and a camera at the same time. He is dehumanized, he is a machine, that gun was part of him as well. And like all Haneke, it's shocking.